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Oral Transmission
Music passed down orally before written notation.
Neumes
Early notation symbols indicating pitch direction (up or down).
Heighted Neumes
Neumes placed at different heights to show relative pitch.
Guido of Arezzo
Invented the 4-line staff for precise pitch notation.
6 Rhythmic Modes
Patterns based on poetic meters (e.g., trochaic, iambic).
Franconian Notation
Franco of Cologne introduced note shapes to indicate rhythm.
Mensuration Signs
Symbols indicating rhythmic proportions (e.g., tempus, prolatio).
Chant
Monophonic, unaccompanied liturgical music.
Gregorian Chant
Standardized by the Catholic Church.
Mass
Ordinary of the Mass: Fixed texts (Kyrie, Gloria, Credo, Sanctus, Agnus Dei).
Proper of the Mass
Variable texts for specific occasions (e.g., Introit, Gradual).
Liturgical Drama
Hildegard of Bingen: Composed Ordo Virtutum, a morality play with music.
Troubadours and Trobaritz
Poet-musicians in southern France (12th-13th centuries).
Medieval Dance Music
Instrumental music for social dancing.
Motet
Evolved from sacred to both sacred and secular vocal music.
Organum
Early polyphony, adding a second voice to chant.
Parallel Organum
Voices move in parallel motion.
Free Organum
Voices move independently.
Notre Dame Period
Leonin: Composed Magnus Liber Organi (Great Book of Organum).
Perotin
Expanded polyphony to 3-4 voices.
Perfection Rhythm
Triple meter as the 'perfect' rhythm.
Ars Nova
Imperfection Rhythm: Introduction of duple meter.
Guillaume de Machaut
Composed the first complete polyphonic Mass (Messe de Nostre Dame).
Isorhythm
Repetition of rhythmic patterns in the tenor voice.
Mass Cycle
Unified polyphonic setting of the Mass Ordinary.
Humanism
Focus on human emotion and expression in music.
Music Printing
Enabled wider dissemination of music (e.g., Ottaviano Petrucci).
Consonance
Greater use of 3rds and 6ths for harmony.
English Style
John Dunstable: Influenced continental composers with consonant harmonies.
Burgundian Style
Guillaume Du Fay: Blended English and continental styles.
Franco-Flemish Style
Josquin Desprez: Master of imitative counterpoint and text expression.
Imitative Counterpoint
Point of Imitation: Voices echo each other in succession.
Text-Music Relationship
Music structured to reflect the text (e.g., word painting).
Reformation
Martin Luther: Created Lutheran Chorales (simple, strophic hymns).
Contrafactum
New religious texts set to existing melodies.
Counter-Reformation
Palestrina: Ideal composer for clear text declamation and balanced polyphony.
Madrigal
Expressive secular vocal music.
Text Painting
Music depicts or expresses the text.
Secular Songs
Growth of vernacular song genres (e.g., chanson, frottola).
Doctrine of Affections
Music expresses specific emotions.
Seconda Practica
Emphasis on text over rules (e.g., Monteverdi).
Basso Continuo
Continuous bass line with harmonies (harpsichord, organ, lute).
Idiomatic Writing
Music tailored to specific instruments.
Opera
Florentine Camerata: Developed monody (solo voice with accompaniment).
Recitative
Speech-like singing for dialogue.
Aria
Lyrical, expressive solo song.
Monteverdi's Orfeo
Early opera masterpiece.
Tragédie Lyrique
Jean-Baptiste Lully's style under Louis XIV.
Dance Music
Dance Suite: Collection of stylized dances (allemande, courante, sarabande, gigue).
Court Ballet
Theatrical dance with music.
Baroque Sonata
Trio Sonata: Two melody instruments with basso continuo.
Solo Sonata
One melody instrument with continuo.
Concerto
Ritornello Form: Alternating tutti and solo sections.
Antonio Vivaldi
Composed The Four Seasons and worked at the Pio Ospedale della Pietá.
Johann Sebastian Bach
Cantatas: Sacred and secular vocal works.
Art of Fugue
Masterpiece of contrapuntal technique.
George Frideric Handel
Oratorio: Sacred dramatic works (e.g., Messiah).
English Oratorio
Large-scale works for English audiences.