“half a league”
links to themes: WAR AND CONFLICT, OPPRESSION AND INEQUALITY
Emphatic repetition highlights the sheer distance the soldiers' have to physically and psychologically travel
Physically travel to the battleground
Psychologically travel away from survival instincts within the mind to a place of blind patriotism and faith
“charge”
links to themes: WAR AND CONFLICT, OPPRESSION AND INEQUALITY
Imperative verb - emphasises the complete control the military superiors had over the soldiers
'charging' was a military tactic used to overwhelm the opposition
“six hundred”
links to themes: WAR AND CONFLICT
Emphatic epistrophe is used at the end of every stanza by Tennyson to aptly construe the scale of loss
“theirs”
links to themes: OPPRESSION AND INEQUALITY
The use of the plural personal pronoun portrays the soldiers as passive victims, the chain of event that occurred inevitable
“storm’d with shot and shell”
links to themes: WAR AND CONFLICT
Sibilance creates a sinister tone, increasing the aggression portrayed in the violence described
Sibilance mirrors the sound of a snake, Biblically eluding to the Devil in snake form corrupting humanity during Genesis
Links into the semantic field of Biblical references and allusions throughout the poem - "valley of Death"
“when can their glory fade”
links to themes: WAR AND CONFLICT, OPPRESSION AND INEQUALITY
Rhetorical question alludes to the poem being a piece of propaganda
First sentence of the final stanza - this first stanza not starting with the repeated anaphora creates an epitaph (in remembrance) of the soldiers by bringing emphasis to this stanza
Connotes a shift from a journalistic to emotive narrative - emphasises how the poem is a living testimony
This glorification of war only coming within the last stanza demonstrates how the poem is reluctant to portray this view
Tennyson was only inclined to do this due to his status as poet laureate
structure
BALLAD FORM
this form is widely used by poets to commemorate a story or memorialise a figure/group
DACTYLIC DIMETER
consists of a long syllable followed by a short syllable
creates an unrelenting, regular, rhythm, akin to the beating of horse hooves on the ground
this rhythm also adds a paradoxical satirical humour to the poem, due to its prevalence in light-hearted contexts
eludes to Tennyson’s disagreement with the events of the Battle of Balaklava
AO3
written in 1854
as poet laureate, Tennyson was charged to write ‘The Charge of the Light Brigade’ in order to glorify the patriotism of the British