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Laura and Lizzie hears sound of goblin fruit market from their house. They try to ignore it but Laura goes to look even after warnings from Lizzie
Goblin men offers Laura the fruit. She has no money, so the goblin men take some of her golden hair
Laura gorges on the fruit and heads home to Lizzie
Laura begins to waste away, so Lizzie goes to the goblins
Goblin men try to tempt her but Lizzie stands firm
Goblin men turn violent and try to stuff fruit in Lizzie’s mouth. She squeezes her mouth shut so juice goes all over her
Laura kisses all the juice off her sister’s cheek and is miraculously and painfully healed
Years later, Laura and Lizzie are both wives and mothers and they describe their experience to the children
Ballad form
Narratives set to music, originally to dance to
Popular as story-telling songs from Middle Ages to the 18th Century
Written ballads became popular in the 18th century and retained strong rhythms
Form
Use of quatrains
Clear alternate rhyme scheme
Strong rhythm
Moral at the end of
Repetition and incremental repitition
Strong alliteration
Dialogue and conversational language
Iambic metre
Metrical pattern of unstressed beat followed by a stressed beat
de DUM = iambic foot/iamb
The heartbeat rhythm - walking, dancing and ordinary English speech
“Maids heard the goblins cry” = iambic trimester (3 feet per line)
Dactyl - DUM de de
Spondee - DUM DUM
Epic poem
Michael Meyer:
Lengthy narrative poem
Dealing with God or supernatural forces
Gave shape to moral universe
Involves a time before living memory
Victorian Fairy tale
Charles Perrault had collected and written versions of fairy and folk tales in the 18th century. Rewritten by Hans Christian Anderson and The Brothers Grimm
Erica Leigh Durian Fairy Tales
Moral - Sisterly love and curiosity is bad
Fantasy setting - Medieval market and lack of adults
Magic and magical beings - the goblins
Good vs Evil - Goblins vs Lizzie
Perilous quest undertaken in spite of warnings - Lizzie goes to save Laura by going to the goblins even though she knows the damage they can cause. Laura goes to get the fruit despite being reminded of Jeanie
Siblings and sibling rivalry - Laura and Lizzie
Gluttony and poverty - Laura’s greed gets the better of her and she follows the goblin’s music. The girls appear to live in poverty
Repitition - Multiple fruits named, similar incidents between Jeanie and Laura
Happily Ever After endings - Wives and children after Laura is saved
Marxism
Hegemony - one class holds power over another
Bourgeoisie - upper class
Proletariat - working class
Meritocracy - harder you work, the more reward you will receive - “myth of meritocracy”
Repressive state apparatus - stopping someone from doing something by keeping them somewhere (i.e. jail)
Marxism Literacy Theory
Representation of class distinctions and class conflict within literature
Social and political over artistic and visual elements of a text
Girls → Proletariat
Goblins → Bourgeoisie and hegemony
Fruit → Dominant ideology - The attitudes, beliefs, values, and morals shared by the majority of the people in a given society
Terrance Holt
Economic language and metaphors
“Come buy” echoes throughout the poem
Inhabit apparently innocent words
Elizabeth Campbell
Rossetti uses the literacy market in order to critique the values and hidden assumptions of capitalism
Consumerism
Fruit
Laura and Jeanie are over consumers
Oxford Movement
Tractarians
Importance of emotions/heart
Active role for women
Spiritual emphasis on poetry
Doctorine of Reserve
‘The kingdom of heaven is like a hidden treasure’
God conceals as well as reveals
Have to struggle/suffer to reach enlightenment
Adam and Eve
‘Apples’ are the first fruit named in the poem
Eve gets tempted like Laura
Goblins = snake
Sacrifice of Jesus
Mirrors the same way Lizzie risked her own life to save Laura
Mary-Lu Hill
Lizzie is a Christ-like figure and Laura is saved by her licking her body like “Eucharist” (breaking bread)
7 deadly sins
Envy
Pride
Sloth
Wrath
Gluttony
Greed
Lust
All displayed in Goblin Market
Lizzie
Mature
Strong-willed
Vibrant
Caring and nurturing
Protective
Loyal
Laura
Curious
Naive
Child-like
Easily manipulated
Stubborn
Reckless
Victorian ideal of womanhood
Angel in the house - Woman’s place in the home. Mother and goof housewife
Prostitution was an issue of London that no one knew how to deal with - Rossetti worked with prostitutes
Gender and Sexuality
Rehabilitating fallen women
Unconscious celebration of lesbian
Feminist celebration of sisterhood
Laura was able to become respectable mother and wife. Unlike the women Rossetti would be help in the refuge
Addiction
Context
Common feature of Victorian life
Imports of opium quadrupled between 1830 and 1860
No illegal substances
Signs in Goblin Market
Laura’s unable to resist tempetation
“Sought after it day and night”
“I ate and ate my fill, yet my mouth water still”
“Come buy” “Come buy, come buy”
Advertisement, persuasive. Focus on need replicate marketplace, street seller
fruit listed “apples”
“Apples” first = first sin
Listing = overwhelming
“Clashing arms and cautioning tips”
Market = unwelcoming and cold
“Tones as smooth as honey”
Deception
“Knew not was it night or day”
Confusion. Dependent on Lizzie
“One had a cat’s face, one whisked a tail”
Animalistic, beastly. Children’s storybook. Creates sense of underworld
“Haunts of goblin men”
Will not leave her alone. Evil drug pushers constantly in her mind. Unable to stop thinking about the fruit. Addiction
“Fetched in honey, milked the cows”
“Kneaded cakes of whitest wheat”
Cataphoric reference to “fetched honey, kneaded cakes of wheat”
No matter what happens between, the same, repetitive jobs must be done
“Lizzie most placid in her look,
Laura most like a leaping flame”
Lizzie is the angel. Fire imagery for Laura suggests devil, unwanted desires
“Purple and rich golden flags”
Lizzie = regal and proper. Royal colours
“Thirstier”
Even if she drinks, she will still up thirsty if not topped up. Same with fruit. Addiction
“Kernel-stone”
Nothing grows through consumerism
“No friend like a sister”
Without Lizzie, Laura would’ve died. She is without medicine - “fiery antidote”