Theme 10 - Architecture & Society

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24 Terms

1
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Psychological connotations of a cube, a sphere, and a tetrahedron

Cube - stability and strength

Sphere - movement and continuity

Tetrahedron, unsteadiness and aggressivity

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<p>Name of building, architect, place, date</p>

Name of building, architect, place, date

Altes Museum, Schinkel, Berlin, 1830

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<p>Main charactersitics of the Altes Museum by Schinkel</p>

Main charactersitics of the Altes Museum by Schinkel

  1. Neoclassical purity - simple shapes drawing from Ancient Greek forms

  2. The building has a horizontal axis instead of a vertical axis like a cathedral - It is oriented towards an open space

  3. Façade is a delicate filter of columns - symbol of permeability that invites people in

  4. The columns are only on the main façade of the building - emphasises the frontal view and remarks the direction towards the exterior open space

<ol><li><p>Neoclassical purity - simple shapes drawing from Ancient Greek forms</p></li><li><p>The building has a horizontal axis instead of a vertical axis like a cathedral - It is oriented towards an open space</p></li><li><p>Façade is a delicate filter of <strong>columns </strong>- symbol of permeability that invites people in</p></li><li><p>The columns are only on the main façade of the building - emphasises the frontal view and remarks the direction towards the exterior open space</p></li></ol><p></p>
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<p>Which building did the Altes Museum inspire?</p>

Which building did the Altes Museum inspire?

Crown Hall, Mies van der Rohe, 1940

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Differences between the Crown Hall of Mies van der Rohe with the Altes Museum by Schinkel

Altes Museum:

  1. Neoclassical style

  2. symmetrical monumental, inspired by Greek temples

  3. interior: central rotunda, galleries, light-filled spaces

  4. public palace for art

Crown Hall:

  1. modernist and international style

  2. symetrical simple composition

  3. open plan column-free interior with suspended roof and steel frame

  4. the idea: allow students to see what they are all doing so they can learn from each other

  5. radical departure from historical styles by showcasing modern engineering in a pure form

<p>Altes Museum:</p><ol><li><p>Neoclassical style</p></li><li><p>symmetrical monumental, inspired by Greek temples</p></li><li><p>interior: central <strong>rotunda</strong>, galleries, light-filled spaces</p></li><li><p>public palace for art</p></li></ol><p></p><p>Crown Hall:</p><ol><li><p>modernist and <strong>international style</strong></p></li><li><p>symetrical simple composition</p></li><li><p><strong>open plan</strong> column-free interior with suspended roof and steel frame</p></li><li><p>the idea: allow students to see what they are all doing so they can learn from each other</p></li><li><p>radical departure from historical styles by showcasing modern engineering in a pure form</p></li></ol><p></p>
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Comparisons between the Crown Hall of Mies van der Rohe with the Altes Museum by Schinkel

  1. both have exterior columns - Crown Hall’s columns are made out of steel

  2. they both have a plan made with the golden ratio

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<p>Name of building, architect, place, date</p>

Name of building, architect, place, date

Jewish Musem, Libeskind, Berlin, 1999

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Name the main elements that make up the Jewish Museum by Libeskind

  1. Main building

  2. Holocaust Tower

  3. The Garden of Exile

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<p>Main metaphors of the Jewish Museum building by Libeskind</p>

Main metaphors of the Jewish Museum building by Libeskind

  1. zigzag plan - broken star of David (jewish star) symbolising fragmentation and upheaval in Jewish life

  2. voids - the voids in the building create dark spaces that represent the absence and loss of Jewish life in Germany

  3. angled narrow windows - created harsh dramatic light that shows fragmentation in the Jewish community

  4. materials - raw concrete, zinc cladding, and exposed steel create an unsettling atmosphere

<ol><li><p><strong>zigzag plan</strong> - broken star of David (jewish star) symbolising fragmentation and upheaval in Jewish life</p></li><li><p><strong>voids </strong>- the voids in the building create dark spaces that represent the absence and loss of Jewish life in Germany</p></li><li><p><strong>angled narrow windows</strong> - created harsh dramatic light that shows fragmentation in the Jewish community</p></li><li><p><strong>materials </strong>- raw concrete, zinc cladding, and exposed steel create an unsettling atmosphere</p></li></ol><p></p>
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Main metaphors of the Jewish Museum Holocaust Tower by Libeskind

  1. materials - concrete for a brutalist and cold feel

  2. height and emptiness - narrow, unheated, completely empty vertical space

  3. access - entered through a heavy steel door, making users feel trapped

  4. emotional impact - designed to evoke feelings of distress, isolation, fear, and the profound absence of life

