Sensation
A process in which the sensory receptors & nervous system receive and represent sitimulus
Perception
A process of organizing & interpreting sensory information, enabling us to recognize meaningful objects & events
Bottom-up processing
Analysis that begins with the sensory receptors, and works up to the brain’s integration of sensory information
Top-down processing
Info processing guided by higher-level mental processes; constructs perceptions from sensory input by drawing on our experience & expectations
Selective Attention
The focusing of conscious awareness on a particular stimulus
Cocktail party effect
The ability to attend to only 1 voice among many, while also being able to detect your own name
Inattentional blindness
Failing to notice changes in the environment
Choice blindness
Failing to recall a choice immediately after making said choice
Transduction
The conversion of one form of energy to another; in sensation, the transforming of stimulus energies into neural impulses our brain can interpret
Psychophysics
The study of physical characteristics of stimuli & their relationships, such as their intensity & our psychological experience of them
Absolute threshold
The minimum stimulation needed to detect a particular stimulus 50% of the time
Gustav Fechner
Proposed the concept of absolute thresholds
Signal detection theory
Predicts how & when we detect the presence of faint stimulus amid background stimulation; assumes there is no single absolute threshold, & that detection depends on a person’s experience, expectations, context, motivation, & alertness
Subliminal stimuli
Stimuli below one’s absolute threshold for conscious awareness
Priming
Activation, often unconsciously, of certain associations, thus predisposing one’s perception, memory, or response; shows that we can process SOME info below our absolute threshold for conscious awareness, however, the effect is too fleeting
Difference threshold
The minimum difference we can discern between 2 stimuli 50% of the time; we experience this as a “just noticeable difference”
Weber’s Law
A principle stating that in order to be perceived as different, 2 stimuli must differ by a constant minimum PERCENTAGE, NOT a constant AMOUNT
Ernst Weber
Created Weber’s Law
Sensory adaptation
Diminished sensitivity as a consequence of constant stimulation; we become less aware of constant stimulus because our nerve cells fire less frequently because of it
Perceptual set
A mental predisposition to perceive one thing & not another; psychological factors that determine how we perceive our environment: expectations, context, culture, emotions, motivations, etc.
Schema
Our learned concepts thru experience that prime us to organize & interpret unclear stimuli in certain ways
Extrasensory perception (ESP)
A controversial claim that perception can occur apart from sesnory input; includes testable forms of telepathy, clairvoyance, and precognition
Parapsychology
The study of paranormal phenomena, including ESP & psychokinesis
Telepathy
Mind-to-mind communication
Clairvoyance
Perceiving events beyond the physical realm: past & future
Precognition
Perceiving future events
Bluish color waves
Short wavelength & high frequency - vision
Reddish color waves
Long wavelengths & low frequency - vision
Bright colors
Great amplitude
Dull colors
Small amplitude
Wavelength
The distance from the peak of one light or sound wave to the peak of the next; responsible for sight and audition
Hue
Dimension of color determined by wavelength of light
Intensity
Amount of energy in a light or sound wave which we perceive as brightness or loudness, as determined by a wave’s amplitude
Amplitude
The distance from rest to crest in a wave; determines the brightness or dullness of certain colors
Cornea
Protects the eye & bends light to provide focus
Pupil
Adjustable opening in the center of the eye where light enters
Iris
A ring of muscle tissue that forms the colored portion of the eye around the pupil; controls the size of the pupil opening
Lens
Transparent structure behind the pupil; changes shape to help focus images on the retina
Retina
The light-sensitive inner surface of the eye; contains receptor rods & cones & layers of neurons that begin the processing of visual info
Accommodation
The process where the eye’s lens changes shape to focus near or far objects on the retina
Receptor Rods
Retinal receptors at the back of the retina; detect black, white, & gray (grayscale); necessary for peripheral & twilight vision when the cones don’t respond
Cones
Retinal receptors that are concentrated near the center of the retina; function in daylight or well-light environments, detecting fine detail and giving rise to color sensation
Photoreceptors
Specialized cells at the back of the retina that transduce light into signals for the brain to process
Bipolar cells
Cells in the retina that connect photoreceptors to ganglion cells; help activate ganglion cells
Ganglion cells
Cells in the retina that receive visual info from the photoreceptors via the bipolar cells; pass information to the brain
Optic nerve
Bundled axons of the ganglion cells; a nerve that carries neural impulses from the eye to the brain and visual cortex (via the thalamus)
Blind spot
The point where the optic nerve leaves the eye, creating a spot where there are no receptor cells
Fovea
The central focal point in the retina, around where the eye cones cluster
David Huber & Torsten Wiesel
Psychologists who received the Nobel Prize for their work on feature detectors
Feature detectors
Nerve cells in the brain/visual cortex that respond to specific features of visual stimuli
Supercell clusters
Respond to more complex patterns; located in critical brain areas; info is passed onto them by feature detector cells
Face recognition area
Area in the right temporal lobe right by the right ear
Parallel Processing
Processing of many aspects of a problem simultaneously; the brains natural mode of info processing for many functions (e.g. vision); REMEMBER FORM, DEPTH, MOTION, COLOR → Furries Don’t Mind Cancer
