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fourth wall
looks between depicted characters and spectators
scopophilia
erotic gratification derived from looking
cinematic apparatus
traditional social cinima space-darkened theater, mirror-like screen-invites regression to childlike state
objective shot
camera as third person viewer
literate
able to read or write, more generally, educated or learned
dominant-hegemonic reading
unquestioningly identify with the dominant ideology
oppositional reading
completely disagree, reject or ignore
visual poetics
examines rhetorical devices (figures of speech or tropes) in images and language
synecdoche
part standing for the whole “a hired hand”
personification
abstract ideas embodied in some person or animal
symbols
signs or objects that have, over time, acquired fixed secondary meanings
allegory
a treatment of one subject under the guise of another; a presentation of an abstract meaning through concrete forms
intertextuality
references to other works in the genre; “quoting;” game with audience, reflecting their sophistication as knowledgeable viewers
double meanings
visual puns, form overlapping or superimpositions
“breaking frame”
looks exchanged to characters outside the frame