J S Bach: 3rd Movement from Brandenburg Concerto no. 5 in D major

0.0(0)
studied byStudied by 0 people
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/19

encourage image

There's no tags or description

Looks like no tags are added yet.

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

20 Terms

1
New cards

When was this concerto written

1720

2
New cards

What is the continuo, and how is it played?

  • Consists of bass instruments (e.g., cello, double bass) and a chordal instrument (e.g., harpsichord).

  • Keyboard player realizes harmony using figured bass as a guide.

3
New cards

What is the structure of Brandenburg Concerto No. 5, Movement 3?

  • Ternary form (ABA):

    • A (bars 1–78): Begins in D major, fugal style.

    • B (bars 79–232): Modulates to B minor, new theme in the flute, ends in B minor.

    • A (bars 233–end): Returns to D major with an extra D major chord.

4
New cards

What are the key features of the texture in Brandenburg Concerto No. 5, Movement 3?

  • Polyphonic/contrapuntal texture.

  • Fugal style: Subject in solo violin, answered by flute.

  • Harpsichord plays in two-part counterpoint, later four-part counterpoint.

  • Occasional doubling in thirds or unison.

5
New cards

What are the melodic features of Brandenburg Concerto No. 5, Movement 3?

  • Conjunct (stepwise) style with leaps (e.g., fourths in bar 1).

  • Scalic runs, especially in the harpsichord.

  • Rising sequences (e.g., bar 137).

  • Ornaments like trills (bar 19) and appoggiaturas (e.g., bar 148).

6
New cards

What is the tonality of Brandenburg Concerto No. 5, Movement 3?

  • In D major for most of the A sections.

  • B section modulates to A major (dominant) and B minor (relative minor).

  • Music is diatonic.

7
New cards

What are the harmonic features of Brandenburg Concerto No. 5, Movement 3?

  • Functional harmony using standard chords (I, IV, V, occasional II and VI).

  • Dominant sevenths in various inversions.

  • Perfect cadences signal section ends.

  • Occasional suspensions (e.g., 9–8 suspension at bar 130).

8
New cards

What are the tempo, metre, and rhythmic features of Brandenburg Concerto No. 5, Movement 3?

  • Metre: 2/4 (duple time), resembles a Baroque gigue.

  • Rhythm: Triplets and dotted rhythms throughout.

  • Harpsichord part has many semiquaver runs.

9
New cards

What is the concertino in Brandenburg Concerto No. 5?

  • Consists of flute, violin, and harpsichord.

10
New cards

What is a concerto grosso, and how does it apply to Brandenburg Concerto No. 5?

  • A concerto grosso is for a large group of instrumental parts.

  • Likely performed with one player per part in original performances.

11
New cards

What is fugal style, and how is it used in Brandenburg Concerto No. 5?

  • A style with imitation almost throughout.

  • Solo violin introduces the subject, flute provides the answer, and harpsichord adds layers.

12
New cards

How does the texture evolve in Brandenburg Concerto No. 5?

  • Starts with two-part imitation.

  • Harpsichord adds counterpoint, creating four-part texture.

  • Flute and violin sometimes play in thirds or double in unison.

13
New cards

What is the role of the ripieno in Brandenburg Concerto No. 5?

  • Ripieno is the string orchestra, but it has only one violin part (instead of two).

  • Occasionally doubles the concertino parts.

14
New cards

What are the characteristics of the middle section (B) in Brandenburg Concerto No. 5, Movement 3?

  • Modulates to B minor (relative minor).

  • Features a new theme introduced by the flute.

  • Ends with a perfect cadence in B minor.

15
New cards

What is a rising sequence, and where is it found in Brandenburg Concerto No. 5?

  • A phrase repeated several times, each time starting on a higher pitch.

  • Found at bar 137.

16
New cards

What rhythmic features give Brandenburg Concerto No. 5 its lively character?

  • Use of triplets and dotted rhythms.

  • Gigue-like feel due to compound rhythm (implied 6/8).

  • Frequent semiquaver runs, especially in the harpsichord.

17
New cards

What is a figured bass, and how was it used in Baroque music?

  • A shorthand notation using numbers under the bass notes to indicate chords.

  • Guided the keyboard player to realize the harmony.

18
New cards

What is the role of the harpsichord in Brandenburg Concerto No. 5?

  • Acts as both a solo instrument and part of the continuo.

  • Features a virtuosic solo, including an extended cadenza in the first movement.

  • Occasionally plays continuo chords with figured bass (e.g., bars 29–37).

19
New cards

What is the significance of the harpsichord solo in Brandenburg Concerto No. 5?

  • Considered the first concerto for keyboard solo in musical history.

  • Includes rapid scalic runs and simultaneous trills in both hands.

20
New cards

What is a cadenza, and how is it featured in Brandenburg Concerto No. 5?

  • A cadenza is an unaccompanied, virtuosic solo passage.

  • The first movement includes an extended cadenza for harpsichord, showcasing Bach's skills.