Political Science - Sarah's Courses

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70 Terms

1
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Djurdja Bartlett, Fashion and Politics

  • era where politics is largely mistrusted and divisive

  • fashion cld provide means of challenging such dissension

  • fashion could repair old/new injustices, create a bridge btwn politics/econ

  • fashion provide a platform for urgent socio-cultural conversation

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FASHION AS A REPRESENTATION AND VISUAL ENFORCEMENT OF POWER

Garments, body, etc imbued with message - abstract concepts to visual/material presentation

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examples of fashion as representation of power

  • portraits of royals (ex. Prince Alessandro Farnese)

  • Lady Gaga at Biden’s inauguration 

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FASHION’S ROLE IN STRUCTURING SOCIETY throughout history

making social order visible through garments 

  • structure needs visual elements to reinforce it/extend influence

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Fashion as structuring society examples

  • french 3 estates

  • nazi designations like stars etc

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FASHION’S ROLE IN STRUCTURING SOCIETY contemporary examples

Vetements FW17 > inspired by everyday/pedestrian/clearly recognizable archetypes

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FASHION INSTRUMENTALIZED BY AUTHORITARIAN REGIMES

Hitler wanted to get rid of the difference and Mussolini wanted everyone to participate (artists etc) in the building of fascist culture

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Fashion in Mussolini’s Italy

  • Focus on the appearance of women - everyone has to be part of fascist effort/war effort

  • Women during war who wore fashionable looks accused of “servility” or “self interest” and of “attacking the conscious body of the nation”

  • Female devotion to intl fashion was a way their fidelity to regime was measured

  • Appearance under regime was a politcial issue - beauty was promoted as a spiritual duty of the “italian woman”

  • Considered french fashion too frilly and superficial, wanted to go back to fashion as more functional and fascist

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Belleza Magazine in Fascist Italy

  • First issue of magazine looked like roman bust > return to the old

  • Mag goal was to encourage the creation of italian fashion

  • Promoted "silhouettes of the year” - very simple, broad idea of what the designers should be inspired by under fascism

<ul><li><p>First issue of magazine looked like roman bust &gt; return to the old </p></li><li><p>Mag goal was to encourage the creation of italian fashion </p></li><li><p>Promoted "silhouettes of the year” - very simple, broad idea of what the designers should be inspired by under fascism </p></li></ul><p></p>
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<p>Fashion as demonstration of resistance: Russian Stilyagis </p>

Fashion as demonstration of resistance: Russian Stilyagis

  • Subtly resist regime, say something about their beliefs - interest in American culture

  • Against austerity of country

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Fashion as demonstration of resistance: Abbie Hoffman

  • Very political figure

  • dressed very casually in hippie style

  • opposing the establishment by using the exact opposite of what was promoted by establishment

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Fashion as demonstration of resistance: Queen Elizabeth II

Not allowed to publicly express views, wore bright blue in 2017 - asserting her support for remain (BREXIT era)

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POLITICS AS A TOPIC OF INTEREST FOR FASHION

Always a possible topic but even more so in recent years - we can question their intentions

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Fashion Interested in Politics: Contemporary examples

  • Balenciaga FW22 = Reaction to war in Ukraine

  • Willy Chavaria SS26

    • Not trying to dumb stuff down

    • Incorporating political elements into every part - how you do everything, archetypes etc

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THE INTRINSIC POLITICS OF THE FASHION SYSTEM: Jaden Smith/Louboutin

  • nepo baby > continuing system of privilege

  • part of western ecosystem > polarised fashion system around same areas

  • 2 men working together

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<p>Fashion Shows and Protests</p>

Fashion Shows and Protests

  • Both are things that require movement among other similarities

  • Chanel SS15 corny example 

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Using colors to stand out and signify

  • 1998 Jakarta protests

  • Gulabi Gang

  • Green Party

  • Gilets Jaune

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1998 Jakarta Protests

  • how to proceed after the authoritarian regime had been toppled

  • A lot of different groups protests with very different opinions

  • Students wanted to express opposition to what the rest of the mass were saying and thus chose to wear jackets with really bright colors in order to stand out

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Gulabi Gang

Wear pink saris and protect/support women in domestic violence etc scenarios

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Anti war protests in the 1970s

  • Even veterans would engage with the stereotypical, anti-militaristic, counter culture style of dress

  • Military jackets worn to express how antithetical their message was > modified with elements from counter culture to completely remove the jacket from its initial meanings

