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Western Roman Empire
The Latin-speaking half of the Roman Empire, centered in Rome.
Eastern Roman Empire
The Greek-speaking half of the Roman Empire, also known as the Byzantine Empire, centered in Constantinople.
Catacombs
Underground burial chambers where early Christians worshipped privately due to persecution.
Appropriation
Using existing imagery or symbols in a new context, a common practice in early Christianity.
Orant figure
A standing figure with arms raised in prayer, derived from Roman gestures of duty.
Ichthys (fish)
A Christian symbol for Jesus Christ, Son of God.
Good Shepherd
A depiction of Jesus as a caring, protective, and pastoral caretaker, adapted from Roman pastoral scenes.
Cubicula
Mortuary chapels or rooms within catacombs used for small services.
Loculi
Shelves carved into catacomb walls for individual burials.
Wet plaster fresco (fresco buon)
A painting technique where pigment is applied to wet plaster.
Domus (community house)
Private homes converted for use as early Christian worship spaces.
Familia
A Roman core value emphasizing family loyalty.
Pietas
A Roman core value emphasizing duty to the state and gods.
Contra-posto
A naturalistic standing pose used in Roman art, where the body's weight is shifted to one leg.
Prefiguration
An Old Testament story or figure that foreshadows a New Testament event or figure.
Constantine
Roman Emperor (reigned 312–337 CE) who legalized Christianity and initiated widespread Christian architectural patronage.
Old St. Peter’s Basilica
An early Christian basilica built in Rome under Constantine over St. Peter’s tomb, serving as a pilgrimage site.
Basilican/Cross Plan
A Western church architectural plan characterized by a long nave, side aisles, transept forming a cross, and an apse.
Santa Sabina
A smaller, well-preserved example of a Western early Christian basilica in Rome.
Santa Costanza
Originally a royal mausoleum, later converted into a central-plan church, circular with a dome and ambulatory, showing Eastern influence in the West.
Atrium (Old St. Peter's)
The open courtyard leading into the narthex of Old St. Peter’s Basilica.
Narthex (Old St. Peter's)
The entrance hall or porch leading to the nave of Old St. Peter’s Basilica.
Nave (Old St. Peter's)
The central, main aisle of Old St. Peter's Basilica, accommodating the congregation.
Transept (Old St. Peter's)
The arm of the church that projects at right angles to the nave, forming the 'cross' in a cruciform plan, providing space for clergy.
Apse (Old St. Peter's)
A semicircular recession at the eastern end of the church, containing the altar.
Justinian I
Byzantine Emperor (527–565 CE) who expanded the empire, promoted Christianity, and commissioned major churches like Hagia Sophia and San Vitale.
Trinity
The Christian concept of God as Father, Son (Jesus), and Holy Spirit.
Nimubs
A halo around the head of a holy figure in art.
Mandorla
An almond-shaped aura surrounding the full-body depiction of Christ or other sacred figures, signifying divinity.
Icon
A religious image, often painted on wood, used in devotion, particularly in Eastern Christianity.
Iconoclasm
The deliberate destruction of religious images, notably during the Byzantine controversy of 726+ CE.
Dematerialization (Byzantine art)
An artistic and architectural goal in Byzantine art to create a divine space that transcends material reality, often achieved with light and shimmering mosaics.
Tesserae
Small pieces of glass, stone, or other material used to create a mosaic.
Hagia Sophia
Meaning 'Holy Wisdom,' a monumental Byzantine church in Istanbul built by Justinian (532–537 CE), known for synthesizing basilican and central plans with its massive dome.
Pendentives
Spherical triangular sections that transfer the weight of a circular dome to four piers or columns, allowing for a large, open space below.
San Vitale
An octagonal, central-plan Byzantine church in Ravenna, famous for its lavish mosaics depicting Emperor Justinian and Empress Theodora.
Muhammad
The prophet of Islam (571–632 CE) who received revelations from Allah, forming the basis of the Qur’an.
Qur’an
The holy book of Islam, believed to be the literal word of God (Allah) revealed to Muhammad.
Calligraphy (Islam)
The art of beautiful writing, highly esteemed in Islamic culture as a manifestation of Allah's word.
Five Pillars of Islam
The fundamental practices of Islam: Shahada (faith), Salah (prayer), Sawm (fasting), Zakat (charity), Hajj (pilgrimage).
