Music Theory: Chapter 4: Introduction to Triads and Seventh Chords; Inversion; Chord Symbols and Figured Bass

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23 Terms

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harmony

The general effect of several musical lines in combination; any single combination of sounds, a chord

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harmonic interval

Two simultaneous pitches produce this, not a chord

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Voice

A single musical line or part and does not necessarily imply that the part is vocal rather than instrumental

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True

T/F: Major and minor triads have the greatest stability

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resolution

Major and minor triads have traditionally served as points of musical __________, appearing at the ends of compositions or sections within compositions.

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P5

Stability is directly reated to intervallic makeup. What interval makes the Major and minor triads stable, as opposed to augmented and diminished triads?

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seventh chord

When a seventh is placed above the root of a triad, a _______ _____ is formed.

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dominant seventh chord

This chord is formed when a minor seventh is added above the root of a major triad

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Root position

The chord root in the lowest voice

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first inversion

the third of the choird is in the lowest voice

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second inversion

If the fifth of the chord is in the lowest position

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highest

It makes no difference with pitch occupies the _______ position in the chordal structure. The inversion is determined solely by the lowest pitch.

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lowest

It makes no difference with pitch occupies the highest position in the chordal structure. The inversion is determined solely by the _____ pitch.

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doubled

When a triad is distribted among four voices one of the chord members is _______, it is represented twice in the chord (usually different octaves)

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root position

What position/inversion is most stable for major and minor triads?

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Chord symbols

These are used to show a chord’s root, type, and inversion

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figured bass

The numberical method of symbolizing chords is derived from a seventeenth and eighteenth century practice; a system of musical shorthand devised for keyboard parts, consisting of a bass line along with numbers below the notes to indicate the intervals to be added above

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  1. read

  2. Realize

Should be able to do these two things with figured bass

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rhythm section

basso continuo is the common practice period ______ _______. played by a harpsichord or cello

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  1. inversion

  2. presence of a seventh

  3. alter a pitch

  4. quality of a chord

  5. certain non chord tones

The figures in figured bass show these five things:

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outisde

When a chord falls _______ the key, accidentals are added to the figure if needed.

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third

An accidental by itself applies to the _____ above the bass (not the root of the chord)

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slash

This marking in figured bass means to raise the pitch