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Modernism
Not the same as “contemporary”
A movement of radical experimentation
Anti-traditionalism, avant-garde
First phase 1980-1914 (pre-WWI)
Fauvism
Part of Modernism
Translates to “wild beasts”
Group of artists and musicians centered in Paris
Sought to express the most extreme, disturbing emotions
Used abstract images, Tribal Art motifs, distortion, grotesqueness
Art with a threatening, violent quality
Expressionism
Part of Modernism - Vienna
A music of increasing emotionality
Exploited extreme psychological states
Hysteria, nightmare, insanity
Reflected fascination with Freud’s work
Paralleled similar movement in art
Subjective expression of inner turmoil
Distorted, exaggerated melody and harmony
Fascination with tone color and color theory
Stark, brutal
Deliberately distorted in line and texture
Filled with nervous tension
Dissonant, atonal, jagged melodies
Impressionism
Part of Modernism - Paris
Evoking an ideal state
Transparent, sensuous textures
Smooth, doesn’t break away from tonality
Influences:
Preference for texts by symbolist poets
Subtlety, understatement
Melodies and harmonies using whole-tone and pentatonic scales
Sparing use of forte and fortissimo
Minimalism
A reaction to modernism’s complexity
Very simple melodies, motives, and harmonies repeated many, many times
Postmodernism
Includes
Electronic music
Chance music
Minimalism