Streetcar and Malfi Quotes

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AO2 quotes for drama essay - currently only 8 themes

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114 Terms

1
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Blanche on falling head-over-heels in love

“all at once and much, much too completely” S6

2
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Cariola concerned by the Duchess’s choices

“whether the spirit of greatness or of woman reigns most in her (…) it shows a fearful madness” A1S2

3
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Stanly did Stella a favour and brought her to his level

“pulled you down off them columns” s8

4
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Bosola on the brothers’ infectiousness

“you have a pair of hearts are hollow graves, rotten and rotting others” a4s2

5
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Why Stella betrayed Blanche

“I couldn’t believe her story and go on living with Stanley” s11

6
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Stella realises what she did

“Oh God, what have I done to my sister?” s11

7
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The Duchess knows she is used

“A many hungry guests have fed on me” a4s2

8
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Stella ends in despair

“she sobs with inhuman abandon” s11

9
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Antonio’s justification for taking action

“for better fall once than be ever falling” a5s1

10
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Stella’s desire and inability to escape Stanley

“They come together with low animal moans” s3

11
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Stanley on their wedding night

“snatched off one of my slippers (…) smashing lightbulbs with it” s4

12
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The Duchess’s dangerous desire

“violent passions” a1s2

13
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Blanche’s provocative attire

“scarlet satin robe” s9

14
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Ferdinand’s incestuous imaginings

“To see her in the shameful act of sin” a2s5

15
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Initial description of New Orleans (2)

“Raffish charm”

“Atmosphere of decay” s1

16
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Antonio on the risk of corruption in a pure court

“prince’s court”

“should flow pure silver drops”

“cursed example poison’t near the head, death and diseases through the whole land spread” a1s1

17
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Bosola’s awakening

“A sweet and golden dream: I am angry with myself now that I wake” a4s2

18
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The alliance against Blanche (2)

“rub-a-dub-dub, three men in a tub, and what a filthy tub” s9

“I got an acquaintance” s2

19
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The brothers’ corruption

“he and his brother are like plum trees that grow crooked over standing pools” a1s1

20
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the dubious Dubois ancestors

“improvident grandfathers and fathers and uncles and brothers exchanged the land for their epic fornications” s2

21
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Bosola on the deep-running corruption

“search the heads of the greatest rivers in the world, you shall find but bubbles of water” a2s1

22
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What Mitch blames for the disaster on poker night

“Poker shouldn’t be played in the house with women” s3

23
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Ferdinand on gullible women

“what cannot a neat knave with a smooth tale make a woman believe?” a1s2

24
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Stanley’s pride

“animal joy in his being is implicit in all his movements and attitudes” s1

25
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Stanley’s visual introduction

“bowling jacket and red-stained package from the butchers” s1

26
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Ferdinand’s appearance

“what appears in him mirth is merely on the outside” a1s1

27
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Ferdinand’s diseased inside

“a wolf’s skin was hairy on the outside, his on he inside” a5s2

28
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Stella to violent Stanley

“drunk- drunk- animal thing, you!” s3

29
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Blanche on Stanley’s animal quality

“There’s something downright - bestial - about him” s4

30
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Ferdinand’s diagnosis

“lycanthropia” a5s2

31
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The doomed Dubois

“the Grim Reaper put up his tent on our doorstep” s1

32
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Ferdinand’s early threat to his sister

“This was my fathers poniard (…) I‘d be loath to see it look rusty” a1s2

33
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Stanley’s domestic abuse to barely-challenging Stella

“[a chair scrapes. Stanley gives a loud whack of his hand on her thigh]

STELLA: (sharply) “thats not fun, Stanley” s3

34
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The Cardinal’s deceptive poisoning

“I will swear you to’t upon this book (…) kiss it!” a5s2

35
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Blanche’s dried-up love life

“These are love-letters, yellowing with antiquity” s2

36
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Why the Duchess has to pursue

“we are forced to woo because nine dare woo us” a1s2

37
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Blanche’s fear projected onto the walls

“[lurid reflections appear on the walls around Blanche. The shadows are of a grotesque and menacing form” s10

38
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The Duchess’s mild temper

“The heaven above my head seems made of molten brass and the earth of flaming sulphur… yet I am not mad” a4s2

39
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Stanley’s treatment of Blanche’s belongings

“he crosses to the trunk, shoves it roughly open, and begins to open compartments”

“rips off the ribbon and starts to examine them" s2

40
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Bosola’s eagerness to kill

“whose throat must I cut?” a1s2

41
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Ferdinand’s dramatic death fantasy

“when I have hewed her to pieces” a2s5

42
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dependent Stella on Stanley’s return

“When he comes back I cry on his lap like a baby“ s1

43
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The cardinal on entering marriage

“the marriage night is the entrance into some prison” a1s2

44
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Stanley’s response to silly Blanche

[“playfully sprays him with it. He seizes the atomiser and slammed it down on the dresser.”] s2

45
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The colour of Blanche’s jacket

‘Della Robbia blue” s11

46
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qualities that matter more than beauty (according to Blanche)

“richness of spirit and tenderness of the heart (…) grow“ S10

47
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Onlooking Antonio on the lovely Duchess

“her days are practiced in such noble virtue” a1s1

48
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Stanley as lord of the house

“remember what Huey Long said - every man is a king, and I’ the king around here” s8

49
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Ferdinand makes sin look like virture

“the devil candies all sins over” a1s2

50
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Stanley’s predetermination

