1st movement exposition

general overview

d major, reduced instrumentation, monothematic

1st sub bars 17-49

played by strings and piano, 8+8 phrase structure, first 8 bars ends on imperfect cadence, and second on perfect

1st sub bars 32-39

utti, repeated tonic harmony, homophonic, melody has same rhythm as s1

1st sub bars 40-49

move to g maj (subdom), perfect cadence into bar 50 (d maj)

transition passage bars 50-64

built on motifs from s1, bar 57 dom pedal to prepare for modulation to a maj (dom)

2nd sub a bar 65

a maj (dom), homophony, 1st sub so contrast created with adding more woodwind, harmony becomes more chromatic, unexpected harmonic twist, interrupted cadence into bar 80, tutti on dominant, cadence to dom in 98-99

codetta bars 99-123

material is development on s1 but gives sense of introducing new material - unusual in codetta

development 124-145

manipulation of melodic material, starts with feel of b min, imitation between piano and woodwind, tutti and move to b maj

development 145-155

less use of fig y motif, 150-155 circle of 5th move from d#maj to e maj, perfect cadence into 155

development 155 until end

perfect cadence in 157 into e min, fig y used in this section between dif instruments, 172 tutti + ff and timpani joins for 1st time in develop, perfect cadence into b min