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Heritage or Pamana
Legacy from the past what we live with today and what we pass on to future generations serving as irreplaceable sources of life and inspiration
Cultural Heritage
An expression of the ways of living developed by a community and passed on from generation to generation including customs practices places objects artistic expressions and values
Tangible Cultural Heritage
The physical remains kept in the present for the benefit of future generations categorized into movable and immovable heritage
Movable Cultural Heritage
Tangible heritage that can be transported such as paintings sculptures furniture wall paintings and documents
Immovable Cultural Heritage
Tangible heritage that cannot be moved such as historical buildings monuments and archeological sites
Intangible Cultural Heritage
The practices representations expressions knowledge and skills transmitted from generation to generation that provide a sense of identity and continuity
Domains of Intangible Heritage
Includes oral traditions performing arts social practices rituals festivities knowledge concerning nature and traditional craftsmanship
Natural Heritage
Refers to physical biological and geological formations habitats of threatened species and areas with scientific conservation and aesthetic value
Cultural Landscapes
Places that represent the significant interactions between people and the natural environment expressing a long and intimate relationship
Clearly Defined Landscape
A category of cultural landscape intentionally designed and created by man such as garden and parkland landscapes constructed for aesthetic reasons
Organically Evolved Landscape
A cultural landscape developed by association with and in response to its natural environment resulting from a social economic administrative or religious imperative
Relict or Fossil Landscape
An organically evolved landscape where the evolutionary process came to an end in the past but its distinguishing features are still visible in material form
Continuing Landscape
An organically evolved landscape retaining an active social role in contemporary society where the evolutionary process is still in progress alongside material evidence over time
Associative Cultural Landscape
A landscape justified by the powerful religious artistic or cultural associations of the natural element rather than material cultural evidence
Rizal Park Manila
An example of an associative cultural landscape containing both natural and built landscape elements
Conservation
All the processes of looking after a place so as to retain its cultural significance or an act to stabilize the condition of materials to preserve them
Integrity
A measure of wholeness and intactness of a heritage resource and its attributes to secure sustain and convey its significance
Significance
The value of heritage to past present and future generations
Preservation
Maintaining a place in its existing state and retarding deterioration through preventive maintenance
Restoration
Returning a place to a known earlier state by removing accretions or by reassembling existing elements without the introduction of new materials
Reconstruction
Returning a place to a known earlier state distinguished from restoration by the introduction of new material
Adaptation or Adaptive Reuse
Changing a place to suit the existing use or a proposed use with minimal impact on its cultural significance
Relocation
Moving a culturally significant resource to another site as a last resort when all other options have been exhausted
Consolidation
The physical addition or application of materials that strengthen or support the actual fabric of the monument or building to ensure its continued durability or structural integrity
Addition
A modification which involves the introduction of new materials
Alteration
Any act or process that changes one or more of the exterior architectural features of a structure including erection construction reconstruction or removal
Compatible Use
A use which respects the cultural significance of a place
Integrated Conservation
Achieved by the application of sensitive restoration techniques and the correct choice of appropriate functions in the context of a historic area
Intervention
Involves maintenance stabilization repair restoration reconstruction or adaptation applied to parts or components of a structure or site
Maintenance
The continuous protective care of the fabric and setting of a place which is distinguished from repair
Repair
An action that involves restoration or reconstruction
Redevelopment
The insertion of contemporary structures or additions sympathetic to the setting
Facadism
A conservation approach where a certain portion of the facade of a historic structure is retained
Rehabilitation
The process of returning a property to a state of utility through repair or alteration making possible an efficient contemporary use while preserving significant features
Remodeling
A drastic renovation without regard to its original state authentic whole and the past
Renovation
The adaptation and possible beautification of the structure to make it useful and serve modern needs where retention of cultural significance may not be considered
Built Heritage
Man made structures from the past that are of value to the community embodying technical and architectural knowledge
Contemporary building
Structures within the historic site built from the 1950s onwards but part of the historic layering of the evolution of the site
Historic buildings
Buildings at least fifty years old that are of general interest because of their aesthetic value scientific interest or cultural historical significance
Historic resources
Includes historically significant buildings landscapes and places or objects that possess exceptional value or quality
Monuments
Buildings structures sculptures or historic sites of national historical significance placed under the protection and designation of appropriate authorities
Place
A site area land landscape building or other work including components contents spaces and views
Landmark
A property or structure designated by national legislation that is worthy of rehabilitation restoration and preservation because of its significance
Open space
Refers to open space within a site of cultural significance
Gardens and parks
Refers to parks and landscapes within the site of cultural significance
Fabric
All the physical material of the place including components fixtures contents and objects
Intrusive element
A disruptive element of slight significance which tends to devaluate the significance of the other components
Layering
Components of a historic site or monument or building that pertains to its historic evolution expressed in either layout style or materials
Period style
An architectural characteristic either interior or exterior style representing a given era of cultural significance
