dada midterm

Marcel Duchamp, L.H.O.O.Q., France, 1919

"L.H.O.O.Q." by drawing a mustache and beard on a reproduction of Leonardo da Vinci's "Mona Lisa", transforming the iconic image into a readymade Dada work and a commentary on traditional art conventions.

Francis Picabia, Portrait of Cézanne, France, 1920

Francis Picabia, Monument to Latin Stupidity, France, 1921

Francis Picabia, et al., L'Oeil cacodylate (The Cacodylic Eye), France, 1921

Le Corbusier (Charles-Édouard Jeanneret), Still Life, France, 1920

Le Corbusier (Charles-Édouard Jeanneret), Pavillon de l'esprit nouveau, Paris, 1925

Marcel Duchamp, 3 Standard Stoppages, Paris, 1913-14

Marcel Duchamp, Network of Stoppages, Paris, 1914

Marcel Duchamp, Chocolate Grinder, Paris, 1914

Marcel Duchamp, Bottle Rack, Paris, 1914

Marcel Duchamp, Fountain, (photo by Alfred Stieglitz), New York, 1917

Marcel Duchamp, Rotary Glass Plates (Precision Optics), New York, 1920

Marcel Duchamp, Rrose Selavy, (photo by Man Ray), New York/Paris, 1920-21

Marcel Duchamp, Nude Descending a Staircase, No. 2, Paris, 1912

Marius de Zayas, Abstract Caricature of Alfred Stieglitz, New York, 1912

Francis Picabia, Ici, c'est ici Stieglitz/Foi et Amour (Here, This is Stieglitz/Faith and Love), cover of 291, New York, July-August 1915

Francis Picabia, Portrait d'une jeune fille américaine dans l'état de nudité (Portrait of a Young American

Girl in a State of Nudity), New York, 1915

Francis Picabia, Fille née sans mère (Girl Born without a Mother), Paris/New York, 1914-15.

Marcel Duchamp, The Large Glass (The Bride Stripped Bare by her Bachelors, Even; La Mariée mise à nu par ses celibataires, même), New York, 1915-23

Machines and sexuality

George Grosz, Remember, the Communists Fall and Currencies Rise, Berlin, 1920

George Grosz, 'Daum' Marries her Pedantic Automaton 'George' in May 1920, John Heartfield is Very Glad of It (Meta-Mechanical Construction after Professor R. Hausmann), Berlin, 1920

Raoul Hausmann, fmsbw, Berlin, 1918

Raoul Hausmann, Tatlin at Home, Berlin, 1920

Raoul Hausmann, Mechanical Head, the Spirit of our Time, Berlin, 1921

Hannah Höch, Cut with a Kitchen Knife, Dada through the Last Weimar Beer Belly Cultural Epoch of Germany, Berlin, 1919-1920

Kurt Schwitters, Merz 19, Hannover, 1920

Max Ernst, Elephant of Celebes, Cologne, 1921

Hugo Ball in Performance at the Cabaret Voltaire, Switzerland, 6/23/16.

Sophie Taeuber (Taeuber-Arp), Untitled (Dada Bowl), Switzerland, 1916

Sophie Taeuber (Taeuber-Arp), Vertical-Horizontal Composition, Switzerland, 1916

Jean/Hans Arp, woodcuts for Richard Huelsenbeck’s Fantastic Prayers, Switzerland, 1916

Jean/Hans Arp, Collage Arranged According to the Laws of Chance, Switzerland, 1916-17

Jean/Hans Arp, Automatic Drawing, Switzerland, 1917 (although it's often cited as 1916)

Tristan Tzara and Marcel Janco, Dada 3 cover, Switzerland, 1918

Henri Matisse, Bonheur de vivre, Fauvism, France, 1905-6

this painting represents Sexual freedom

Be free, people in harmony with nature

Traditional in some ways

Like ancient Greek vase painting, it celebrates joy and sensuality through vivid colors and expressive forms.

longing for a time that was pre-modern, when the body was in harmony with nature

Fauvism

is characterized by its bold, non-naturalistic colors and brushwork, vibrant colors, and an emphasis on painterly qualities over representational accuracy.

Henri Matisse, Blue Nude--Souvenir of Biskra, Fauvism, France, 1907

Attitude of women

Patriotic - dominating france

Looking down from her from above

Made her how he wanted her to

a representation of the idealized female form, showcasing both beauty and a sense of detachment.

Wassily Kandinsky, Study for Composition VII, Germany, 1913

The artwork is a prime example of Kandinsky's abstract style, moving away from representational art to focus on the emotional and spiritual impact of color and form. Realize paintings can be false and subjective, emphasizing the connection between art and the viewer's inner experience.

Giorgio de Chirico, Ariadne, Metaphysical painting, France, 1913

depicts the mythical figure Ariadne as she lies sleeping in an empty public square with classical architecture and eerie shadows, evoking a sense of mystery and dreamlike quality. The painting explores themes of isolation and the subconscious, characteristic of the Metaphysical movement. this reflects Chirico's personal feelings of isolation after moving to Paris in 1911.

Giorgio de Chirico, The Seer, Metaphysical painting, Italy, 1915

he mannequin to depict the same reality, employed as a symbol for the lack of soul, the loss of humanity and the wounded bodies coming back from the front.

Pablo Picasso, Guitar, Sheet-Music and Glass, Synthetic Cubism (papier collé), France, 1912

Pretty small painting

Traditional people would think was garbage

References to cubism

Implication that is being played

Maybe in a cafe

Filippo Marinetti, Zang Tumb Tuum, Futurism, France, 1914

a sound poem

Vladimir Tatlin, Monument to Third International, Constructivism, Russia, 1920.

One week won’t fit

was intended would be the headquarters of the Third International, an organization founded by the Communist party in 1919 with the goal to spread their revolution globally.

designed to rotate at different speeds.