1. Microscopic detail 2. Symbol 3. Atomic perspective 4. Doubling 5. Childhood forms
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Blake context
* Context of production- art and paintings, what it looks like * Collection influenced by the French Revolution- when he starts writing HT Innocence, the revolution is liberating. When he finishes writing HT Experience, the revolution is bloody and gory. * HT poems are two integrated perspectives, fused together. Duality, two possibilities. * Reception: Blake was received
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Wordsworth main 5 methods
1. Asyndetic listing 2. Inner, shifting landscapes of the mind 3. Invisible listener 4. Premonitions, shadows death 5. Switching of time (temporality)
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Wordsworth unique style
* Demythologises: focus on the natural world and the power of the feeling. Pastoral with literal interest in symbolism, interested instead in individuals. * Naturalism (a rose is a rose, literal) * Selfhood (non universal, fascination with inner self and inner life (growing, individual ‘I’)
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Shelley main 5 methods
1. Greek mythology 2. Transience and shifts, between seasons and moods etc 3. Soundscape- assonance 4. Sublime
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Shelley context
Romantic context:
* Shelley draws on Greek myths to celebrate passion, desire, and erotic dissent. * Shelley explores our relationship with nature.
Shelley himself:
* Intense * Tempestuous/rapidity * Exile: cut off, not allowed to print in England
* Immoralist
* Atheist
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Byron main 5 methods
1. Satire and wit 2. Contrast and Opposition 3. Grotesque 4. Stolen choruses from sea shanties/other poems 5. Lyrical voice
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Byron unique style
* Uneven, shifting voice * Wholly sceptical * Ritual and tradition * Tasteless and profane * Witty and satirical * Heroes: extreme in all, antithetically mixed
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Byron context
* *Memento mori* (inevitable death) * Exoticism and orientalism * ‘mad, bad, and dangerous to know’ (Lady Caroline Lamb) * ‘I cannot exist without some object of love’ * national hero in Greece, died and desired a funeral pyre * conflicted, pessimistic
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Keats main 5 methods
1. Senses and sensual imagery 2. The Ode 3. Greek/Roman/Biblical references 4. Specific natural imagery 5. Temporality/time markers
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Keats unique style
* Mortality (bodies change and let us down) * Ephemeral (trying to leave a legacy, we don’t last) * Beauty (death is real but beauty is truth and escape) * Tragedy (death of senses, vitality is lost)
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Keats context
Why: industrialisation, French Revolution, mechanicalisation
What: intense focus on one individual, opposition, transforming the pastoral, sublime over nature
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Keats- Negative Capability
‘The ability to tolerate the pain and confusion of not knowing, rather than imposing ready made or omnipotent certainties upon an ambiguous situation or emotional challenge’.