Young-Helmholtz Trichromatic Theory
Retina contains 3 different color recptors/cones, with one most sensitive to red, green, or blue; when stimulated in combo, these receptors can produce perception of ANY color
Ewald Hering’s Opponent-Process Theory
There are 3 additional opposing retinal processes that enable color vision: red vs. green, blue vs. yellow, black vs. white; some cells are stimulated by green and inhibited by red, and vice versa; En route to the brain, neurons in the retina & thalamus code color-related info from the cones into pairs of opposite colors; explains afterimage
Gestalts
An organized whole; our tendency to integrate pieces of info to meaningful wholes
Gestalt psycholog(y)(ists)
Emphasize that we often perceive the whole of things, rather than its parts
Figure-ground
Organization of visual fields into objects that stand out from their surroundings
Grouping
Perceptual tendency to organize stimuli into coherent groups; include Proximity, Continuity, & Closure
Proximity
Our tendency to group nearby figures together
Continuity
Our tendency to group smooth continuous patterns together rather than discontinuous ones
Closure
Our tendency to want to fill in gaps to create a complete, whole object/image
Depth Perception
The ability to see objects in 3D, although images that strike our retinas are 2D; allow us to judge distance
Visual Cliff Experiment
Experiment that tested depth perception in infants & young animals; infant → placed on platform where the other half is hard, transparent glass; DEPTH PERCEPTION IS INNATE IN MANY OTHER ANIMALS, HOWEVER, DEPTH PERCEPTION SEEMS TO BE A LEARNED TRAIT IN HUMAN BABIES
Binocular Cues
Depth cues that depend on the use of 2 eyes
Retinal Disparity
A binocular cue for depth perception; compares the slightly different visual images from both retinas, so that the brain can compute distance and depth; the greater the difference between 2 images, the closer the object
Monocular Cues
Depth cues that are available to either eye alone
Interposition
Monocular cue; when one object blocks the view of another, we perceive it to be closer
Linear Perspective
Type of depth monocular cue that the human eye perceives when viewing 2 parallel lines that APPEAR to meet at a distance
Relative size
Type of monocular cue, where we perceive smaller objects as farther away
Relative motion
Type of monocular cue where objects seem to move when focused on a fixation point; objects beyond fixation point → appear to move w/ you; objects in front of point → appear to move backward; objects farther away from point, faster it’ll appear to move
Stroboscopic movement
Perception of continuous movement in a rapid series of slightly varying images; commonly seen in animation films & its many frames
Phi Phenomenon
Illusion of movement when 2 or more adjacent lights blink on & off in quick succession
Perceptual constancy
Perceiving objects as unchanging even as illumination & retinal images change
Color constancy
Perceiving familiar objects as having consistent color, even if changing illumination alters the wavelengths reflected by the object
Brightness constancy
Perceiving familiar objects as having constant brightness despite illumination change; depends on relative luminance
Relative luminance
The amount of light an object reflects relative to its surroundings
Shape constancy
Perceiving familiar objects as unchanging in shape, despite the retina receiving changing images
Size constancy
Perceiving familiar objects as unchanging in size, despite changing retinal images
Perceptual adaptation
In vision, the ability to adjust to artificially displaced or even inverted visual fields; think of glasses that shift subject’s world and their adjustment to life
Audition
The sense or act of hearing; highly adaptive
Sound waves
Bands of compressed & expanded air; ears detect these changes in air pressure & transduce them into neural impulses that the brain decodes as sound
Frequency
The number of complete wavelengths that pass a point in a given time; determines pitch
Pitch
A tone’s experienced highness or lowness; depends on frequency
Low pitch
Long wave, low frequency - sounds
High pitch
Short wave, high frequency - sounds
Outer ear
Channels sound waves through the auditory canal to the eardrum
Auditory canal
The passageway from the outer ear to the eardrum
Eardrum (tympanic membrane)
Tight membrane that vibrates when soundwaves hit it, where the middle ear & its ossicles pick it up
Middle ear
Chamber between the eardrum & cochlea; contains 3 tiny bones called the ossicles (hammer, anvil, stirrup) that concentrate vibrations from the eardrum & transmits it to the cochlea
Ossicles - Hammer, Anvil, & Stirrup
Bones in the middle ear that amplify the vibrations picked up from the eardrum, & relay them to the fluid-filled cochlea
Cochlea
Coiled, bony, snail-shaped, fluid-filled tube in the inner ear; sound waves travel through its fluid & trigger neural impulses
Inner ear
Innermost part of the ear; contains the cochlea, semicircular canals, vestibular sacs, and the basilar membrane (inside of the cochlea)
Basilar membrane
Membrane lined with tiny ear hair cells; bend the ear hair cells when rippled by pressure changes in the cochlear fluid
Ear hair cells
Cells that trigger impulses/neural messages that’re then sent through the auditory nerve to the brain
Auditory nerve
bundled axons that send neural messages to the auditory cortex via the thalamus; similar to the optic nerve
Sensorineural hearing loss (nerve deafness)
Hearing loss caused by damage to the cochlea’s ear hair cells, or to auditory nerves
Conduction hearing loss
Hearing loss caused by damage to the mechanical system in the ear that conducts sound waves to the cochlea
Cochlear implant
A device for converting sounds into electrical signals & stimulating the auditory nerve through electrodes threaded into the cochlea; can restore hearing for some people
Place theory
Theory that links the pitch we hear, with the place where the cochlea’s membrane is stimulated; only explains how we hear HIGH PITCH sounds