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What 4 primary skills does drawing build?
Perceptual, manual, compositional, and conceptual skills
Conceptual skills
drawing is the most efficient way to think through and give form to visual ideas
inspiration
Some form of stimulation and motivation which triggers a creative response; the conscious formation of a problem or goal
incubation
a period where the conscious mind rests and turns to other things while the subconscious takes over
illumination
The sudden emergence of a solution to the goal; involves making connections
Perceptual skills
Through drawing we learn how to see
Manual skills
how to control materials using our hands
Compositional skills
Aware of organizing the elements of a drawing and can quickly work through several different design options through preliminary sketches.
What is creativity NOT?
making something out of nothing
What are the four stages of creativity
inspiration, incubation, illumination, resolution
Resolution
giving final form to the idea; involves deliberate organization of concepts and materials
What is one thing you should do everyday to get better at drawing?
sketch daily
design
The organization or arrangement of design elements to give form to a visual idea.
What is a term synonymous to design?
composition
design elements
line, shape, volume, value, texture, space and color
format
refers to the shape and dimensions of the drawing; This is the first shape of the drawing and it exists before you make any marks on the paper surface
thumbnail sketches
Small, quick, preliminary organizational line drawings that investigate compositional alternatives;
organizational line drawing
A light, simplified sketch which focuses on mapping out the general size and locational relationships between forms
pentimenti
Light, preliminary marks which serve as an underdrawing. “Mistakes left unerased by the artist”
subject matter
That which is depicted in the drawing
style
characteristics of form which are consistent that make a work identifiable as the product of a particular person, movement, period or place
content
The meaning inferred from the form and subject matter of a visual work
gesture drawing
A quick, spontaneous, all-encompassing statement of form. In gesture drawing the hand duplicates the movement of the eye as it scans the entire subject for essential directional and spatial relationships.
contour line drawing
Line drawing which describes the edges of forms, including both outer as well as interior visible contours of objects
cross-contour line drawing
Line drawings where lines appear to go across or around an object to indicate the turn of its form; indicates three dimensions
planar analysis drawing
Line drawings that describe the three-dimensional structure of forms in which curves are major planar shapes
tonal drawing
Drawings that emphasize contrasts in tone (instead of line)
medium
The specific material used by an artist
The two general categories of media
dry and wet
mixed media
made with more than one medium
metalpoint
A drawing technique in which the drawing medium is a think metal gauge wire. Good for detail work and is the predecessor of the graphite pencil
graphite
comes in pencil, woodless pencil, mechanical pencil, stick and powdered forms; on a grade scale
Two basic types of charcoal
compressed charcoal and vine charcoal
compressed charcoal
Compressed charcoal is better than vine for lines, sharp edges and dense blacks
vine charcoal
More easily smudged, blended and erased than compressed charcoal
Chalks and Soft Pastels
available in a wide range of quality, price and colors; easily mixed and smudged; pastels are better for drawings that are not too small
Crayons (wax) and Oil Pastels
easily smudged not easily erased
Colored Pencils
softer leads allow for wider range of contrast and intensity through pressure, harder leads keep sharp points longer which can be better for intricate detail
Watercolor Pencils
water-soluble pencils can be used with either wet brushes or dry.
blending stomps & tortillions
pointed, rolled paper tools for blending
chamois
animal hide rag used for lifting vine charcoal or blending larger tonal areas
eraser shield
thin metal template with various cut out shapes, the shield is laid on top of the drawing to mask edges creating sharply defined erased areas
kneaded eraser
can be shaped by hand to lighten blemishes, very useful for softening lines, erasing smudges and for working subtractively with vine charcoal
art gum eraser
erases soft markings, may fail to remove heavier lines
plastic stick eraser
Denser white plastic eraser that comes in a string-pull or mechanical pencil form
Pink Pearl eraser
standard general use pink rubber eraser
dry cleaning pad
a small cheesecloth sack filled with a powder that gently removes dirt and smudges from drawings
mahlstick
dowel stick used as a bridge to rest your hand on so that it doesn't smudge the drawing
Exacto knife
a sharp razor-edged knife used for scraping the drawing, sharpening pencils and erasers
pencil sharpener
ones which will produce good points with baldes that are sharp enough not to crack leads, portable hand-held sharpeners should have replaceable blades
fixative spray
a transparent varnish available in aerosol cans that is sprayed over drawings to keep them from smudging, "workable" fixatives allow most drawing media to be layered on top of sprayed areas.
