These are the building blocks or basic units in construction of visual image.
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**LINES**
* is the ***path made by a moving point***: a connected and continuous. * can be measured in length, width, and weight. They can be long short, thick, thin, dotted or solid
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**SHAPES**
* is an %%***area occupying space in a composition***%% and it can be defined by a line, color, or texture. * are %%***two-dimensional (2D***%%) which means are two ways they can be measured through its height and width
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**VALUE**
The degree of light and dark design. It is the contrast between black and white and all the tones in between.
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**TEXTURE**
* They are the surface feels or is perceived to feel. * can be added to attract or repel interest to a visual element. * is the illusion of the surfaces peaks and valleys, resulting in a feeling of smoothness or roughness in the object
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**COLOR**
* It is a visual sensation resulting from the reflection wave lengths of light from differing sources. * can add interest and reality to artwork. With the use of color wheel it is easy to understand color theory, or effectively.
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**FORM**
A figure having volume and thickness. An illusion of three-dimensional (3D) object can be implied with the use of light and shading.
\ This can be viewed from many angles.
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**VISUAL DESIGN PRINCIPLES**
describe fundamental ideas about the practice of visual design
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**CONSISTENCY**
in margins, typeface, and colors especially in the whole documents or presentations
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**CENTER OF INTEREST**
\ An area that first attracts attention in a composition. This area is more important when compared to the other elements.
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**BALANCE**
A feeling of visual equality in shape, forms, etc. can be used in creating balance in a composition.
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**HARMONY**
\ This brings together a composition with similar units
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**CONTRAST**
Offers some change in value creating a visual discord in a composition
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**DIRECTIONAL MOVEMENT**
It is a visual flow through the composition. It can be the suggestion of motion in a design as you move from one object to another.
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**RHYTHM**
A movement in which some elements recur regularly.
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**PERSPECTIVE**
Created through the arrangement of objects in two-dimensional space to look like they appear in real life
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**COLOR**
Use no more than five colors in a single layout. Color should be used sparingly to highlight important information.
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**TYPOGRAPHY**
All fonts should be legible and appropriate for the communication style.
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**LAYOUT**
* Present content in a way that guides readers through in a logical hierarchy. * Aligning the elements in a layout with each other will help maintain consistency
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**SPACE**
\ Keep significant negative space. When too much information is in a layout, messaging becomes cluttered and incoherent
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**ILLUSTRATIONS**
should match tone and subject matter. Only include if it enhances the content.
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**PROPORTION**
The eye can be deceiving; make sure items are appropriately sized in data visualizations so as not to skew data.
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**SIMPLICITY**
Avoid unnecessary design, including 3D charts, ornamental illustration, or extraneous elements. Remember, too, that minimal design can also be effectiveâso long as you have a strong story.