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Gilets Jaune/Black Bloc

“we don't have the same jersey but we have the same passion” > graffiti

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Gilets Jaune origins

  • Started with change of gas prices (for regular commuters) then extended beyond to many political issues within france in the period

  • Protest at round abouts and also entry to paris, main areas of paris - particularly those associated with power

  • Began to reflect the issue of the government that would not take into account the reality of a part of the population

  • 2008 = compulsory to have yellow vest in back of car

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Evolution of Gilets Jaune

  • Vest became the exact opposite of normal > no longer associated with its physical propriety but with its political messaging

  • Movement got too big > potentially damaging, so many causes no main structure, diverse within movement

  • Vests themselves used to explicitly note the movements goals (in writing on them) - the people themselves become the banners

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Macron as having

the political power of representation

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Opposite of Representation

benefits of anonymity

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Practical Side of Concealement

Concealment of identity is a way to protect yourself when speaking out against regime, espouse controversial opinions

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Concealment as getting rid of personal identities

  • together they are the movement

  • individuals in movements can be replaced, its the ideology thats important

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Black Bloc as opposed to Gilets Jaune

  • GJ wanted to be visible, BB doesnt want to be seen or represented 

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How the Black Bloc wants to appear

  • not as weak/vulnerable in face of power

  • composed and constitute a threat

  • collectively preserved militant anonymity 

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Black Bloc History

  • began with advent of fascism

  • italy in the 1930s

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Against Representation: Leviathan & Black Bloc

  • Leviathan Wearing all the tiny individuals that compose the state

  • BB refuse to become part of the state by wearing black (anarchist element of their action) 

<ul><li><p>Leviathan Wearing all the tiny individuals that compose the state</p></li><li><p>BB refuse to become part of the state by wearing black (anarchist element of their action)&nbsp;</p></li></ul><p></p>
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Reversal of the Gaze: Black Bloc

  • engage with smaller, on-the-ground right wing actions, they usually invade those networks to find info 

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Crest Hill Prison - Foucault

  • system of surveillance

  • structure organically directs inmates to behave thru constant visibility /potential gaze

<ul><li><p>system of surveillance</p></li><li><p>structure organically directs inmates to behave thru constant visibility /potential gaze </p></li></ul><p></p>
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Counter-Visualities Example

  • at Louvre, you are encouraged to look at the Mona Lisa in particular – regardless of the paintings around

  • social aspect imposed on your vision and visuality

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Activist Counter Visibility Examples

  • FEMEN (slut walks etc)

  • PETA (Fur? I’d rather go naked)

  • Tahrir Square, 2011 (“No to Stripping the People”) 

<ul><li><p>FEMEN (slut walks etc)</p></li><li><p>PETA (Fur? I’d rather go naked)</p></li><li><p>Tahrir Square, 2011 (“No to Stripping the People”)&nbsp;</p></li></ul><p></p>
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Counter Visibility: Fixation by Petr Pavlenski (2013)

  • nails testicles to ground outside kremlin

  • Action of choosing to use his own body to assert something is a way to create very direct reaction within audience - brings viewer back to own identity

  • Words are not enough, need to result to more shocking images

<ul><li><p>nails testicles to ground outside kremlin</p></li><li><p>Action of choosing to use his own body to assert something is a way to create very direct reaction within audience - brings viewer back to own identity</p></li><li><p>Words are not enough, need to result to more shocking images</p></li></ul><p></p>
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Counter Visibility: Animal Rights Activism

  • social activism based on performance, specifically based around body 

  • encourages people to imagine the actions as occurring to their own body

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Counter Visibility: PETA & “Id rather go naked” anti-fur campaign

  • Ambivalence of the spectacularization of the body as a way to make a statement

  • Allowed for political activism to become mainstream/easier to digest less confrontational content

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Counter Visibility: PETA & “Id rather go naked” anti-fur campaign ISSUES

  • Mostly female body displayed > usually white

  • Conventional norms

  • Adding sexualization elements: need to make it desirable somehow beyond politics

  • Choice to use body is striking and powerful, but is complex because the body is so socially-charged, hard to be neutral

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Collective Identities: Chicago 7 (1970)

  • Not an official organization, but worked as a group - created massive demonstration that “degenerated” and they were put on trial together

  • all came from very different backgrounds and activist groups

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Social Movements

Mobilization around common claims, opinions, and interests

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Usual Means of Social Movement Action

  • Usual means of action: demonstrations, occupations, strikes, etc > importance of the collective

  • social movements contribute to show where state action is needed

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What are Social Movments NOT

  • a trend

  • political party

  • subculture

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Subculture

  • like social movements, also a mobilization of people that share similar values/culture/ideology BUT no clear political ambition - They can be fused

