1/14
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced | Call with Kai |
|---|
No study sessions yet.
Ajanta Cave Paintings
2nd c BCE–6th c CE | Fresco-secco technique | Fluid naturalistic figures | Expressive eyes, narrative Buddhist scenes | Earthy browns and ochres
Mughal Miniature Painting
16th–18th c | Persian influence | Fine detailing, jewel-like colors | Side-profile faces, court scenes, hunting | Ornate borders
Rajput Miniature Painting
16th–19th c | Bold primary colors | Large almond-shaped eyes | Love, devotion, heroism | Flat symbolic backgrounds
Pahari School of Painting
Himalayan region | Soft lyrical style | Delicate figures | Romantic Bhakti themes | Pastel landscapes
Kishangarh School
Rajput sub-school | Elongated eyes and noses | Stylised Radha | Pale faces, dreamy mood | Highly exaggerated features
Mewar School
Rajput sub-school | Flat compositions | Bold reds, yellows, blues | Religious narratives | Minimal shading
Bundi School
Rajput sub-school | Dynamic movement | Lush forests, monsoon scenes | Night skies | Strong emotional drama
Marwar School
Rajput sub-school | Bright colors | Warrior themes | Masculine figures | Sparse backgrounds
Deccan Miniature Painting
16th–18th c | Persian + Indian fusion | Tall elegant figures | Fantastical architecture | Deep blues, purples, gold
Company School Painting
Late 18th–19th c | European realism | Accurate anatomy, perspective | Indian subjects | Documentary illustration style
Kalighat Painting
19th c Bengal | Bold sweeping lines | Flat bright colors | Satire, social themes | Thick black contours
Thanjavur (Tanjore) Painting
South India | Gold foil embossing | Rich reds and greens | Central deity | Relief-like surface
Mysore Painting
South India | Softer gold | Muted palette | Graceful figures | Delicate line work
Pattachitra Painting
Odisha & Bengal | Bold outlines | Flat colors | Mythological storytelling | Decorative borders