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Fernando Amorsolo (1972)
First National Artist
“The Grand Old Man of Philippine Arts”
Developed Philippine Art through his rural landscapes and portraits.
“El Ciego,” “Planting Rice,” “Defense of a Filipina Woman’s Honor”
Carlos “Botong” Francisco (1973)
Revived the dying art of mural painting
“Progress of Medicine in the Philippines,” “Filipino Struggles Through History,” “The Martyrdom of Rizal,” “Blood Compact”
Guillermo Tolentino (1973)
“Father of Philippine Arts”
Classical style sculptures and busts of famous people
UP Oblation, Bonifacio Monument in Caloocan, the seal of the Republic of the Philippines
Napoleon Abueva (1976)
“Father of Modern Philippine Sculpture”
Youngest to be bestowed with the award (age 46)
Nine Muses of Arts in UP Diliman, The Transfiguration at the Eternal Garden Memorial Park, Sunburst at the Peninsula Manila Hotel.
Victorio Edades (1976)
“Father of Modern Philippine Painting”
“The Sketch,” “The Artist and Model,” “Japanese Girl”
Jose Joya (2003)
Pioneered the start and progress of abstract expressionism
Works were inspired by the hues of the Philippine landscape
“Granadean Arabesque,” “Hills of Nikko,” “Naiad”
Abdulmari Imao (2006)
The first Muslim National Artist
Multiple sculptures and paintings of the sarimanok
“Sulu Warriors,” “Industry Brass Mural,” “Mural Relief on Filmmaking”
Francisco Coching (2014)
“King of Komiks”
“Dean of Filipino Illustrators”
One of the pillars in Philippine comics especially during the golden age of comics (1950’s-60’s)
“Pedro Penduko,” “Satur,” “Hagibis”
Juan F. Nakpil (1973)
“Father of Philippine Architecture”
Works reflecting Philippine traditions and cultures
University of the Philippines Administration Building (Quezon Hall) and Library (Gonzalez Hall), the reconstruction of the Quiapo Church in 1933 and the Rizal House
Pablo Antonio (1976)
“Father of Modern Philippine Architecture”
Works defined by their simplicity as he believed that structures must be functional first before form
5 buildings in Far Eastern University Manila, White Cross Orphanage in San Juan City, Manila Polo Club in Makati City
Leandro Locsin (1990)
Reshaped the urban landscape of the Philippines
Cultural Center of the Philippines, NAIA Terminal 1
Ildefonso Santos Jr. (2006)
“Father of Philippine Landscape Architecture”
Paco Park, Tagaytay Highland Resorts, Bantayog ng mga Bayani, Rizal Park, Loyola Memorial Parks
Jose Maria Zaragoza (2014)
“The Modern Ecclesiastical Architect”
Designed over 45 churches and religious structures
Honored by Pope John Paul II with the title “Gentiluomo di Sua Santita” (1992) for his contributions to the Catholic Church
Meralco Building in Pasig City, Santo Domingo Church and Pink Sisters Convent in Quezon City, Metropolitan Cathedral of Cebu City
Francisco Mañosa (2018)
Pioneered the neo-vernacular style of architecture
Coconut Palace, San Miguel Corporations Headquarters in Mandaluyong (based on the Rice Terraces of the Cordilleras), EDSA Shrine
Ramon Valera (2006)
“Dean of Philippine Fashion”
National Artist in Allied Arts
One-piece terno
Amado Hernandez (1973)
Believed that the purpose of a writer is to represent the society’s conscience and spirit in times of oppression
“Mga Ibong Mandaragit”
Nick Joaquin (1976)
One of the most influential Filipino writers in English
Penname “Quijano de Manila”
“A Portrait of an Artist as Filipino,” “The Woman Who Had Two Navels,” and “May Day Eve”
Carlos P. Romulo (1982)
President of the University of the Philippines and the first Asian President of the United Nations General Assembly
Pulitzer Prize in Journalism in for his articles predicting the Second World War
“I Walked with Heroes,” “The United,” “I Saw the Fall of the Philippines”
Rolando Tinio (1997)
National Artist for Literature and Theater
Revived zarzwela and introduced contemporary western drama
”Larawan,” “Sitsit sa Kuliglig,” “Milagros”
Carlos Quirino (1997)
Only National Artist for Historical Literature
First biography of Jose Rizal, “The Great Malayan,” “Maps and Views of Old Manila”, biographies of Philippine presidents
Lazaro Francisco (2009)
“Master of the Tagalog Novel”
Developed the culture of social realism in literature
“Maganda pa ang Daigdig,” “Daluyong,” “Ang Pamana ng Pulubi”
Resil Mojares (2018)
Contributions to Visayan Literature
Pioneering the Cebuano identity
The founding director of the research institution Cebuano Studies Center
