Music & Ritual - NEED

0.0(0)
studied byStudied by 0 people
0.0(0)
full-widthCall Kai
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
GameKnowt Play
Card Sorting

1/73

flashcard set

Earn XP

Description and Tags

WOM Exam #2 (MTSU)

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

74 Terms

1
New cards

What is a chant?

Clarity and precise articulation of second words, highly important

2
New cards

Which one has simplicity as a hallmark for it, especially for its musical clarity

Tibetan Buddhist Chant

3
New cards

Which one’s simplicity masks extraordinary depths of meaning?

Tibetan Buddhist Chant

4
New cards

Which one is believed that it can move the singer through the ritual process of a transformed state?

Tibetan Buddhist Chant

5
New cards

Rol Mo

Brass ritual cymbal

6
New cards

Melody of Mahakala

Ritual meditation text called a sadhana

Evokes the succored and helps the monk visualize and unify w/ deity

7
New cards

Act of chanting includes..?

A recitation of a mantra (ritual phrase or formula), prayers and vocables

8
New cards

The Melody of Mahakala chant shapes..?

The transcendent experience by connecting sound, breathing and mind

9
New cards

Quality of the chant

According to an early musical treatise, be pleasant to hear (syn-pa), w/ structures, a relaxed character, and clarity of enunciation

10
New cards

The chant in LG 64 is part of..?

A ceremony dedicated to the deity of Mahakala

11
New cards

Mahakala

A wrathful force worshipped as a protector

12
New cards

Tibetan Buddhist Chant is accompanied by..?

An instrumental ensamble called a rol-mo

13
New cards

What does the ensemble include?

Horns, cymbals, and drums

14
New cards

Chant melody:

A simple melodic pattern that can be short or long

15
New cards

Which contains a complex organization of rhythmic structures?

Tibetan Buddhist Chant

16
New cards

What differentiates the Tibetan Buddhist chant?

It contains a complex organization of rhythmic structures

17
New cards

What demarcates the beats in TB chant?

Cymbal beats

18
New cards

Sounds during the TB chant symbolically represents..?

The form of the mandala

19
New cards

What can be difficult to trace w/o training in TB?

Rhythmic complexities

20
New cards

What is the focus on in TB chant?

The end of each verse of chant text, marked by melodic cadence or short pause for breath, followed by a short cymbal beats (increases speed)

21
New cards

What is a beat from the Tibetan perspective?

Not a single sound, accelerating equal pulses

Each beat or beat of groupings include “after beats” 

22
New cards

The rhythms of TB chant are best understood as..?

Free rhythmic patterns

23
New cards

The oldest surviving music in the western classical tradition is all..?

Religious, produced for the Catholic church

Secular music existed, rarely preserved

24
New cards

Secular composers:

Troubadours, Trouvères, Minnesinger, laudes

25
New cards

How were secular songs? 

Monophonic and strophic in form

26
New cards

Medieval musical innovations:

Development of melodic composition, harmony, musical staff, and syllable names for notes (Guido Arezzo), and music notation (neumes)

27
New cards

Gregorian Chant:

Monophonic, religious melody or chant song to accompany worship 

28
New cards

Plainchant

Organized into a complete round of ceremonies and rituals called liturgy

29
New cards

Chant song in unison symbolizes..?

Unity and praise and making text moveable

30
New cards

GC reflects..?

Accents, grammar, and syntax but not in meaning of text

31
New cards

Syllabic

One not per syllable of text (used in singing of simple psalms)

32
New cards

Neumatic

two to seven notes on each syllable (accompanys procession)

33
New cards

Melismatic

Many notes on a single syllable (used in musical meditations of a service)

34
New cards

What were important centers of communal amd intellectual activity?

Monasteries and abbeys

35
New cards

Where and what would monks produce?

They would help record the activities, creating books and manuscripts in cathedrals and universities, as well as monasteries and abbeys

36
New cards

Can GC still be heard today?

Yes, thanks to preservation

37
New cards

Who were the composers for GC

Often, it was monks they frequently composed without attribution 

38
New cards

What is the name of a composer we know of?

Hildegard von Bingen (1098-1179)

39
New cards

Paris:

Gov. and religious life centered along the Seine River at the île de la Cité

  • population 200,000

  • Left banl of the Siene resided the “Latin Quarter” - schools, monastaries and student residences (Uni or Paris)

40
New cards

Clergy:

Does regular religious services

41
New cards

Cantor:

Highest official in the musical hierarchy

42
New cards

Choir:

organized group of singers, used on all occasions

43
New cards

How often is Mass included in the church calendar?

For each day of the year

44
New cards

What are the two sections of mass?

Mass Proper and Mass Ordinary

45
New cards

Mass Proper:

Variable portions called by their functions; chants linksthe service to a particular day of each church year

46
New cards

Mass Ordinary:

Invisible portions called by their initial words; chants familiar part of every mass

47
New cards

Beginning of Mass:

Sung by a choir after inotonation of “puer” by cantor, establishing chant and pitch

48
New cards

Structure of Mass:

Cantor’s intonation, choir sings main part, of introit, psalm verse, Doxology, repetition of introit without intonation

49
New cards

Kyrie and Gloria

Part of the Ordinary

The Kyrie, with Greek text, ninefold invocation sung antiphonally

50
New cards

Antiphonal:

Sung by alternating sides of the choir

51
New cards

Gradual & Alleluia

Two most musically elaborate sctions of Mass

Would become excellent places for embellishment

52
New cards

Santeria:

Afro-Cuban religious and musical practice - from Yoruba (West African) beliefs, languages, and practices mixed with Catholicism

53
New cards

Mid 19th Century:

Waves of Africans transported to the Caribbean

54
New cards

Where were slaves brought?

Cuba, social institutions (cabildos) - worship, community, spiritual aid centers

55
New cards

Worship was first allowed, then restricted, when?

By 1888, becomes informal and secret

56
New cards

Goal of Santeria

Establish relationship with Orishas or Santos (African dieties paired with Catholic Saints)

57
New cards

What is the liturgy, in the Santeria, full of?

Tongues, or chants, calling out to Orisha

58
New cards

What is each Orisha associated with?

A certain chant, drum rhythms, dance, and plants

59
New cards

What did they hope the ritual would achieve?

To help those who practice them to reach divinition and trances

60
New cards

How were chants performed A-CSS

In call-response

Differ based on context and function

Rhythms presented by batá drums

Uses a trio of batá drums

61
New cards

Lyá:

Large, lowest pitch (most complex rhythms)

62
New cards

Itóele:

Middle drum, in convorsation with Okónkolo

63
New cards

Okónkolo:

Smallest drum, plays ostinato

64
New cards

Polyrhythms:

Feature of West-African drumming

Features contrasting rhythmic patterns that are performed at the same time

Often, these patterns interlock in a certain way that can produce a “conversation”

65
New cards

Changó is called upon, when?

In the chant/ diety

66
New cards

Changó:

Virtility, strength, sexuality, and thunder

67
New cards

Chant implores Changó to..?

Descend, join the congregation, and possess one og the musicians or dancers

68
New cards

What chant melody does A-CSS make use of?

Pentatonic scale

69
New cards

What may the chant response include?

Harmony

70
New cards

What does chant use a mix of? A-CSS

Yoruba, other African dialects, Spanish words and vocables

71
New cards
72
New cards
73
New cards
74
New cards