Microscopic detail
Symbol
Atomic perspective
Doubling
Childhood forms
Context of production- art and paintings, what it looks like
Collection influenced by the French Revolution- when he starts writing HT Innocence, the revolution is liberating. When he finishes writing HT Experience, the revolution is bloody and gory.
HT poems are two integrated perspectives, fused together. Duality, two possibilities.
Reception: Blake was received
Asyndetic listing
Inner, shifting landscapes of the mind
Invisible listener
Premonitions, shadows death
Switching of time (temporality)
Demythologises: focus on the natural world and the power of the feeling. Pastoral with literal interest in symbolism, interested instead in individuals.
Naturalism (a rose is a rose, literal)
Selfhood (non universal, fascination with inner self and inner life (growing, individual ‘I’)
Greek mythology
Transience and shifts, between seasons and moods etc
Soundscape- assonance
Sublime
Romantic context:
Shelley draws on Greek myths to celebrate passion, desire, and erotic dissent.
Shelley explores our relationship with nature.
Shelley himself:
Intense
Tempestuous/rapidity
Exile: cut off, not allowed to print in England
Immoralist
Atheist
Satire and wit
Contrast and Opposition
Grotesque
Stolen choruses from sea shanties/other poems
Lyrical voice
Uneven, shifting voice
Wholly sceptical
Ritual and tradition
Tasteless and profane
Witty and satirical
Heroes: extreme in all, antithetically mixed
Memento mori (inevitable death)
Exoticism and orientalism
‘mad, bad, and dangerous to know’ (Lady Caroline Lamb)
‘I cannot exist without some object of love’
national hero in Greece, died and desired a funeral pyre
conflicted, pessimistic
Senses and sensual imagery
The Ode
Greek/Roman/Biblical references
Specific natural imagery
Temporality/time markers
Mortality (bodies change and let us down)
Ephemeral (trying to leave a legacy, we don’t last)
Beauty (death is real but beauty is truth and escape)
Tragedy (death of senses, vitality is lost)