<ol><li><p><strong>materials </strong>- concrete for a brutalist and cold feel</p></li><li><p><strong>height and emptiness</strong> - narrow, unheated, completely empty vertical space</p></li><li><p><strong>access </strong>- entered through a heavy steel door, making users feel trapped</p></li><li><p><strong>emotional impact</strong> - designed to evoke feelings of distress, isolation, fear, and the profound absence of life</p></li></ol><p></p>
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Main metaphors of the Jewish Museum Garden of Exile by Libeskind

  1. 49 concrete pillars - imposing, unevenly spaced columns represent instability and displacement of exile

  2. slanted ground - it disrupts the user’s sense of balance, creating a sense of dizziness and disorientation, mirroring the loss of stability faced by those in exile

  3. olive trees - these grow on top of the pillars, symbolising hope and peace

  4. axis of exile - the graden is accessed through an underground path - connecting it to the broader narrative of forced migration

<ol><li><p><strong>49 concrete pillars</strong> - imposing, unevenly spaced columns represent instability and displacement of exile</p></li><li><p><strong>slanted ground</strong> - it disrupts the user’s sense of balance, creating a sense of dizziness and disorientation, mirroring the loss of stability faced by those in exile</p></li><li><p><strong>olive trees</strong> - these grow on top of the pillars, symbolising hope and peace</p></li><li><p><strong>axis of exile</strong> - the graden is accessed through an underground path - connecting it to the broader narrative of forced migration</p></li></ol><p></p>
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During which dates did Art Nouveau take place?

1880 to 1910

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Where did Art Nouveau first emerge?

England

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What does the name “Art Nouveau” suggest that the movement does?

“new art” means it moves away from historic styles

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Name the 4 main characteristics of Art Nouveau (general movement)

  1. organic shapes - clear inspiration from nature (not rigid structures like in the past)

  2. undulating assymmetrical line - suggesting movement or energy

  3. total art - coordination of architecture, furniture, decor, and everyday objects

  4. decorative elements - stained glass, mosaics, ornate metalwork

  5. art of the industrial bourgeoisie - new class wanted a new art movement to represent them

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Name 6 main characteristics of Art Nouveau in architecture

  1. linear accent

  2. use of wrought iron + stone-brick walls

  3. use of many materials such as stone, iron, wood, ceramic, glass

  4. variety of colours

  5. inside: stylistic unity / outside: merge arch + nature

  6. naturalist themes - specifically flowers and the feminine figure

  7. flowing curves - movement, organic sense capable of transmitting feelings of optimism, lightness, elasticity - leitmotiv

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Name the 2 main trends in Art Nouveau architecture

  1. concave-convex shapes

  2. geometric shapes

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Name 3 architects that use concave-convex shapes

  1. Horta

  2. Van de Velde

  3. Gaudí

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Name 3 architects that use geometric shapes

  1. Wagner

  2. Mackintosh

  3. early works of Wright

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<p>Name of building, architect, place, when built</p>

Name of building, architect, place, when built

Tassel House, Horta, Brussels, 1893

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<p>3 Main characteristics of the Tassel House</p>

3 Main characteristics of the Tassel House

  1. central light well brings light deep into the house

  2. organic forms - nature-inspired, sinuous curves dominate the iron railings, mosaic floors, wall designs

  3. open plan - allows rooms to flow into each other and maximises light

<ol><li><p>central light well brings light deep into the house</p></li><li><p>organic forms - nature-inspired, sinuous curves dominate the iron railings, mosaic floors, wall designs</p></li><li><p>open plan - allows rooms to flow into each other and maximises light</p></li></ol><p></p>
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<p>Name of building, architect, place, when built, fusion of two movements</p>

Name of building, architect, place, when built, fusion of two movements

Karlsplatz station, Wagner, Vienna, 1899, neoclassisicm + art nouveau

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<p>Main characteristics of the Karlsplatz station by Wagner</p>

Main characteristics of the Karlsplatz station by Wagner

  1. colours and materials - vibrant apple-green steel frameworks, white marble walls, gold leaf, and sunflower designs

  2. fusion of practical transport needs with aesthetic appeal

  3. neoclassical style and art nouveau - imperial waiting room yet pavillions with flowing lines and organic patterns of art nouveau

<ol><li><p>colours and materials - vibrant apple-green steel frameworks, white marble walls, gold leaf, and sunflower designs</p></li><li><p>fusion of practical transport needs with aesthetic appeal</p></li><li><p>neoclassical style and art nouveau - imperial waiting room yet pavillions with flowing lines and organic patterns of art nouveau</p></li></ol><p></p>
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