Cultural Significance
Refers to the qualities that make a place important embracing aesthetic historic scientific social or spiritual value for past present and future generations
Conservation Challenge
Striking a balance to protect significance by weighing material authenticity versus design authenticity
Rarity
A degree of significance demonstrating rare uncommon or endangered aspects of the cultural heritage
Representativeness
A degree of significance demonstrating the characteristics of a class or cultural places or environs
Association
The special connection that exists between people and places
Interpretation
All the ways of presenting the cultural significance of a place
Meanings
Denotes what a place signifies indicates evokes or expresses
Aesthetic or Architectural Value
Significance in exhibiting particular aesthetic characteristics architectural innovations and representations of built heritage
Historical Value
Significance where the place was the site of an important event or associated to an important personage or organization in history
Social Value
Significance where a site has become a focus for a spiritual political or national cultural sentiment and provides a forum for gathering and a sense of belonging
Religious Sacred or Symbolic Value
Significance where the place provides a venue for expression and practice of spirituality and ideology
Scientific or Technological Value
Significance demonstrating a high degree of technical innovation or the potential to yield information about natural or cultural history
Weathering
A natural environmental process that subjects built heritage to continuous deterioration
Ageing process
The natural continuous deterioration of a building simply due to the passage of time
Consumption by use or fashion
Deterioration dependent on the type of structure and material or modifications due to changes in function and taste
Natural calamities
Risks such as earthquakes and floods that continue to cause irreparable damage and destruction of historic buildings
Armed conflict
Damage to heritage caused by humankind including wars revolutions conquests willful damage and demolition
Desertion
The abandonment of entire cities and regions caused by the exhaustion of resources or political decisions such as the resort town of Varosha in Cyprus
Destruction by robbers and plunder
Willful damage and looting of heritage sites such as the Bamiyan buddhas destroyed by the Taliban
Restorers in England
Concerned about faithful restoration and reconstruction of the original architectural form emphasizing practical and functional aspects
Anti restorationist
Conscious of historic time insisting that it is not possible to recreate a specific historic context so the task is to protect and conserve the authentic original material
Sir George Gilbert Scott
The most successful Victorian architect and church restorer who advocated Conservatism as the keynote of restoration preserving all various styles and irregularities
John Ruskin
An English art critic who argued that restoration is destruction and that ancient buildings should be preserved without erasing the accumulated history encoded in their decay
Ruskin view on restoration
Believed that it is impossible to restore anything that has ever been great or beautiful because the spirit of the dead workman cannot be summoned up
Ruskin view on imitation
Hated imitations and insisted that both building materials and working methods must be honestly what they appear to be without fakes
Building according to Ruskin
Actual construction according to the requirements of intended use
Architecture according to Ruskin
Artistic treatment that adds to the aesthetic appreciation of the building contributing to mental health power and pleasure
The Seven Lamps of Architecture
Written by John Ruskin containing the seven fundamental laws to be observed by any conscientious architect and builder
The Lamp of Sacrifice
Dedication of mans craft to God and visible proofs of mans love and obedience
The Lamp of Truth
Handcrafted and honest display of materials and structure
The Lamp of Power
Buildings should be thought of in terms of their massing and organization of physical effort
The Lamp of Beauty
Aspiration towards God expressed in ornamentation drawn from nature
The Lamp of Life
Buildings should be made by human hands so that the joy of masons and stone carvers is associated with expressive freedom
The Lamp of Memory
Buildings should respect the culture from which they have developed
The Lamp of Obedience
No originality for its own sake but conforming to the finest existing values specifically the English Early Decorated Gothic style
Henry Dryden
Defined restoration as putting something into a state different from that in which we find it but similar to that in which it once was recommending no attempt at deception
Scott categories of ancient architectural remains
Mere antiquities Ruins of ecclesiastical or secular buildings Buildings in use and Fragmentary ancient remains in modern buildings
Scott view on Ruins
Needed urgent action due to rapid decay where any new work should be rough and made of old materials but not masked so it is manifest that it is only added to sustain the structure
Scott Beau ideal of restoration
Restoration carried out in a tentative and gradual manner trying how little will do rather than going on any bold system using small contracts
RIBA Guidelines for Conservation
Published practical rules and suggestions in 1865 regarding conservation based mainly on Gilbert Scott paper
RIBA Recommendations
Included carrying out a careful archeological survey photographing before works started conserving anything of value in situ and forbidding the scraping of old surfaces
Sidney Colvin
Emphasized that a building is a work of art bearing the marks of time and that old workmanship is more beautiful than new
John James Stevenson
A Scottish architect who insisted that manufactured documents of a later date were a falsification and had a reverence for absolute authenticity
William Morris
Wrote a letter opposing destructive restoration which led to the founding of the Society for the Protection of Ancient Buildings where he served as honorary secretary
SPAB
The Society for the Protection of Ancient Buildings founded on March 22 1877 which united forces against conjectural restoration and formed the basis for modern conservation policy
SPAB Philosophy
Promoted conservative repair to stave off decay by daily care and considered any attempt at copying as the creation of a fake
Sir John Lubbock
A founding member of SPAB who worked on the preparation of a Bill for Parliament to obtain legal protection for ancient monuments
Ancient Monuments Act
Became law on August 18 1882 limiting protection to tumuli dolmens or stone circles of outstanding importance
Authenticity
The measure of a heritage resource being truly what it is claimed to be