Allusion
a reference to a person or work or event within an argument to reinforce an idea or claim.
Pathos
an appeal to emotion in an argument.
Simile
a metaphor with a particular structure. Uses ‘like’ or ‘as’ phrases, at times the ‘like’ or ‘as’ can be implied.
Imagery
language that evokes senses (visual, audio, gustatory (taste), olfactory (smell), kinesthetic/tactile (touch/awareness))
Epiphora/Epistrophe
a form of parallelism when a series of statements end with the same word or words
Anaphora
a form of parallelism when a series of statements begin with the same word or words
Symploce
a form of parallelism that combines epiphora and anaphora where a series of statements begin and end with the same word or words
Personification
applying human qualities to objects, things, or creatures that are not human
Exigence
(from the Latin word for demand) the situation or inspiration for a piece of writing, the reason it exists or what prompts the writer to write
Epizeuxis
the repetition of a single word or short phrase to create emphasis
Genre
the type of text. E.g., speech, satire, editorial, letter, essay, or diary entry.
Logos
an appeal to logic or reasoning
Metaphor
comparing two unlike things OR referring to one thing by mentioning another.
Takes the meaning from one term, to another. The vehicle is the word or concept that is artful and transferring. The subject receives that meaning from the vehicle, it is the word/concept that we’re trying to define further.
Prolepsis/procatalepsis
when the speaker addresses a potential objection to their argument and promptly refutes it.
Analogy
arguing parallel cases, creating a comparison and suggesting that because the two cases are similar, the comparison creates an emphatic point.
Diction pattern
a series of similar words used in proximity to create a significant tone, mood, or attitude.
Cumulative adjectives
using three or more adjectives to modify a single noun creating emphasis in an argument
Irony
expression or event in which a detail or anecdote appears one way but differs in actuality; the difference between expectations and results.
Verbal Irony
when a person says one thing but meands another
Situational irony
a situation with contradictory qualities or tendencies
Dramatic Irony
when the audience of a story knows things a character does not
Enumeratio
when a writer uses a series of details to create a significant point in their argument (at least three)--the details work together to describe the same idea, concept, thing, or person.
Antithesis
expressing opposites in parallel structure to create emphasis, antithesis calls attention to itself
Hyperbole
using exaggeration in an argument to make a point
Hypophora
A technique wherein an author raises a series of questions (at least three in succession) and then proceeds to answer them.
Audience
who the author is directing an argument toward.
Connotation
the idea that words can have a positive, negative, or neutral spin or implication.
Implication
when something is suggested without being specifically stated or the conclusion that can be drawn from an argument that is not specifically stated.
Limitation
a drawback or shortcoming to an argument, another central part of our argument essays.
Chiasmus
a rhetorical device in which words, grammatical constructions, or concepts are repeated in reverse (inverted) order.
Juxtaposition
placing two contrasting things together for emphasis or effect
Ad hominem
a fallacy in argument where an arguer attacks their opponent personally rather than the issues, ideas, or concepts under consideration
Satire
a piece of writing that ridicules a social reality through humor in order to argue that it should be changed
Synecdoche
a figure of speech in which you use a part of something to stand for the whole thing.
Litotes
a phrase that uses negation to create an affirmative understatement.
For example, “That wasn't half bad” uses negative phrasing to indicate that something was actually very good.
Antimetabole
the repetition of words in reverse order for emphasis
Periodic Sentences
sentences where the subject(s) and verb(s) come after subordinating phrases and clauses. “When it is crowded, I work at home”
Peroration
a short and pithy ending or concluding remark used to create an emphasis (significance).