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Macbeth
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Act 1: displays fierce ambition
"that I may pour my spirits in thine ear, and chastise with the valour of my tongue"
Act 1: unscrupulously evil
"come, you spirits that tend on mortal thoughts, unsex me here"
Act 1: skeptical and belittling
"too full o'th' milk of human kindness"
Act 1: persuasive
"look the innocent flower, but be the serpent under't"
Act 1: manipulative, degrading
"when you durst do it you were a man"
Act 1: violent, ruthless
"and dashed the brains out, had I sworn as you have done this"
Act 2: selfish, cowardly
"had he not resembled my father as he slept, I had don't"
Act 2: collected, composed
"my hands are of your colour; but I shame to wear a heart so white"
Act 2: clever and alert
"Help me hence, ho!"
Lady Macbeth causes a strategic diversion to draw attention away from Macbeth as she is afraid he is overly emotional and will betray himself
potentially overwhelmed by own sense of guilt after the events of the night
Act 2: exploits femininity
“the repitition, in a woman’s ear, would murder as it fell
ironic, as she is considered too weak to hear such gruesome things, when in reality it was her who orchestrated and was an accessory to Duncan’s murder
she is underestimated due to being a woman and omits any sense of suspicion, capatilising on the misogyny of men
Act 2: plays part of gracious host
“we rest your hermits”
her steadfast facade of gratitude and humility allows her to go unnoticed
she deceives the men, and uses the marginalisation of women to her advance
Act 3: lack of contentment
"nought's had, all's spent, where our desire is got without content"
Act 3: preserves Macbeth’s public image
“What quite unmanned in folly?”
undermines manhood again in an attempt to draw his attention back to the banquet at hand
tries to calm him and bring him back to reality, saving him from incriminating himself
Act 5: guilt exacerbated by isolation
“Out, damned spot! Out, I say!”
“What, will these hands ne’er be clean?”
“all the perfumes of Arabia will not sweeten this little hand”
inability to grapple with guilty conscience is amplified by her isolation, as she is unable to share the mental load of the regicide with Macbeth
her tumultuous thoughts overwhelm her in her seclusion, exposing her emotional fragility and susceptibility to remorse, shame
compulsive hand washing depicts a haunted mind, the eternal blood stains on her hands are a physical manifestation of her trauma and guilt
Act 5: combats darkness of her mind
“she has light by her continually, tis her command”
she clutches a lambent candle, a feeble attempt to stave off her guilt and fear
she becomes incapacitated by the guilt which plagues her mind, deranged, resulting in the disintigration of her mental stability, she has succumbed to the frailty of the human mind
Act 5: memory of the evil and twisted woman
“of this dead butcher and his fiend-like queen”
referring to Lady Macbeth in this way alludes to her association with evil spirits, and her request for them to violate her human nature
her ruthlessness, and willingness to do anything for the sake of her and her husband’s ambition