ARTH100: Unit 10- Global Modernisms and Postmodernisms 1850 CE - Present

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33 Terms

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<p>Edouard Manet<em>, Le Dejeuner sure l’herbe</em></p>

Edouard Manet, Le Dejeuner sure l’herbe

This painting was scandalous when exhibited at the Salon des Refuses, the public was shocked by the subject of a nude woman bathing in a stream with modernly dressed men, recognizing it as modern-day behavior. Critics noted it depicted real people, not classical figures. The way he modeled the nude woman was also disliked, as she didn’t appear to belong.

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<p>Edouard Manet, <em>Olympia</em></p>

Edouard Manet, Olympia

Criticized for its flatness and shocking light. The woman depicted was a sex worker.

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<p>Edouard Manet, <em>The Railway</em></p>

Edouard Manet, The Railway

Depicts everyday modern Paris, specifically the train station. The young girl looking towards the steam represents the future, innocence contrasted with her nanny boldly staring at the viewer, raising the question what the modern woman is like in the modern city: bold and unafraid?

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<p>Vincent Van Gogh, <em>The Starry Night</em></p>

Vincent Van Gogh, The Starry Night

Post-impressionist painting about expressiveness, passion, and feelings. Unusual asymmetrical composition and demonstrates his interest in color and its effects.

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<p>Vincent Van Gogh, <em>Self-Portrait with Bandaged Ear</em></p>

Vincent Van Gogh, Self-Portrait with Bandaged Ear

  • He painted many portraits, and this was after he cut off his ear, after spending time in Arles in South France

  • Committed suicide not long after

  • Post-Impressionism

  • Experimental and became foundational for artists to come next, even though he was not well-liked in his time

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<p>Pablo Picasso, <span><em>Les Demoiselles d’Avignon</em></span></p>

Pablo Picasso, Les Demoiselles d’Avignon

  • Extensively written about and was a reaction against tradition, pushing further than Matisse

  • Reacted to Cezanne by rendering form into boxes and shapes

  • The figures are painted as separate individuals grouped together from different perspectives

  • Used muddied colors, and employed pointy, shard-like shapes

  • The figures are not idealized and attempt to represent archetypes,

  • References a street in Barcelona with sex workers and reflects Picasso’s desire for and fear of women

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<p>Pablo Picasso, <span><em>Still Life with Chair Caning</em></span></p>

Pablo Picasso, Still Life with Chair Caning

  • A collage that was part of the language of Cubism and introduced a new direction for art (synthetic cubism) by combining mishmashes of forms, text, painting, and rope bridging mass-produced objects into high art

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<p>Marcel Duchamp, <em>Nude Descending a Staircase</em></p>

Marcel Duchamp, Nude Descending a Staircase

  • Associated with Dada and Surrealism, known for introducing the ready-made

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<p>Marcel Duchamp, <em>Fountain</em></p>

Marcel Duchamp, Fountain

  • Signed R. Mutt

  • Involved submitting a urinal as a sculpture, leading to controversy and exploring the idea of the mass-produced object as art

  • This helped change the way we view art, opening it up to many practices

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<p>Marcel Duchamp, <span><em>L.H.O.O.Q</em></span></p>

Marcel Duchamp, L.H.O.O.Q

Postcard of the Mona Lisa to violate gender norms with text that sounds like “she’s got a hot ass”

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<p>Hannah Hoch, <span><em>Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany</em></span></p>

Hannah Hoch, Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany

  • Key figure in Dada

  • Work became political after WWI, using the ready-made and the new photographic presence in society (mass media) to critique modern society and politics

  • Directly addressed the state of German society during the Weimar regime, the struggles to bring security, and the rise of fascism

  • The title references women’s work and the use of a female tool to cut into the masculine political class, featuring both male and female gender elements and references to political figures and Dada artists

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<p>Meret Opeenheim, <span><em>Object, fur covered saucer and spoon</em></span></p>

Meret Opeenheim, Object, fur covered saucer and spoon

  • Associated with Surrealism

  • Takes the familiar and renders it unfamiliar

  • Transforms the function of ordinary objects and has a physical effect on the viewer, potentially relating to Freudian ideas of the physical manifestations of the internal psyche

  • Aimed to make art on her own terms

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<p>Frida Kahlo, <span><em>The Broken Column </em>&amp;<em> Self Portrait with Cropped Hair</em></span></p>

Frida Kahlo, The Broken Column & Self Portrait with Cropped Hair

  • Important to discuss in relation to surrealism, although she wasn’t officially a member

  • Self-portraiture and her personal relationship with society, her body, and others

  • Presented women as artistic subjects with bodies that didn’t conform to beauty ideals

  • Directly responded to physical trauma in her life

  • Explored gender and sexuality, representing herself as a free spirit who broke with societal norms, including being bi and representing herself in male forms, concerned with constructing her own image and reclaiming her identity in Mexico

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<p>Gutai Art Exhibition, <em>Challenging Mud</em></p>

Gutai Art Exhibition, Challenging Mud

  • Held in Tokyo

  • Represents an early example of Performance Art, moving away from dominate forms

  • group of artists interested in exploring new ideas of art making, defying boundaries, and being experimental

  • Focused on experiencing something rather than a tangible object, prompting viewers to understand their own reactions

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<p>Shirin Neshat, <em>Rebellious Silence</em></p>

Shirin Neshat, Rebellious Silence

  • Confronts viewers with the idea of how women and the Middle East are represented in the West and how certain signs and symbols have become iconic, overshadowing individual identity

  • Presents complex individuals, challenging viewers to think about how they understand Muslim women

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<p>Al Weiwei, <em>Dropping a Han Dynasty</em></p>

Al Weiwei, Dropping a Han Dynasty

  • Questioning what we value

  • Reaction to discovering some cultural objects were not highly valued

  • Documented himself smashing a Han Dynasty urn, arguing that the loss of one object gives potency to the relationship we have with all objects

  • The work still exists in its documentation

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<p>El Anastui, <em>Old Man’s Cloth</em></p>

El Anastui, Old Man’s Cloth

  • His work questions material value

  • Looks like a tapestry but us made from metal fragments, specifically flattened liquor bottle labels

  • Uses the language of textiles, raising questions about whether the work is two-dimensional of three-dimensional and challenging notions of high/low art

  • By transforming everyday objects, he asks what we value

  • The bottle caps also have a history related to trade between Africa and Europe (alcohol)

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Realism

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Impressionism

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Post-impressionism

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Neo-impressionism

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Fauvism

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Expressionism

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Cubism

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Dadaism

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Futurism

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Surrealism

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Abstract Expressionism

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Collage

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Montage

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Assemblage art

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Appropriation

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Pop Art