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What are the characteristics of Richard Rodgers’ works?
Often AABA form
Lush strings (sweeping)
No irregular time signatures
Clear vocal lines
Adapted musical styles to suit the theme of the musical (eg: Pentatonic scales in the King and I)
Use of recitative
Frequent use of leitmotifs
What musicals did Richard Rodgers write?
Oklahoma (1943)
Carousel (1945)
South Pacific (1949)
King and I (1951)
Sound Of Music (1959)
What are the characteristics of Leonard Bernstein’s works?
Fusions - uses jazz, Latin American, classical (he travelled for example to South America to fully understand the rhythms of these genres)
Hemiolas used
Rhythmic vitality (lots of life)
Emotional intensity
What musicals did Leonard Bernstein write?
On The Town (1944)
Wonderful Town (1953)
Candide (1956)
West Side Story (1957)
What are the characteristics of Stephen Sondheim’s works?
Use of dark themes
Angular harmonies
Melodies based on the way the words are said
Dense polyphonic (lots going)
Pastiches of operettas
Emotional / psychological character development
What musicals did Stephen Sondheim write?
Company (1970)
Follies (1971)
Sweeney Todd (1979)
Into The Woods (1987)
What are the characteristics of Andrew Lloyd Webber’s works?
Irregular time signatures used
Modulates semi-tone up
Through-sung (minimal spoken language)
Use of synthesizers, rock bands and modern instrumentation
Dramatic and often melodramatic music arcs (lots of drama)
Pastiche used for comic or stylistic effect
What musicals did Andrew Lloyd Webber write?
Jesus Christ Superstar (1970)
Evita (1976)
Cats (1981)
The Phantom Of The Opera (1986)
Starlight Express (1984)
What are the characteristics of Stephen Schwartz works?
Pop and rock influences
Lots of syncopations
Character growth and spiritual undertoes
Emotional storylines
Uplifting themes
What musicals did Steven Schwartz write?
Godspell (1971)
Pippin (1972)
Wicked (2003)
What are the characteristics of Claude-Michel Schonberg’s works?
Sung-through operatic style musical
Lots of perfect 4ths and 5ths
Vocal often written high in baritone and tenor
Vocals for altos belting
Powerful chords + melodies
Strong storylines
Solo lines embedded in choruses
What musicals did Claude-Michel Schonberg write?
Les Miserables (1980)
Miss Saigon (1989)
Martin Guerre (1996)
Which composers tend to write through-sung musicals?
Claude-Michel Shonberg and Andrew Lloyd Webber
Which composers wrote musicals influenced by the rock genre?
Stephen Schwartz and Andrew Lloyd Webber
Who wrote fusions with jazz, Latin American and classical?
Leonard Bernstein
Opposed to Richard Rodger’s use of clear vocal lines, who writes melodies based on the way words are said and have angular harmonies?
Stephen Sondheim
Which composer often uses regular time signatures and which composer uses irregular time signatures often?
Richard Rodgers uses regular time signatures; Andrew Lloyd Webbers uses irregular time signatures
Who uses pastiches for comedic and stylistic effect?
Andrew Lloyd Webber
Who uses pastiches of operettas?
Stephen Sondheim
Who uses dense polyphonic textures?
Stephen Sondheim
Who tends to use syncopations?
Stephen Schwartz
Leonard Bernstein used tritones for West Side Story, so which composer uses lots of perfect 4th and 5ths?
Claude-Michel Schonberg
Describe Andrew Lloyd Webber’s use of instrumentation
Synthesizers, rock bands and modern instrumentation
Who tends to modulate a semi-tone up?
Andrew Lloyd Webber
Who uses leitmotifs frequently?
Richard Rodgers
Who uses lots of rhythmic vitality in their works?
Leonard Bernstein
What form does Richard Rodgers tend to use?
AABA
Describe Richard Rodger’s use of strings
Strings are lush-sounding
What undertones do lots of Stephen Schwartz works have?
Spiritual undertones
Who writes altos belting in their works?
Claude-Michel Schonberg
Who wrote high baritone and tenor parts?
Claude-Michel Schonberg