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context of the strong emotion love
 Duchess and Antonio subverts Jacobean ideologies, The Duchess was a widow, it was viewed as shameful for a to remarry, considered âdisrespectfulâ to the deceased husband and evidence of frowned upon desire. This marriage is initiated by The Duchess is a subversive figure as she carries out her strong emotions despite this: wasnât typical to marry below or above oneâs class, so by marrying Antonio, it highlights the strong love she truly feels for him.
context of the strong emotion desire
noblewomen were expected to marry strategically to preserve family status and wealth. The idea of a widow remarrying for love, as the Duchess does, was seen as a threat to patriarchal control. Ferdinandâs incestous desires reflect anxieties in Jacobean society surrounding female sexuality and patriarchal control, as well as irony of menâs abilty to show their lust and desire (same with cardinal Julia) especially brothers and fathers, who saw themselves as guardians of family purity. The Jacobean era was also marked by an increased fear of female independence, as widows had more legal and financial freedom than unmarried or married women. Ferdinandâs incestuous undertones may stem from this fear, with his controlling desire for the Duchess symbolizing the broader societal need to restrict womenâs autonomy.
TMT lust
TMT January and Mayâs transactional marriage reflects the late medieval view of marriage as an economic and social contract rather than an emotional union. Wealthy older men frequently sought young wives to secure heirs, while women from lower ranks could improve their status through marriage, as May does. Medieval literature and church teachings reinforced the idea that marriage was primarily for procreation, not love. The Church permitted marital sex but condemned excessive lust, particularly in older men, making Januaryâs sexual obsession with May both comical and grotesque. Chaucer critiques the hypocrisy and folly of medieval marriage expectations
TMT love
TMT: Links to ideas of courtly love, Chaucer is criticising this romanticised ideal by presenting Damian with typically lovesick poetic actions yet he is arguably driven by the emotion lust. Extramarital affairs were a common trope in courtly literature, particularly in fabliaux, where women deceived older husbands to satisfy their sexual desires.