“Waiting for Mariang Makiling: Essays on Philippine Cultural History,” “The War Against the Americans: Resistance and Collaboration in Cebu”
Ramon Muzones (2018)
“Greatest Ilonggo Writer of the Century”
Contributions to Hiligaynon literature
First feminist Hiligaynon work “Bag-ong Maria Clara”, longest serialized novel “Dama de Noche” with over 125 installments for over 2 years
Antonio Molina (1973)
“Dean of Filipino Composers”
Contributed to the development of Filipino music beyond the genre of folk
”Misa Antoniana Grand Festival Mass,” “Hatinggabi,” “Awit ni Maria Clara”
Jovita Fuentes (1976)
Cio-cio in Giacomo Puccini’s “Madame Butterfly” in the world of European opera
Liu Yu in “Turandot”
Mimi in “La Boheme”
Honorata “Atang” Dela Rama (1987)
National Artist for both Music and Theater
“Queen of Kundiman”
Fought for the dominance of kundiman along with sarsuela during the American occupation
Popularized kundiman songs “Pakiusap,” “Mutya ng Pasig”
Performed in sarsuelas “Dalagang Bukid,” “Pangarap ni Rosa”
Lucio San Pedro (1991)
Believed in the philosophy “creative nationalism”
Incorporated elements of folk music to exhibit Filipino heritage
“Lahing Kayumanggi,” “Sa Ugoy ng Duyan,” “Angononian March”
Felipe de Leon (1997)
“The People’s Musician”
His music expressed the sentiments and aspirations of Filipinos
“Ako’y Pilipino,” “Payapang Daigdig,” “Lupang Tinubuan”
Levi Celerio (1997)
National Artist for Music and Literature
Credited for writing more than 4,000 songs
Known for playing music using a leaf
“Sa Ugoy ng Duyan,” “Maligayang Pasko at Manigong Bagong Taon” (popularly known as “Ang Pasko ay Sumapit”), “Ikaw”
Andrea Veneracion (1999)
Founded the Philippine Madrigal Singers
Prompted the progress of Philippine choral music
Ryan Cayabyab (2018)
Mr. C
Opera, concertos, symphonies, religious, folk, and OPM
Composes for theater, dance, and films
“Da Coconut Nut,” “Tuwing Umuulan at Kapiling Ka,” “Paraiso”
Francisca Aquino (1973)
“Mother of Philippine Dancing”
“The Folk Dance Pioneer”
She preserved dances, such as “Tinikling,” “Pandanggo sa Ilaw,” and “Cariñosa,” through research, writing books, and teaching
Leonor Goquingco (1975)
”Trailblazer”
Produced original choreographies of native folk dance that depict the country’s culture
Founding member of the Philippine Ballet Theater
“Mother of Philippine Theater Dance”
“Dean of Filipino Performing Arts Critics”
Lucrecia Urtula (1988)
One of the founders of The Bayanihan Dance Company, with which she staged their signature dance “Singkil”
Discovery and study of Philippine folk and ethnic dances spanning almost four decades, such as “Vinta”, “Tagabili”, and “Pagdiwata”
Alice Reyes (2014)
Introduced and developed contemporary dances in the Philippines
In 1969, she started the CCP Dance Workshop Company, which later became known as Ballet Philippines
Lamberto Avellana (1976)
National Artist for Film and Theater
“The Boy Wonder of Philippine Movies”
”Sakay” - his first film
“Kandelerong Pilak” - the first Filipino film to be shown at the Cannes Film Festival (1954)
Gerardo de Leon (1982)
Most awarded film director in the history of the Filipino Academy of Movie Arts and Sciences (FAMAS) Awards (7)
“Noli me Tangere,” “El Filibusterismo,” “Daigdig ng mga Api”
Ishmael Bernal (2001)
“The Genius of Philippine Cinema”
“Director of the Decade of the 1970s” by the Catholic Mass Media Awards
Known for his social realistic films depicting the struggles of Filipinos
“Himala,” “Pagdating sa Dulo,” “Hulog ng Langit”
Ronald Allan Poe (2006)
“The King of Philippine Movies”
“Da King”
Known for his action films that portray the poor and oppressed
“Ang Probinsyano,” “Isang Bala Ka Lang,” “Ang Panday”
Kidlat Tahimik (2018)
“Father of Philippine Independent Cinema”
Known for his experimental narratives about inequality
Credited to have founded Philippine New Wave Cinema
“Perfumed Nightmare,” “Who Invented the Yoyo?,” and “Why is Yellow the Middle of the Rainbow?”
Daisy Avellana (1997)
“First Lady of Philippine Theater”
Co-founded the Barangay Theater Guild, along with her husband, Lamberto Avellana
Salvador Bernal (2003)
“Father of Philippine Theater Design”
Only National Artist for Theater Design
Designed over 300 productions with an emphasis in utilizing local materials
Amelia Lapeña-Bonifacio (2018)
“The Grande Dame of Southeast Asian Children’s Theater”
She founded the Teatrong Mulat ng Pilipinas
“Papet Pasyon,” “Sepang Loca,” “Abadeja: Ang Ating Sinderela”