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fans herself with a “p____ l____”
symbolises her clinging to an what that is far removed from what
The p____ l___, often associated with t____ b____ and l___, reflects Blanche’s desire to maintain what
her growing d___ from r___ as the play progresses.
fans herself with a “palm leaf”
symbolises her clinging to an exotic, romanticized dream world that is far removed from the harsh reality around her.
The palm leaf, often associated with tropical beauty and luxury, reflects Blanche’s desire to maintain an illusion of sophistication, charm, and escape.
her growing detachment from reality as the play progresses.
“The H____ F___ is not the sort of e____ I would dare to be s____ in!”,
lying to cover up what , as the H____ F___ is heavily implied to be a place of what
. The reference to the “F_____”, a brightly coloured, e__ bird, ties into the play’s ongoing c____ m____, where vibrant colours do what
“The Hotel Flamingo is not the sort of establishment I would dare to be seen in!”,
lying to cover up her shameful past, as the Hotel Flamingo is heavily implied to be a place of prostitution/brothel
. The reference to the “Flamingo”, a brightly coloured, exotic bird, ties into the play’s ongoing colour motif, where vibrant colours often mask decay and corruption.
“Men don’t—don’t even a____ your e___ unless they are what”
reflects the harsh reality of 19___ attitudes towards women, where their value was often tied solely to what rather than i____
. Blanche’s b____ observation reveals her experience of what
This line creates s____ from the a____, as it shows Blanche’s deep l___ and the e___ d___
“Men don’t—don’t even admit your existence unless they are making love to you!”
reflects the harsh reality of 1940s attitudes towards women, where their value was often tied solely to their sexual appeal rather than individuality
. Blanche’s bitter observation reveals her experience of being used and discarded by men who offered no real support or respect, only desire.
This line creates sympathy from the audience, as it shows Blanche’s deep loneliness and the emotional damage
“I want Mitch — very badly,”
exposes her deep v____ and d___ for e___ and f___ security.
Unlike her u____ f____ f____, this moment is r____ and h___, showing that her desire for Mitch is not just r____ but what
Williams highlights Blanche’s tragic need for s____ and t___, creating further sympathy for her as she does
“I want Mitch — very badly,”
exposes her deep vulnerability and desperation for emotional and financial security.
Unlike her usual flirtatious front, this moment is raw and honest, showing that her desire for Mitch is not just romantic but a survival instinct in a society where women like her have few options.
Williams highlights Blanche’s tragic need for stability and tenderness, creating further sympathy for her as she clings to Mitch as her last hope for redemption and protection.
“y____ m___! y____, y___, y___ man! Has anyone ever told you that you look like a y____ p___ out of the Arabian Nights?”
use of e____ (repetition) emphasizes her obsessive fixation on what
foreshadows the what
Williams uses h____-s___ and r___ fantasy to expose Blanche’s i____ t___—her longing to reclaim what, even as it leads to what
Young man! Young, young, young man! Has anyone ever told you that you look like a young Prince out of the Arabian Nights?”
use of epizeuxis (repetition) emphasizes her obsessive fixation on the boy’s youth and innocence.
foreshadows the later revelation of her affair with a young student,
Williams uses hyper-sexuality and romanticized fantasy to expose Blanche’s inner turmoil—her longing to reclaim lost youth and affection, even as it leads to her moral downfall and ultimate destruction.
“I want to k___ you—just once—s___,”
reveals her inability to do what , like the s____ - it d____ itself.
Her words express an i____, d____ l___,
Williams uses this line to highlight Blanche’s c____ nature, where her longing for a___ and p____ connection outweighs r___, pushing her deeper into what
“I want to kiss you—just once—softly,”
reveals her inability to control her desire, like the streetcar - it drives itself.
Her words express an impulsive, desperate longing,
Williams uses this line to highlight Blanche’s compulsive nature, where her longing for affection and physical connection outweighs reason, pushing her deeper into the realm of illusion and self-destruction.