Geometric abstraction (Islamic art)
Complex patterns based on numbers and mathematics, developed in Islamic art due to the general avoidance of sentient figural imagery in religious contexts.
Tessellation
The repeating of geometric units to form an intricate pattern without gaps or overlaps, common in Islamic art to suggest eternity.
Symmetry (Islamic art)
The use of balanced proportions (e.g., fourfold, fivefold, sixfold) in geometric patterns to create visual harmony.
Masjid
An Arabic term meaning 'place of prostration,' referring to a mosque.
Minaret
A tall, slender tower, typically part of a mosque, from which the call to prayer (adhan) is issued.
Qibla wall
The wall in a mosque that faces the direction of the Kaaba in Mecca, which Muslims face during prayer.
Mihrab
A niche or recess in the qibla wall of a mosque, indicating the direction of prayer.
Dome of the Rock
Built 687–692 CE in Jerusalem, it is one of the earliest major Islamic monuments, an octagonal central-plan building sacred to Jews, Christians, and Muslims.
Horror vacui (Islamic art)
A design principle characterized by the filling of an entire surface with details and decoration, often seen in the Dome of the Rock's exterior.
Great Mosque of Córdoba
A significant example of Islamic architecture in Spain, featuring a massive hypostyle prayer hall with reused Roman columns and a distinctive double-arched system.
Siddhartha Gautama
The historical Buddha (5th century BCE) who founded Buddhism after renouncing luxury to seek an end to human suffering.
Four Noble Truths
The core teachings of Buddhism: 1. Life is suffering. 2. Suffering is caused by desire and ignorance. 3. Ending desire ends suffering. 4. The way to end suffering is to follow the Eightfold Path.
Eightfold Path
The Buddhist path to liberation from suffering, comprising right view, right resolve, right speech, right action, right livelihood, right effort, right mindfulness, and right concentration.
Stupa
A hemispherical mound or reliquary housing Buddha's relics, symbolizing the cosmos (mandala), used as a pilgrimage site for circumambulation.
Circumambulation
The ritual act of walking around a sacred object, such as a stupa or shrine, in a clockwise direction as a form of devotion.
Toranas
Elaborately carved gateways at the entrances to a stupa, decorated with narrative scenes and symbolic representations of the Buddha.
Yakshi Figures
Female nature spirits associated with fertility, abundance, and life force, often shown in a sensuous tribhanga pose at stupa gateways.
Tribhanga pose
A triple-bent pose (at the neck, waist, and knee) often used in ancient Indian sculpture, especially for female figures like Yakshi.
Chaitya Halls
Rock-cut sanctuaries and congregation halls in Buddhist cave architecture, often containing stupa replicas, used for worship and by monks during monsoons.
Mudras
Symbolic hand gestures of the Buddha that convey specific meanings or states of mind in Buddhist iconography.
Mandala (Tibetan Buddhism)
A diagram of the universe, often intricately designed, used as a tool for meditation and ritual in Tibetan Buddhism.
Ottonian Period
A period in European art and architecture from c. 950–1050 CE, primarily in present-day Germany, marked by a continuation of Carolingian ideals and increased church building.
St. Michael’s, Hildesheim
A key Ottonian basilica plan church known for its double transept, strong symmetry, and wooden roof which posed a fire risk.
Codex
The modern book form, consisting of folded and bound pages, which replaced scrolls by the 5th–6th century CE and allowed for easier navigation of texts.
Migration Period
A period in Western Europe (c. 500–700 CE), formerly called the 'Dark Ages,' characterized by political decentralization, nomadic societies, and art primarily consisting of small, portable luxury objects.
Zoomorphic motifs
Stylized animal forms and designs, common in the metalwork and art of the Migration Period.
Cloisonné technique
An enameling technique where colored glass, enamel, or gemstones are separated by thin metal strips (cloisons) on a metal backing, seen in Migration Period jewelry.
Monasteries (Early Middle Ages)
Centers of learning, economic activity, and safe havens during the instability of the Early Middle Ages.
Illuminated Manuscripts
Hand-copied books, often religious texts, adorned with intricate decorations, illustrations, and ornamental initials by monks in scriptoria.
Vellum
A fine parchment made from calf or sheep skin, commonly used as pages for illuminated manuscripts.
