music theory - cadences
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Last updated 7:14 PM on 2/24/25
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6 Terms
1
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perfect authentic cadence
dominant to tonic (bass must be root position, and soprano line end on scale degree 1)
2
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imperfect authentic cadence
dominant/leading tone to tonic (one or both of the PAC rules is not met)
3
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plagal cadence
IV-I or iv-i (subdominant to tonic)
4
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deceptive cadence
V-vi or V-VI
5
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half cadence
ends with V or V7 (commonly preceded by Iv, ii, ii6, I/i6/4)
6
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phrygian half cadence
iv6-v (occurs in harmonic minor) half step down to ‘so’ in the bass
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