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STAR WARS - Context
1977
Main Title / Rebel Blockade Runner (VI A New Hope)
late Romantic style
uses leitmotifs
Herbert Spencer wrote whole score
STAR WARS - John Williams
scoring for large orchestra
leitmotifs
1932
American, composer, conductor, pianist
brass fanfares
soaring violin melodies
triumphant marches
vigours battle music
STAR WARS - Performing Forces
full symphony orchestra
percussion - timpani
strings - violins
brass - horns, trumpets
woodwind - piccolo, flute
avoids electronic effects and synthesisors
STAR WARS - Fanfares
use of arpeggios
short
brass
dotted rhythms
use of harmonic series
loud
STAR WARS - Structure
first 29 bars - intro fanfare, ternary, for all Star Wars
second part for specific film
intro - fanfare
A - 4 bar theme on trumpets, immediately repeated with different accompaniment
B - 8 bar contrasting theme on violins
repeat of A
Specific Film - shortened fanfare
piccolo solo - mysterious harmony
sodden orchestral outburst
Rebel Blockade Runner leitmotif
STAR WARS - Texture
dominated pedal
ostinato textures
homophonic
inverted tonic pedal in intro and during Main Title theme
bar 4 onwards - melody dominate homophony
STAR WARS - Tonality
Bb major for Star Wars theme
from then on less clear
41-60 feels atonal (no key) due to complex chords and dissonance
51-60 elements of bitonal (two keys)
STAR WARS - Harmony
tritone (interval of aug 4th of dim 5th)
opening fanfare to b7 - quartal harmony (chords built on 4ths)
STAR WARS - Melody : Main Theme A
4 bar idea
conjunct and leaps
rising perfect 5th to sound heroic
triplets, quavers, minims
STAR WARS - Melody : Main Theme B
4 bar idea
less forceful
anacrusis
conjunct with rising 6th
outer parts move in contrary motion
STAR WARS - Metre
4/4
until b44 - 3/4
STAR WARS - Tempo
fast tempo
b33 - pulse less obvious
b51 - very fast
homorhythmic (same rhythm) chords slows tempo
STAR WARS - Rhythm
fanfare rhythm
use of triplets
syncopated
block chords