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Hegemony
Power relations in constant state of flux
Habitus
Field exists before entry with rites of passage
Primitivism
Cult and appropriation of tribal arts by modern artists
orientalism
Exotic conceptions of east as European inventions
Theory
A coherent group of general propositions used as principles of explanation for a class of phenomenon
Ekphrasis
classical period, detailed description of works of art
production
a social, political, and economic process
ancient art prior to perspective
role in ritual and cult value because it’s one-of-a-kind
exchange value
what something costs
Use value
How useful/ necessary something is
“Lack”
Loss from separation at birth
Commodity fetishism
separates goods from context of production for new meanings to be attached
reification
abstract ideas given concrete form
Signifying practice
a goal of producing meaning as well as an object
external ideological resources
religion,political beliefs, gender/sexual preference issues
Internal ideological resources
functionalism,expressionism,minimalism
aesthetic resources
enormous bank of object types, images, symbols, techniques and styles accumulated over centuries; appropriation issues
Post-industrial society
Emphasis put on consumption,not production
reception aesthetics
branch of criticism/history concerned with the impression art, design and media make and how they are “read” by various individuals and social groups
transient cultural objects
finite life; exchange value decreases over time
Durable cultural objects
No finite span; exchange value can increase
Rubbish
Zero value; no increase
Bricolage
talking existing artifacts and recording them for new subgroup meanings
counter-bricolage
mass culture re-appropriation the bricolage