“we’ve had this date with each other from the beginning” s10

51
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Ferdinand’s passionate, violent determination

“tis not your whore’s milk that shall quench my wild fire, but your whore’s blood” a2s5

52
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Blanche’s tragic expression

“a look of sorrowful perplexity, as if all human experience shows on her face” s11

53
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Bosola’s observing the Duchess, she looks forward to death

“she is sad as one long used to it, and seems rather to welcome the end of misery” a4s1

54
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Blanche’s tragic costume

“soiled and crumpled white gown” s10

55
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Blanche knows her reputation

“how strange that I should be called a destitute woman” s10

56
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Blanche’s subdued figure

“inert” s10

57
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The Duchess’s assured identity

“I am the Duchess of Malfi still” a4s2

58
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Blanche’s journey to Stan and Stella

“take a streetcar named desire (…) cemeteries (…) get off at elysian fields” s1

59
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Ferdinand’s realises we cause our own demise

“whether we fall by ambition, blood, or lust, like diamonds we are cut by our own dust” a5s5

60
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The soundtrack to Blanche’s demise

“the hot trumpet and drums from the four deuces sound loudly” s10

61
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Stanley reiterating his dominance

“I’m the man of the house and every man is a king” s8

62
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Stan to Stella on return from beating her

“he was as good as a lamb when he came back and he’s really very, very ashamed of himself” s4

63
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Humble Antonio

“O, my unworthiness” a1s2

64
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The men caring for riled-up Stan

“they speak quietly and lovingly to him and he leans his face on one of their shoulders” s3

65
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Ferdinand’s dominance in court

“Why do you laugh? Take fire when I give fire, that is, laugh when I laugh” a1s2

66
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Stan’e interest in Blanche’s papers

“Take the Neopleonic code, a man has to take interest in his wife’s affairs” s2

67
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Antonio’s anticipation of a child

“weak delight to see the little wonton ride a cock-o-horse” a1s2

68
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The Duchess’s hubristic defiance of obstacles

“I will make them my low foot-steps” a1s2

69
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What the duchess has (materially) to offer her husband

“Now the grounds broke, you may discover what a wealthy mine I make you lord of” a1s2

70
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Blanche’s expectation of a saviour

“If anyone calls while I’m bathing, take the number” s11

71
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Bosola’s expectation of a reward

“For this act I am certain to be raised” a3s3

72
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The Duchess uplifting Antonio

“Raise yourself, or if you please, raise my hand to help you” a1s2

73
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Blanche kicked out of Laurel

“practickly a town ordinance placed against her” s7

74
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Blanche’s traumatic intimidation

“I don’t want to pass in front of those men” s11

75
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the Duchess’s final wish

“my body bestow upon my women” a4s2

76
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The Duchess is used to suffering forced upon her

“I am acquainted with misery, as the tanned galley-slave is with his oar” a4s2

77
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Blanche’s initial insecurity about her arrival

“you’re all I’ve got in the world, and you’re not glad to see me” s1

78
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The Duchess’s romantic enclave

“All discord, without this circumference, is only to be pitied and not feared” a1s2

79
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How Stanley passes the time that Stella is in labour

“(grinning amiably): The baby won’t come till morning so they told me to go home” s10

80
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Antonio’s final wish for his son

“let my son fly the courts of princes” a5s4

81
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Antonio’s final wish unfulfilled

“establish this hopeful young gentleman in his mother’s right” a5s5

82
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Blanche’s reaction to Stably destroying her beloved

“[tearing (the paper lantern) off the lightbulb (…) she cries out as if the lantern was herself]” s11

83
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Metatheatrical reference to the Duchess’s powerlessness

“I account this world a tedious theatre, for I do play a part in it against my will” a4s1

84
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Stella’s submission to Stanley, in a trance

“her eyes go blind with tenderness” s3

“narcotised tranquility” s4

85
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Bosola’s submission to Ferdinand

“I am your creature”

86
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Why Mitch ultimately rejects Blanche

“you’re not clean enough to bring into house with my mother” s9

87
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Stella’s exciting abuse

“I was - sort of - thrilled by it” s4

88
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Bosola’s affection for Ferdinand

“though I loathed the evil, I loved you that did counsel it.” a4s2

89
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The Duchess on her brother’s coordinated intervention

“I should think this speech between the two of you was studied” a1s2

90
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Blanche on her life in darkness since Alan

“not (…) has there been any light stronger than this - kitchen - candle…” s6

91
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Antonio on why Bosola is this way

“all black malcontents (…) do hurt for want of wearing” a1s1

92
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Blanche’s ultimate physical weakness

"[She moans. The bottle-top falls (…) He picks up her inert figure]” s10

93
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The Duchess’s great limitation

“were I a man, I’d beat that counterfeit face into thy other” a3s5

94
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Stella’s longing for Stanley

“When he’s away for a week, I nearly go wild!” s1

95
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Julia on the burdens of chastity

“This nice modesty in women is but a troublesome familiar that haunts them” a5s2

96
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The Duchess is not a statue!

“This is flesh and blood sir/ Tis not he figure cut in alabaster/ kneels at my husband’s tomb” a1s2

97
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Stanley’s fertile character description

“gaudy seed-bearer” s1

98
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Mitch’s entitlement

“What I been missing all summer” s9

99
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The Cardinal on his services to Julia

“Took you off your melancholy perch, bore you upon my fist, and showed you game”

“You are to thank me” a2s4

100
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Blanche’s bathing motif

“I take hot baths for my nerves” s8