Carpet pages
Purely decorative pages in illuminated manuscripts, often resembling textiles, used for meditation before reading the text (e.g., Lindisfarne Gospels).
Romanesque Period
An architectural and artistic style (c. 1050–1200 CE) meaning 'Roman-like,' characterized by a revival of large-scale stone construction, round arches, and barrel/groin vaults.
Crusades
A series of religious wars (1096–1204 CE) promoted by Pope Urban II, which led to increased East-West interaction and the recovery of ancient Roman knowledge in Western Europe.
Pilgrimage (Romanesque)
An act of devotion, healing, or penance involving travel to sacred sites like Santiago de Compostela, a driving force behind Romanesque church construction.
Relics
Body parts, clothing, or other objects associated with saints, believed to possess healing or miraculous powers, central to Romanesque pilgrimage.
Reliquaries
Elaborately crafted containers, often made of precious materials, designed to house and display relics.
Church of Saint-Sernin, Toulouse
An important Romanesque pilgrimage church (c. 1070–1120) known for its early stone vaulting and plan designed to accommodate large numbers of pilgrims.
Crossing square
The square space at the intersection of the nave and transept in a Romanesque church, which often served as the basic geometric unit for the church's proportions.
Ambulatory (Romanesque)
A walkway or aisle around the apse and altar of a Romanesque church, allowing pilgrims to circulate and visit radiating chapels without disturbing services.
Radiating chapels
Small chapels projecting outward from the ambulatory of a Romanesque church, designed to house relics.
Chevet (Romanesque)
The extended eastern end of a Romanesque church, comprising the apse, ambulatory, and radiating chapels.
Barrel-vaulted nave
A long, continuous semicircular vaulted ceiling over the nave, characteristic of many Romanesque churches.
Transverse arches
Arches that span the nave at regular intervals, reinforcing the barrel vaulting and dividing the nave into bays.
Massive stone piers
Large, solid columns or supports used in Romanesque architecture to bear the heavy weight of stone vaults.
Nave arcade (Romanesque)
The series of arches supported by columns or piers that separate the nave from the side aisles in a Romanesque church.
Gallery (Romanesque)
A second story built over the side aisles of a Romanesque church, opening onto the nave.
Westwork
A monumental, multi-storied stone façade located at the western end of a Romanesque church, often featuring towers and multiple portals.
Tympanum
The semicircular or triangular decorative wall surface over an entrance, door, or window, often filled with relief sculpture in Romanesque and Gothic architecture.
Lintel
A horizontal architectural support spanning the top of a door or window opening, often sculpted in Romanesque portals.
Trumeau
The central column or post supporting the lintel and tympanum of a large portal, often carved with a figure.
Jambs
The side posts or vertical elements of a doorway or window frame, often adorned with sculpted figures in Romanesque and Gothic architecture.
Voussoirs
Wedge-shaped stones that form an arch, found in Romanesque portals.
Historiated Capitals
Sculpted capitals on columns or piers that depict narrative scenes, biblical stories, or fantastic beasts, common in Romanesque interiors.
Last Judgment Portal — Autun Cathedral
A famous Romanesque tympanum sculpture at the Church of Saint-Lazare in Autun, France, depicting Christ in Majesty presiding over the Last Judgment, designed to inspire fear and moral instruction.
Christ in Majesty
An iconic depiction of Christ enthroned within a mandorla, often flanked by the symbols of the four Evangelists, symbolizing his divine authority.
Evangelist symbols
Representations of the four Evangelists: Matthew (man or angel), Mark (lion), Luke (ox), and John (eagle), often surrounding Christ in Majesty.
Charlemagne
Frankish king crowned Holy Roman Emperor in 800 CE, who initiated the Carolingian Renaissance, reviving Roman art, architecture, and learning.
Carolingian Renaissance
A period of intellectual, cultural, and artistic revival in the Carolingian Empire under Charlemagne, marked by a conscious effort to restore Roman imperial glory.
Coronation Gospels
An example of Carolingian manuscript art known for its naturalistic figures, gold text on purple vellum, reflecting imperial power and Roman influence.
Palatine Chapel, Aachen
Charlemagne's personal chapel, inspired by San Vitale, representing the first vaulted stone building north of the Alps since Rome and fusing Roman, Byzantine, and Christian symbolism.