Mrs Dalloway - critics

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28 Terms

1
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Paul Bailey

At her most interesting she is a snobbish, vain, repressed lesbian who has dabbled in culture, but for the greater part of the novel she is only a shadow, poetically enshrined

2
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Gilbert and Gubar (Clarissa)

Clarrissa is "a kind of queen" who "with a divine grace…regenerates the post-war world”

3
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Gary Carey

“the death of Clarissa's soul began the moment she married Richard”

4
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Julia Courtney

Clarissa simultaneously "experiences the party as unreal, and herself as superficial" but also sees it as "a gift, an offering, an affirmation of life"

5
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Sutherland and Hislop

"she takes off her feathered yellow hat as if discarding her social pretensions”

6
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Elaine Showalter (Septimus)

"Unable to reconcile his unconscious desire with his strong feelings of propriety and even class superiority, Septimus sees all sexual desire as evil and sordid"

7
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Elaine Showalter (suicide)

"we tend to see Septimus as the victim of medical power, whose suicide is, as Clarissa says, a heroic act of defiance"

8
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Isabel Gamble

Septimus has recognised certain necessities evaded by Clarissa, or perhaps never encountered by her

9
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Bonnie Kime Scott

Septimus' death leads Clarissa to 'reach for an understanding that goes beyond 'the people she knew best''

10
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Julia Courtney (admiration)

Clarissa admires Septimus "as if his suicide is an act of personal reintegration"

11
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Elaine Showalter (Peter sex)

Peter's "sense of the social changes in England is primarily sexual"

12
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Elaine Showalter (men vs women)

"While women live their lives vicariously through their daughters, men have the chance to renew their lives through action"

13
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Elaine Showalter (Peter youth)

As Peter ages he makes a 'defiant attempt to recapture his sense of youth, virility and romance through following women on the street'

14
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Rachel Bowlby (ambition)

'Elizabeth is driven by ambitions beyond the ken of women thirty years before, and unencumbered by the pressure of masculine interference'

15
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Rachel Bowlby (imagination)

'Elizabeth's imaginative nature could be seen as a positive sign of women's progress' but she 'readily returns for the time being, to her domestic calling, as a good, civilised daughter'

16
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Rachel Bowlby (Jane Eyre)

'Whereas Jane Eyre dreams out from a distant rooftop, Elizabeth Dalloway is already on top of the bus, travelling through the city in which she may well fulfil her ambitions'

17
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Elaine Folton

'Miss Kilman searches for human connection in a world that has rejected her.'

18
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Phyllis Rose

Miss Kilman share[s] in the masculine crime of 'forcing' the soul, where forcing has the meanings…of rape"

19
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Alex Zwerdling

"Woolf gives us a picture of a class impervious to change in a society that desperately needs or demands it, a class that worships tradition and settled order, but cannot accommodate the new and disturbing"

20
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Elaine Showalter (war)

The war seems to have left the governing classes curiously untouched

21
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Sutherland and Hislopp

'In her attempts to criticise the social system, Woolf is trying to show that what proportion and conversion really amount to is coercion'

22
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Alex Zwerdling (party)

Clarissa's party is strictly class-demarcated. No Septimus, no Rezia, no Doris Kilman could conceivably set foot in it.

23
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Jaqueline Rose

"The name of the husband is the strongest insignia of patriarchal power"

24
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Carolyn Heilbrun

'After youth and childbearing are past, women have no plot, there is no story to be told about them'

25
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Virginia Woolf, Mr Bennet and Mrs Brown (1)

"In or about December 1910, human character changed"

26
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Virginia Woolf, Mr Bennet and Mrs Brown (2)

"All human relations have shifted – those between masters and servants, husbands and wives, parents and children. And when human relations change there is at the same time a change in religion, conduct, politics and literature"

27
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Kirsty Hewitt

'Clarissa Dalloway embraces the past, Peter Walsh wallows within it and traumatised Septimus Smith tries his utmost to repel it'

28
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Alex Zwerdling (Establishment)

'The fundamental conflict is between those who identify with Establishment and those who resist or are repelled by it"