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Barbara Kingsolver’s The Poisonwood Bible: Content (up to page 414 only)
In 1959 an overzealous Baptist minister named Nathan Price drags his wife and four daughters deep into the heart of the Congo on a mission to save the unenlightened souls of Africa.
Barbara Kingsolver’s The Poisonwood Bible: Symbolism
Methuselah, the Parrot
The Demonstration Garden
The Poisonwood Tree
Barbara Kingsolver’s The Poisonwood Bible: Foreshadowing
Methuselah's death by the hands of a predator on the same day that the Republic of Congo is granted its independence foreshadows the fate of the nation.
Barbara Kingsolver’s The Poisonwood Bible: Themes
The Cultural Arrogance of the West
Pantheism as a Superior Form of Religious Faith
The Individuality of How to Deal with the Burden of Guilt
The Impossibility of Absolute and Unambiguous Justice on a Global Scale
Barbara Kingsolver’s The Poisonwood Bible: Characterization
Nathan Price
Orleanna Price
Rachel Price
Leah Price
Adah Price
Ruth May Price
Barbara Kingsolver’s The Poisonwood Bible: Quotations - who said what
“Maybe I'll even confess the truth, that I rode in with the horsemen and beheld the apocalypse, but still I'll insist I was only a captive witness. What is the conqueror's wife if not a conquest herself?”
“The smiling bald man with the grandfather face has another face.”
“I felt the breath of God go cold on my skin.”
Barbara Kingsolver’s The Poisonwood Bible: Books within the book
Genesis
The Revelation
The Judges
Bel and the Serpent
Exodus
Song of the Three Children
The Eyes in the Trees
Barbara Kingsolver’s The Poisonwood Bible: Allusions
Bible
Myth of Ham
Moses
Children's books
Philip Roth’s “The Conversion of the Jews”: Content
A Jewish boy who forces his Jewish audience to say they believe in Jesus.
Philip Roth’s “The Conversion of the Jews”: Symbolism
Light
Philip Roth’s “The Conversion of the Jews”: Characters
Oscar “Ozzie” Freedman
Rabbi Marvin Binder
Itzie
Philip Roth’s “The Conversion of the Jews”: Setting
A synagogue in Newark
William Wordsworth’s Poetry: British Romanticism
A reaction to the Industrial Revolution
A revolt against the aristocratic social and political norms of the Age of Enlightenment
A reaction against the scientific rationalization of nature.
William Wordsworth’s Poetry: Content
The human relationship to nature
William Wordsworth’s Poetry: “Lines Composed a Few Miles of Tintern Abbey”
The description of his encounters with the countryside on the banks of the River Wye grows into an outline of his general philosophy.
William Wordsworth’s Poetry: “Composed Upon Westminster Bridge, September 3, 1802”
Describes London and the River Thames, viewed from Westminster Bridge in the early morning.
William Wordsworth’s Poetry: “The World is too Much with Us”
Criticizes the world of the First Industrial Revolution for being absorbed in materialism and distancing itself from nature.
William Wordsworth’s Poetry: “I wondered lonely as a cloud”
Inspired by an encounter during a walk, when he saw a "long belt" of daffodils.
John Keats Poetry: “Ode on a Grecian Urn”
The idealism and representation of Greek virtues in classical Greek art.
John Keats Poetry: “When I have Fears that I may Cease to Be”
Primarily explores death, the fear of it, and what it prevents Keats from doing.
Ode
Elaborately structured poems praising or glorifying an event or individual.
Apostrophe
When a speaker breaks off from addressing the audience and directs speech to a third party.
Synecdoche
A figure of speech that uses a term for a part of something to refer to the whole or vice versa.
Anaphora
A rhetorical device that consists of repeating a sequence of words at the beginnings of neighboring clauses.
Alfred, Lord Tennyson’s “Ulysses”: Content
Despite his reunion with his wife Penelope and his son Telemachus, Ulysses yearns to explore again.
Alfred, Lord Tennyson’s “Ulysses”: Speaker
Ulysses
Alfred, Lord Tennyson’s “Ulysses”: Tone
restless and rousing
Henry Wadsworth Longfellow’s “Mezzo Cammin”: Content
About a worried, “midlife crisis” type of feeling the speaker is having.
Henry Wadsworth Longfellow’s “Mezzo Cammin”: Tone
Reflective and somewhat melancholic
Henry Wadsworth Longfellow’s “Mezzo Cammin”: Allusion of Title
The opening line of The Divine Comedy
Henry Wadsworth Longfellow’s “Mezzo Cammin”: Metaphors
Physical travel