The Power of Words

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31 Terms

1
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Barbara Kingsolver’s The Poisonwood Bible: Content (up to page 414 only)

In 1959 an overzealous Baptist minister named Nathan Price drags his wife and four daughters deep into the heart of the Congo on a mission to save the unenlightened souls of Africa.

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Barbara Kingsolver’s The Poisonwood Bible: Symbolism

Methuselah, the Parrot

The Demonstration Garden

The Poisonwood Tree

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Barbara Kingsolver’s The Poisonwood Bible: Foreshadowing

Methuselah's death by the hands of a predator on the same day that the Republic of Congo is granted its independence foreshadows the fate of the nation.

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Barbara Kingsolver’s The Poisonwood Bible: Themes

The Cultural Arrogance of the West

Pantheism as a Superior Form of Religious Faith

The Individuality of How to Deal with the Burden of Guilt

The Impossibility of Absolute and Unambiguous Justice on a Global Scale

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Barbara Kingsolver’s The Poisonwood Bible: Characterization

Nathan Price

Orleanna Price

Rachel Price

Leah Price

Adah Price

Ruth May Price

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Barbara Kingsolver’s The Poisonwood Bible: Quotations - who said what

“Maybe I'll even confess the truth, that I rode in with the horsemen and beheld the apocalypse, but still I'll insist I was only a captive witness. What is the conqueror's wife if not a conquest herself?”

“The smiling bald man with the grandfather face has another face.”

“I felt the breath of God go cold on my skin.”

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Barbara Kingsolver’s The Poisonwood Bible: Books within the book

Genesis

The Revelation

The Judges

Bel and the Serpent

Exodus

Song of the Three Children

The Eyes in the Trees

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Barbara Kingsolver’s The Poisonwood Bible: Allusions

Bible

Myth of Ham

Moses

Children's books

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Philip Roth’s “The Conversion of the Jews”: Content

A Jewish boy who forces his Jewish audience to say they believe in Jesus.

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Philip Roth’s “The Conversion of the Jews”: Symbolism

Light

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Philip Roth’s “The Conversion of the Jews”: Characters

Oscar “Ozzie” Freedman

Rabbi Marvin Binder

Itzie

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Philip Roth’s “The Conversion of the Jews”: Setting

A synagogue in Newark

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William Wordsworth’s Poetry: British Romanticism

A reaction to the Industrial Revolution

A revolt against the aristocratic social and political norms of the Age of Enlightenment

A reaction against the scientific rationalization of nature.

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William Wordsworth’s Poetry: Content

The human relationship to nature

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William Wordsworth’s Poetry: “Lines Composed a Few Miles of Tintern Abbey”

The description of his encounters with the countryside on the banks of the River Wye grows into an outline of his general philosophy.

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William Wordsworth’s Poetry: “Composed Upon Westminster Bridge, September 3, 1802”

Describes London and the River Thames, viewed from Westminster Bridge in the early morning.

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William Wordsworth’s Poetry: “The World is too Much with Us”

Criticizes the world of the First Industrial Revolution for being absorbed in materialism and distancing itself from nature.

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William Wordsworth’s Poetry: “I wondered lonely as a cloud”

Inspired by an encounter during a walk, when he saw a "long belt" of daffodils.

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John Keats Poetry: “Ode on a Grecian Urn”

The idealism and representation of Greek virtues in classical Greek art.

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John Keats Poetry: “When I have Fears that I may Cease to Be”

Primarily explores death, the fear of it, and what it prevents Keats from doing.

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Ode

Elaborately structured poems praising or glorifying an event or individual.

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Apostrophe

When a speaker breaks off from addressing the audience and directs speech to a third party.

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Synecdoche

A figure of speech that uses a term for a part of something to refer to the whole or vice versa.

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Anaphora

A rhetorical device that consists of repeating a sequence of words at the beginnings of neighboring clauses.

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Alfred, Lord Tennyson’s “Ulysses”: Content

Despite his reunion with his wife Penelope and his son Telemachus, Ulysses yearns to explore again.

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Alfred, Lord Tennyson’s “Ulysses”: Speaker

Ulysses

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Alfred, Lord Tennyson’s “Ulysses”: Tone

restless and rousing

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Henry Wadsworth Longfellow’s “Mezzo Cammin”: Content

About a worried, “midlife crisis” type of  feeling the speaker is having.

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Henry Wadsworth Longfellow’s “Mezzo Cammin”: Tone

Reflective and somewhat melancholic

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Henry Wadsworth Longfellow’s “Mezzo Cammin”: Allusion of Title

The opening line of The Divine Comedy

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Henry Wadsworth Longfellow’s “Mezzo Cammin”: Metaphors

Physical travel