music theory - cadences

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6 Terms

1
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perfect authentic cadence

dominant to tonic (bass must be root position, and soprano line end on scale degree 1)

2
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imperfect authentic cadence

dominant/leading tone to tonic (one or both of the PAC rules is not met)

3
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plagal cadence

IV-I or iv-i (subdominant to tonic)

4
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deceptive cadence

V-vi or V-VI

5
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half cadence

ends with V or V7 (commonly preceded by Iv, ii, ii6, I/i6/4)

6
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phrygian half cadence

iv6-v (occurs in harmonic minor) half step down to ‘so’ in the bass