Aerosol warning
NEVER breath in fumes from a fixative spray
Wet Media
generally non-erasable. In some techniques, a light pencil underdrawing is established first when more control is desired
colored inks
Made of either "fugitive" (impermanent) dyes or permanent pigments
steel pens
come in wide range of separable points, best on hard smooth surfaces, four different shapes (A=flattened square, B=flattened round C=chisel, D= flattened oval )
bamboo reed pens
creates variable line and dry-brush effects; better for short, bold marks
fountain pens
portable, refillable and pressure-sensitive pens
technical pens
used mostly for drafting and create uniform line, interchangeable nibs of varying widths are available, good for stippling and crosshatching
bamboo brushes
offers greatest range of flexibility as determined by brush size, pressure, amount of ink applied, dilution of ink and angle of brush to paper
brushes
brushes are sized small (lower numbers) to large, and are available in soft and bristle (stiff) types
ink stone
rectangular sloped-well stone which holds grades of diluted ink for variable tones for use with brushes
invented tools
Sponges, rags, twigs, or any materials that will absorb liquid, these tools can be dragged or stamped in different ways
support
The surface material upon which a drawing is made. For drawing this is usually paper, but can also be various boards, parchment, vellum or non-traditional surfaces
acid-free papers
papers that are essentially free of acids, made either or cotton rag fiber of have been chemically treated to be ph neutral, acid free better bc more permanent, less likely to become discolored or brittle or deteriorate
tooth
refers to the texture of the paper (smooth, medium rough or rough). The tooth is a series of peaks and valleys which catch the medium as it's drawn across the surface.
weight
refers to the thickness and density of a paper and is indicated in pounds (lbs.) per ream
ply
refers to the number of bonded layers which constitute a sheet of paper.
Newsprint
inexpensive, good for quick sketches in a variety of dry media, but this paper will discolor quickly
Bristol Board
plate and regular surfaces
hot and cold press
heavier weight
good for a variety of media
very good for pen and ink
Illustration Board
heavy weight board
hot and cold press
very good for pen and ink
What is the distinction between a sketch and a drawing?
A sketch is a rapidly made freehand drawing that's not usually made as a finished work. A drawing is a more finished, refined work than a sketch
A sketch is NOT
a doodle
doodle
an unfocused or unconscious drawing made while a person's attention is otherwise occupied
How long should a gesture sketch take?
anywhere between 30 seconds and two minutes
In a gesture drawing...
Work from the inside out
What is the most important concept in gesture drawing?
Simple shapes
What is the essence of drawing?
Making mistakes and correcting them
What should you NEVER do while in the early stages of drawing
Try to make everything perfect
How do you begin a drawing?
drawing lightly and keeping shapes simple; move around the entire page
Corrections in a drawing...
are made in relation to mistakes and utilize pentimenti
What is a mistake to an experienced artist?
a gift
Stages of drawing
1) Viewfinder to make thumbnails
2) Organizational line
3) Correcting Primary Shapes
4) Secondary Shapes
5) Details
6) Line Quality & Final Presentation
format should be considered...
the first and most important shape of a drawing
viewfinder
windows cut out of cardboard which are miniature versions of the final drawing's format, should match the proportions of the sketch
What is the intention of the viewfinder/thumbnail stage?
to generate variety between compositions and to do this quickly
primary shapes
general symbols for the objects they represent
A thumbnail sketch should take no longer than...
2 - 3 minutes
When you make your large sketch...
make sure you have your thumbnail in view and that it matches the ratio
organizational line drawing is...
the foundation of a finished drawing; scaled up thumbnail (primary shapes)
In stage 3, you should NOT be...
drawing details
Learning to draw from observation requires that...
you always look for relationships
In order for sighting techniques to work...
our arm should be fully extended with no bending of the elbow. Hold the pencil or sighting stick so that it is perpendicular to your extended arm.
When sighting, your drawing should be...
perpendicular to your line of sight.
perceptual grid
lines that you make on a drawing to check and adjust positional relationships between shapes vertically and horizontally
triangulation
a subject fitting within a series of triangular shapes
Proportion
refers to size relationships between parts of a whole.
When comparing proportion its easier...
to compare a short dimension to a longer one
To create a regular grid to translate a three dimensional still life into a drawing...
pick one dimension of an object in the setup to use as a unit of measurement for the entire subject. You will use this unit both horizontally and vertically.
secondary shapes
Medium sized that describe more identifiable objects, not smallest details, will develop the flat, simple primary shapes into more 3-D volumes
focal points
Developing detail will serve to establish focal points in the drawing and will hold the viewer's attention.