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Genre
plays on audience expectations re-plot structures, characters, setting, etc
defines product distinction and product differentiation—what the film is (or aspires to be) and what it isn’t
depends on conventions, (i.e. tropes)
Basic Genre Conventions: The Western
hero is rugged individualist
white hat/black hat
climactic gunfight
Basic Genre Conventions: The Gangster Film
set in concrete jungle
hero is brutal, aggressive, lone wolf
good conquers evil or evil destroys itself
Basic Genre Conventions: Film Noir (black film)
unique, american crime drama
marked by mood of pessimism, fatalism, and menace
femme fatales — danger to gullible men who desire them
Basic Genre Conventions: War Films
dying and refusing to die are staples
“Gung ho” glorification vs. “War is hell” message
Basic Genre Conventions: Horror films
presiding irony is lack of imagination (Anthony Lane)
John Carpenter opened floodgates for teen, slasher films Wes Craven added self-conscious wit to mayhem
Basic Genre Conventions: Science Fiction and Fantasy Films
sci-fi can catalog culture’s major anxieties (J.P. Telotte)
fantasy relies on patterns, motifs, archetypes (A. O. Scott)
Basic Genre Conventions: Screwball Comedies
sumptuous romantic ideals with farce lurking underneath (Ed Sikov)
has evolved/disintegrated into raucous ribaldry (eg. Farrelly Bros. and Judd Apatow)
Basic Genre Conventions: Film Musicals
most complex art form ever devised (Rick Altman)
sugar coated vs. bitter
Remakes: changes in style (inc. social, lifestyle, pop tastes
A Star is Born (4 versions)
The Wizard of Oz vs. The Wiz (afrocentric cast)
The Karate Kid (1984) vs. The Karate Kid (2010)
Remakes: changes in film technology (color, sound, SFX)
Ben-Hur (3 versions)
King Kong
Remakes: changes in censorship
The Blue Lagoon (1949/1980)
cape fear (1962/1991)
Remakes: New Paranoias
invasion of the body snatchers (4 versions)
Remakes: The Musical Version
pygmalion (1938) → my fair lady (1964)
hairspray (1988) → hairspray (2007)
remakes: change in format (television version)
in cold blood (1967/1996 TV miniseries)
the shining (1980/1997 TV miniseries)
remakes: remakes of international films
the seven samurai → the magnificent seven
internal affairs → the departed
Sequels: optimal success when following original quickly
alien (1979) → aliens (1986)
back to the future trilogy (1985, 1989/1990)
what is usually more profit than creativity?
Sequels
Sequels: can be part of preconceived larger whole
3 star wars trilogies (classic, prequel, sequel)
planet of the apes prequel trilogy (Rise/Dawn/War, 2011-17)