Music History Study Guide: Middle Ages to Baroque

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58 Terms

1

Oral Transmission

Music passed down orally before written notation.

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2

Neumes

Early notation symbols indicating pitch direction (up or down).

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3

Heighted Neumes

Neumes placed at different heights to show relative pitch.

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4

Guido of Arezzo

Invented the 4-line staff for precise pitch notation.

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5

6 Rhythmic Modes

Patterns based on poetic meters (e.g., trochaic, iambic).

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6

Franconian Notation

Franco of Cologne introduced note shapes to indicate rhythm.

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7

Mensuration Signs

Symbols indicating rhythmic proportions (e.g., tempus, prolatio).

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8

Chant

Monophonic, unaccompanied liturgical music.

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9

Gregorian Chant

Standardized by the Catholic Church.

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10

Mass

Ordinary of the Mass: Fixed texts (Kyrie, Gloria, Credo, Sanctus, Agnus Dei).

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11

Proper of the Mass

Variable texts for specific occasions (e.g., Introit, Gradual).

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12

Liturgical Drama

Hildegard of Bingen: Composed Ordo Virtutum, a morality play with music.

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13

Troubadours and Trobaritz

Poet-musicians in southern France (12th-13th centuries).

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14

Medieval Dance Music

Instrumental music for social dancing.

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15

Motet

Evolved from sacred to both sacred and secular vocal music.

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16

Organum

Early polyphony, adding a second voice to chant.

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17

Parallel Organum

Voices move in parallel motion.

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18

Free Organum

Voices move independently.

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19

Notre Dame Period

Leonin: Composed Magnus Liber Organi (Great Book of Organum).

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20

Perotin

Expanded polyphony to 3-4 voices.

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21

Perfection Rhythm

Triple meter as the 'perfect' rhythm.

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22

Ars Nova

Imperfection Rhythm: Introduction of duple meter.

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23

Guillaume de Machaut

Composed the first complete polyphonic Mass (Messe de Nostre Dame).

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24

Isorhythm

Repetition of rhythmic patterns in the tenor voice.

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25

Mass Cycle

Unified polyphonic setting of the Mass Ordinary.

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26

Humanism

Focus on human emotion and expression in music.

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27

Music Printing

Enabled wider dissemination of music (e.g., Ottaviano Petrucci).

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28

Consonance

Greater use of 3rds and 6ths for harmony.

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29

English Style

John Dunstable: Influenced continental composers with consonant harmonies.

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30

Burgundian Style

Guillaume Du Fay: Blended English and continental styles.

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31

Franco-Flemish Style

Josquin Desprez: Master of imitative counterpoint and text expression.

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32

Imitative Counterpoint

Point of Imitation: Voices echo each other in succession.

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33

Text-Music Relationship

Music structured to reflect the text (e.g., word painting).

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34

Reformation

Martin Luther: Created Lutheran Chorales (simple, strophic hymns).

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35

Contrafactum

New religious texts set to existing melodies.

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36

Counter-Reformation

Palestrina: Ideal composer for clear text declamation and balanced polyphony.

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37

Madrigal

Expressive secular vocal music.

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38

Text Painting

Music depicts or expresses the text.

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39

Secular Songs

Growth of vernacular song genres (e.g., chanson, frottola).

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40

Doctrine of Affections

Music expresses specific emotions.

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41

Seconda Practica

Emphasis on text over rules (e.g., Monteverdi).

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42

Basso Continuo

Continuous bass line with harmonies (harpsichord, organ, lute).

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43

Idiomatic Writing

Music tailored to specific instruments.

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44

Opera

Florentine Camerata: Developed monody (solo voice with accompaniment).

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45

Recitative

Speech-like singing for dialogue.

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46

Aria

Lyrical, expressive solo song.

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47

Monteverdi's Orfeo

Early opera masterpiece.

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48

Tragédie Lyrique

Jean-Baptiste Lully's style under Louis XIV.

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49

Dance Music

Dance Suite: Collection of stylized dances (allemande, courante, sarabande, gigue).

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50

Court Ballet

Theatrical dance with music.

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51

Baroque Sonata

Trio Sonata: Two melody instruments with basso continuo.

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52

Solo Sonata

One melody instrument with continuo.

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53

Concerto

Ritornello Form: Alternating tutti and solo sections.

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54

Antonio Vivaldi

Composed The Four Seasons and worked at the Pio Ospedale della Pietá.

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55

Johann Sebastian Bach

Cantatas: Sacred and secular vocal works.

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56

Art of Fugue

Masterpiece of contrapuntal technique.

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57

George Frideric Handel

Oratorio: Sacred dramatic works (e.g., Messiah).

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58

English Oratorio

Large-scale works for English audiences.

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