subthemes of : inner evil (Hyde), transgressive science, loss of control and repression
blackness (inner evil)
a blackness came about his eye
the colour black connotes corruption and evil and could be viewed as a physical glimpse of Hyde, as throughout the novel while in Jekyll form as Hyde grows more powerful we see glimpses of him
The evil being in Jekyllâs eyes could be interpreted as Hyde possibly gaining control of Jekyllâs body and functions as by the end of the novel Hyde seems to have total control over Jekyll
grew pale (inner evil)
his face grew pale to the very lips
the adjective âpaleâ presents Jekyll as sick and malnourished, which could be viewed as Hyde sucking out the health and liveliness out of Jekyll as he grows more powerful
the verb âgrewâ expresses how Hyde is slowly infecting and tainting Jekyll from within like a disease
seized (inner evil)
seized with a qualm of faintness
the violent verb âseizedâ displays how Hyde is aggressively taking control of Jekyll and is much more obvious than earlier on in the novel where there was just âa blackness about his eyeâ, as we time passes Hyde, as Jekyllâs inner evil grows more powerful
dark purple, watery green (transgressive science)
compound changed to dark purple, which faded again to watery green
purple is associated with not only evil but also Royalty, which could present the power and ambition of Jekyllâs transgressive science
green is associated with evil and disease and so portrays how transgressive science is plaguing to people and infects their minds and bodies. People like Hyde, Jekyll and Lanyon, who have all witnessed transgressive science end up dead
blood (transgressive science)
blood red liquor
the mention of blood could be a reference to the unethical/harmful side of transgressive science
deadliest terror (transgressive science)
the deadliest terror sits by me
the adjective âdeadliestâ highlights how dangerous and harmful transgressive science can be, and that as a whole transgressive science is not helpful and will not progress the science of the 19th century in a good/moral way
grew pale â deathly sick (loss of control)
his face grew pale to the very lips â Jekyll looked deathly sick
the growing illness of Jekyll could be interpreted as Hyde draining the life out of Jekyll like a parasite
the growing sickness of Jekyll could also be interpreted as a physical showing of Jekyllâs mental distress and that his mental turmoil is now visibly showing in his appearance
choose â prisoner (loss of control)
the moment I choose I can be rid of Mr. Hyde â like some disconsolate prisoner
at the start of the novel Jekyll had full control over Hyde and he was the dominant one, but near the end of the novel there has been a role reversal and now Jekyll feels more like a prisoner/slave, and with that has lost control and happiness
the simile of a prisoner helps portray the lack of freedom Jekyll again feels, Hyde is no longer a solution to his worries, but now is his constant torment
bed (loss of control)
I had gone to bed Henry Jekyll, I had awakened Edward Hyde
the action of going to bed could be an interpretation of Jekyll becoming dormant and now losing the dominant role in his body
the verb âawakenedâ could be viewed as Hyde now being in control, itâs the start of a new stage with Hyde as being in control
morbid sense of shame (reputation)
I hid them with a morbid sense of shame
shows how as a Victorian Gentlemen, Jekyll has to constantly repress and hide natural parts of him, afraid that his precious reputation could be devalued and his place in society would be lost
innocent (reputation/freedom)
an innocent freedom of the soul
the adjective âinnocentâ creates sympathy for Jekyll and portrays him as an innocent victim to Hydeâs terror
tortured (repression)
I was tortured by longings
the violent verb âtorturedâ presents the severity of Jekylls repression. Its a haunting pain he has to deal with constantly, and the temptation of feeling free of that pain through Hyde is hard to resist
Perhaps Jekyll has a sort of addiction into turning into Hyde and itâs hard to stop despite him knowing the consequences
my devil (repression)
my devil had been long caged, he came out roaring
references his inner devil âHydeâ, which is a manifestation of Jekyllâs deepest desires
The noun âdevilâ connotes Christianity and beliefs about morality, and so calling Hyde the âdevilâ presents him as immoral and unethical
the animalistic verb âroaringâ has connotations of beastly, uncontrollable, and deadly which correctly represent the elements of Hyde
the imagery of a cage portrays Hyde as a confined dangerous animal, that has been long repressed inside of Jekyll, and as a result is now bursting out violently
spirit of hell (repression)
the spirit of hell awoke in me and raged
the noun âspirit of hellâ opposes the holy spirit from Christianity and perhaps displays how Jekyllâs science is challenging God but also presents how the repression has fuelled Hyde
the violent verb âragedâ portrays Hyde as barbaric/uncivilized and full of hatred