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Pedal 64
The bass remains the same, other voices move
Passing 64
Used to connect 2 chords 3rds apart, usually in stepwaise motion
Arp. 64
Creates Brokn chord; notes of a chord are played individually
Cadential 64
Creates resolution and leads to cadence
Chordal Harmony
Every line or voice moves together with the same or similar rhythm
Ostinato
Short melodic rhythmic or hamonic pattern that is repeated throughout the piece
Sequence
Repeated melodic pattern in different intervals
Fragmentation
when a pattern of motif is used, repeated or varied
Melodic Sequence
repeating original motif on a different pitch
Retrograde
Melody played backwards
Rules for Part writing
S - spelling + spacing
T - Tendency Tones
O - Overlapping / voice crossing
P - parallelisms (5ths and 8ths)
Imitative polyphony
Two equally prominant melodies, usually with staggered entrances
Parallel Motion
Soprano and Bass move in the same direction and same interval
Similar Motion
When the bass and soprano move in the same direction at different intervals
oblique motion
When the voice remains on the same note while the other voices move
Contrary Motion
The melody moves in the opposite direction of the bass
polyphony
Two independent melodies played in unison
Homophony
main melody supported by other harmonic parts
monophony
Single melody played with no counterpart
Hemiola
Special type of syncopation; the beat is temporarily regrouped into twos
Diminuendo
Decrease in volume
Legato
Smooth, connected+ Flowy
Tenuto
Note is held longer for emphasis
Staccato
Short and detached
Pizzicato
plucked
Arco
Bowed
Parallel period
melodies in both phrases begin similarly
Contrasting Period
2nd phrase introduces a new musical idea
Double Parallel Period
4 phrase structure that contains two seperate phrases sharing melodic material