1/5
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced |
---|
No study sessions yet.
perfect authentic cadence
dominant to tonic (bass must be root position, and soprano line end on scale degree 1)
imperfect authentic cadence
dominant/leading tone to tonic (one or both of the PAC rules is not met)
plagal cadence
IV-I or iv-i (subdominant to tonic)
deceptive cadence
V-vi or V-VI
half cadence
ends with V or V7 (commonly preceded by Iv, ii, ii6, I/i6/4)
phrygian half cadence
iv6-v (occurs in harmonic minor) half step down to ‘so’ in the bass