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A-Level music set work
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When was the piece first performed?
1913
Describe the structure
Narrative form
Introduction
Augures of Spring- from figure 13
Ritual of abduction- from figure 38
Describe the tonality
Stravinsky had not rejected tonality entirely at this point of his career
Yet there is no real sense of key
Constant use of harsh dissonance
Augurs- Bitonal
Mixolydian mode in the faggoto intro
Ritual- Atonal
Describe the instrumentation
Lots of woodwind instruments
In Groups of 5- Complex
Use of auxiliary instruments
Describe the harmony
There is a harsh dissonance throughout
Sense of bitonality
Describe the texture
Mainly polyphonic
But is monophonic at the start of augurs
Describe the rhythm and metre
Rhythm was very important to Stravinsky
Rhythms are very complex
Use of:
-Tuplets
-Ostinati
-Irregular rhythms
Irregular groupings
Cross-accents
Describe the melody of the piece
Little tiny melodies throughout the movements
These melodies represent different things happening in the piece, such as birds, and running water
Taken from old folk music
What did the piece take influence from?
Lithuanian folk music
What is the style of the piece?
Dark ancient tribal ballet
-In narrative form
-Frantic and unpredictable story
What did the piece tell the story of?
A fortune teller and a tribe who sacrifice a girl to their gods every year
This sacrifice means the girl having to dance herself to death
What are some wider listening pieces, and how do they link to the piece?
-Psycho shower scene ‘The bathroom, the murder’ - 1960 Bernard Hermann
-Planet of the apes ‘The hunt’ - 1968 Jerry Goldsmith
Both of these pieces use a harsh dissonance similar to that in The Rite of Spring
-The miraculous mandarin - 1918 Bela Bartok
This piece is also a ballet which conveys a story through music to accompany the ballet
-Symphonie fantastique - 1830 Hector Berlioz
This piece also tells a story through its music