  • Culture and hegemony

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Importance of Expression

Language that resonates with the participants: what's good, what's bad, who is the participant vs adversary

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Identity question very salient in social movements, especially in the 1960s

  • Asserting your identity, presence

  • >>> importance of the sense of belonging (//fashion)

  • Gay movement for example in 60s/70s

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Collective Identities

How you navigate individuality of your identity with the aspects that constitute the social identity of the movement

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Role of state in generating collective identities

  • pinpointing physical features

  • restraining social activity

  • shaping one’s life => creating of a subgroup in society fostering collective identiity

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Collective Identities and Fashion

  • Visual marker to signify one’s support to a movement

  • Embodied practice of the ideology

  • Common awareness of garments

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KKK Origins 

  • 1865: birth of the movement at the end of the American Civil War by a group of men refusing to accept the end of slavery, aiming at scaring Black people

  • 1867: convention in Nashville to declare the birth of the “Invisible Empire of the South” with a grand wizard as leader and followers

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Rebirth of KKK

  • beginning of 20th century, peaking in the 1920s

  • Kept similar uniform, added a burning cross to their paraphernalia

  • Night actions + demonstrations and rallies

  •  Growing hostility compared to the first wave of the movement, incorporated a hatred of the Jews, Catholics, foreigners

  • KKK toppling but frequent resurgences

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Women of the Klan

  • usually support-based position of women in racist groups (same with Nazis, fascists, etc), understudied 

  • Rise of Women’s KKK during 2nd wave

  • more “implicit” and subtle” actions compared to men 

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Women of the Klan’s conflicting relationship to feminism

weaving languages of emancipation with conventional and racist values

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KKK Garments

  • Supporting the uniformity of the movement

  • Care and the nurse inspiration (double semantic of the white outfit)

  • Morality and avoiding “seductive allurements”

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SNCC

  • Student Nonviolent Coordinating Committee

  • emerged in NC during civil rights mvmt

  • eventual discontent amongst black part of mvmt

<ul><li><p>Student Nonviolent Coordinating Committee</p></li><li><p>emerged in NC during civil rights mvmt </p></li><li><p>eventual discontent amongst black part of mvmt </p></li></ul><p></p>
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1964: Civil Rights Act

  • Exacerbating racial differences

  • African American frustration

  • Rise of Black Power

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Black Panther establishment

  • Est 1966 by Huey Newton and Bobby Seale

  • revolutionary group aiming at challenging society in favor of African American community

  • stemmed from disappointment in civil rights mvmt/act

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Black Panther actions

  • Moving away from nonviolent protests/response to police brutality

  • Survival programs to support African American communities in specific neighborhoods through food distribution, health issue assistance

  • Legal actions, demonstrations, rallies, etc to get Black activists discharged/freed

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Black Panther Garments

  • Uniformity

  • Leather jackets, denim pants, berets, guns

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Black Panther pride in African American Identity

  • Afros > against normative white society

  • No replication of white tropes, assert your own identity

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Black Panthers and Gender

  • Behavior same for both genders > could say movement was very forward thinking in terms of gender distinction/boundaries

  • Women (ex. Kathleen Cleaver and Angela Davis) had power within party

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Black Panther Military aesthetic

  • offices designed like barracks

  • symbolic power of the beret (embodying party)

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personal elements can turn into

  • representations of the movement

  • ex. angela davis’ hair

<ul><li><p>representations of the movement </p></li><li><p>ex. angela davis’ hair</p></li></ul><p></p>
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Skinheads Subculture origins

  • British and inheriting from the Mods and inspired by Jamaican (rude boys) culture + West Indians

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Skinheads values

  • Proletarian, puritanical, and chauvinist

  • “Kind of a caricature of the modern workers”

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Garments and language represent a conversation between different origins

hence depriving objects of their initial meaning in order to convey the idea of a contemporary working class (skinhead example)

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Codes defined/recreated by skinheads

  • Dr Marten shoelace color, “boot parties” (curb stomping), ‘braces’ rather than suspenders

  • important distinctions btwn diff skinhead groups

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What did the skinheads embody?

shared system of value and fetishization of social class

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Fred Perry and Skinheads

  • Fred Perry has incorporated it into some of their branding

  • Fights breaking out at sample sale in france when many skinheads came

  • Trying to distance themselves -ex. Statement by FP after Proud Boys incorporated their garments into wardrobe, had to discontinue a certain colorway

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Clothing as objects in which subculture members can see

their central values held and respected

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