1/18
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced |
|---|
No study sessions yet.
Line
Simplest graphic unit; abstraction
> Handwriting
> Impersonal Iine
> Material & Line Qualities
> Implied Line
> Line as Edge
> Line & Three-Dimensional Form
Handwriting
Pressure-sensitive; gestural; intimate
Impersonal Line
Unvarying; mechanical; intellect-signifier
Material & Line Qualities
Line affected by material used
Implied Line
Direction established by gestalt (good continuation)
Line as Edge
Sense of linear edge of shape; can have feathered transitions
Line & Three-Dimensional Form
Line can strengthen 3-D form, actual or illusion; hatching and crosshatching
Movement Cues
> Directed Tension
> Movement & Change
> Vertical/Horiztonal/Diagonal
> Stroboscopic Motion
> Time
Directed Tension
Gives motion; often diagonals
Movement & Change
Essentially a gradient; orderly profession enhances change
Vertical/Horizontal/Diagonal
Vertical/horizontal = still; diagonal = motion; playing off against each other
Stroboscopic Motion
Overlapping gradient
Time
Visual devices to imply the passage of time; e.g. comic strip, multiple images, left to right
Value & Light
2-D; Achromatic (colorless); use of blue to give illusion of light
> Value & Light/Comparing Values
> Weight of Value
> Value Contrast
> Space & Volume
> Transparency & Reflection
Value as Light/Comparing Values
Use context and comparison to make judgements
Weight of Value
Darker = heavier; clustering marks (like text gives darker value)
Value Ketes
Music analogy; high/low; controlling range of values gives degrees of luminosity
Space & Volume
Tonal gradient gives sense of volume
Transparency & Reflection
Values can create illusions of transparency or projected light
> If layer decreases light = subtractive
> If layer lightens = additive