DANCE: Composition and Analysis

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Creative Thinking and Exploration

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50 Terms

1

Creative Thinking and Exploration

Involves thinking creatively and exploring various movement possibilities to articulate specific intentions through dance vocabularies.

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2

Understanding Dance Structures

Focuses on exploring different ways of structuring dances, including narrative, theme-based, musical, abstract, improvisational, spatial, rhythmic, conceptual, collaborative, and technical structures.

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3

Alignment and Posture

Emphasizes proper alignment and maintaining upright posture to support movement efficiency and avoid injury.

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4

Balance and Stability

Involves understanding the center of gravity and using the base of support effectively to maintain balance and stability during movement.

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5

Weight Transfer

Refers to smoothly shifting the body's weight from one part to another and utilizing grounding to create movement.

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6

Breath Support

Using breath to support and initiate movement, along with coordinating breath with movement for enhanced fluidity.

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7

Extension and Flexion

Involves extending and flexing the body to create lines and shapes, along with joint articulation and sequential movement coordination.

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8

Opposition and Coordination

Utilizing opposing forces within the body for dynamic movement and harmonizing different body parts to move effectively.

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9

Dynamics and Quality of Movement

Varying intensity, speed, and force of movements to create contrast and exploring different movement qualities.

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10

Timing and Rhythm

Coordinating movements with music or rhythm, understanding pacing, accelerations, and decelerations for effective dance expression.

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11

Waltz

A ballroom dance in triple meter, characterized by its smooth, flowing movements.

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12

X-Position

A position where the arms or legs are crossed or extended in a way that forms an “X.”

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13

Yank

A quick, forceful pull or movement, often used in modern dance to create tension or dynamics.

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14

Zigzag

A movement pattern that involves a series of sharp, angular changes in direction.

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15

Skill Development

Providing opportunities for students to practice required skills and meet assessment requirements.

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16

Creating Original Dances

Composing original dances as coursework, including one arrangement of a long-standing established dance.

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17

Contrasting Compositional Nature (HL Specific)

HL students creating dances with contrasting themes, styles, movement qualities, dynamics, music, spatial design, choreographic structures, and costuming/set design.

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18

Analysis and Examination

Involves analyzing personal dance work, demonstrating understanding of compositional structure, discussing choreographed works, making connections, and meeting assessment requirements.

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19

Assessment Requirements

Include creating and presenting original dances, written analytical statements, discussion and comparative analysis, and HL-specific assessments for contrasting compositional nature.

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20

Narrative Structure

Involves storytelling and themed-based

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21

Musical Structure

Involves verse-chorus and phrasing

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22

Abstract Structure

Involves motif development and ABA form

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23

Improvisational Structure

Involves Structured improvisation and contact improvisation

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24

Spatial Structure

Involves use of space and formation changes

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25

Rhythmic Structure

Involves syncopation and polyrhythms

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26

Conceptual Structure

Involves idea-driven and symbolism

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27

Collaborative Structure

Involves co-choreography and dancer input

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28

Technical Structure

Involves technique based and skill development

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29

Form

Refers to the structure and organization of the dance. It includes the overall layout, sequences, patterns, and the spatial and temporal arrangement of movements.

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30

Content

Encompasses the themes, ideas, emotions, and narratives expressed through the dance. It’s the subject matter or message that the dance conveys.

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31

Function

Refers to the purpose or intended outcome of the dance. It’s the reason why the dance is created and performed.

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32

Arabasque

A position in which the dancer stands on one leg with the other leg extended horizontally behind them.

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33

Ballet

A highly technical form of dance with its own vocabulary and set of movements, characterized by grace, precision, and formalized steps.

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34

Choreography

The art of designing and arranging dance movements and sequences.

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35

En Croix

Movement done in the shape of a cross, typically front, side, back, side.

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36

Fondu

A lowering of the body on one leg, with the other leg moving in or out.

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37

Glissade

A gliding step, typically used to transition between positions.

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38

Hip Hop

A dance style characterized by breaking, locking, and popping, originating from street dance.

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39

Isolations

Moving one part of the body while keeping the rest still.

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40

Jazz

A dance style that blends elements of ballet, modern dance, and popular music, often characterized by its rhythmic, energetic movements.

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41

Piqué

A stepping motion in which the dancer steps directly onto the pointed foot, often used in pirouettes.

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42

Syncopation

A rhythmic pattern in which the expected beat is accented differently, adding variety to the rhythm.

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43

Vaganova

A method of ballet training developed by Russian ballet dancer Agrippina Vaganova, known for its emphasis on technique and artistry.

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44

Composition requirements for second dance

Solo or duet performed by the student alone or with another student from the school.

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45

Collaboration

Working with different choreographers or dancers specializing in contrasting styles to bring authenticity and depth to each piece.

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46

1000 word

Length of the analytical statement demonstrating their understanding of comp

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47

Twirling

Spinning or rotating the body, often used in jazz and contemporary dance.

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48

Tour en l’Air

A jump or leap in which the dancer rotates their body in the air.

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49

Sissonne

A jump from both feet to one foot.

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50

Quadrille

A square dance, often performed in set patterns.

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