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Melody Davis
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abstract language
language describing intangible ideas
absurdist drama
plays that focus on illogical happenings
accentual meter
key feature is number of stressed syllables in each line, without regard to unstressed syllables
accentual-syllabic meter
based both on the number of syllables in a line and on the pattern of stressed and unstressed syllables in each metrical unit
adjectives
words used to describe nouns
allegories
an extended form of personification where an abstract concept is presented as though it was a sentient character
alliteration
the repetition of sounds in nearby words of stressed syllables
allusions
a passing reference in a work of literature to another literary or historical work, figure, event, or literary passage
anagnorisis
the turning point at which the protagonist recognizes the truth about their situation
analogy
the comparison of a subject to something that is similar to it in order to clarify the subject’s nature, purpose, or function
anapestic foot
the noun is anapest when two unstressed syllables are followed by a stressed syllable
anapestic trimeter
three anapestic feet per line
anaphora
the intentional repetition of words or phrases at the beginning of successive lines, stances, sentences, or paragraphs
ancient Greek drama
fifth to third century B.C.
major playwrights including Aeschylus, Sophocles, and Euripides
antagonist
a character that opposes the protagonist’s goals and interests, creating major conflict in the story
anthology citations
name the authors of the work, not the editor
either in a signal phrase or in parentheses
antihero
a main character who is reckless, inept, and downtrodden, notably lacking in the conventional heroic consequences
antinovels
a work that derives its effects from eschewing such standard features of the genre as coherent plot, established setting, and sustained character development
antithesis
a figure of speech in which words or phrases that are parallel in order and syntax express contrasting meanings
aphorisms
an abrupt statement of a general truth about a serious subject
apostrophe
an address to a dead or absent person or to an inanimate object or abstract concept
appositive
a noun or a noun phrase that describes or equates with a nearby noun of pronoun
aside
a speech, usually brief, that, according to theatrical conventions is heard only by the audience, or, sometimes, is addressed privately to another character on stage
assonance
the repetition of identical or similar vowel sounds in nearby words or stressed syllables
atmosphere
the predominant mood or tone in all or part of a literary work
(term taken from meteorology)
author information
if there is one author, list the name last name first; if there are two authors, list the first author last name first and the second one first name first; if there are three or more, give the first author's name followed by et al.; include any middle names or initials
ballad meter
iambic tetrameter alternates with iambic trimeter
bibliographic information
information about a piece of work used in another work
Bildungsroman
a novel about character formation
blank verse
an unrhymed iambic pentameter
blocking of asides
stage directions on how to make an aside seem inaudible to other characters on the stage while making it audible to the audience
caesuras
a pause in the midst of a verse line
the pause is indicated by a mark of punctuation such as a comma, a question mark, a period, or a dash.
catalectic foot (catalexis)
a missing unstressed syllables at the end of a trochaic or dactylic line
catharsis in tragedy
an arousal of pity or fear that culminates in an uplifting, salutary emotional release or cleansing
characterization
the techniques by which an author represents the moral, intellectual, and emotional natures of the characters
chiasmus
a figure of speech in which two successive phrases or clauses are parallel in syntax, but reverse the order of the analogous words.
classical tragedy
from ancient Greece
centers on a tragic highborn hero
closed couplets
a pair of lines in which the end of the rhyme in the second line coincides with the end of the clause or sentence
closed form of poetry
poems where meter and rhyme scheme govern word choice
opposite of free verse
closet drama
a drama which is intended to be read rather than performed
first person narrator addresses a specific audience, either the reader or an invented listener, whom they expect will sympathize with the views expressed
colloquial language
informal language
characteristic of ordinary conversation
comedy
the tone is (for the most part) light
the main effects are to engage and amuse the audience
the situations and characters tend to be drawn from ordinary daily life, as opposed to world-shaking events and noble or royal characters
common meter
ballad meter when contained in hymns
complete predicate
consists of the verb and all of its modifiers, objects, and complements
complete subject
a simple subject and all of its modifiers
complex sentences
contains not only an independent clause but one or more subordinate clauses
compound sentences
contains more than one independent clause with no subordinate clauses
connected by a coordinating conjunction
conceit, metaphysical
an ingenious, often far-fetched or startling vehicle
concrete language
language that refers to tangible objects and ideas
conjunctions, coordinating
conjunctions, linking compound sentences, such as for, and, nor, or, but, yet, or so
consonance
the repetition of consonant sounds in two or more successive words or stressed syllable (not necessarily nearby) that contain different vowel sounds
coordinated clauses
a clause introduced by a coordinating conjunction
coordination
a reference to the equivalent importance of the two clauses
cosmic irony
refers to an implied worldview in which characters are led to embrace false hopes of aid or success, only to be defeated by some larger fate
couplets
a pair of rhymed lines of the same length and meter
cumulative sentence
presents ideas in the order of subject-verb-object
sentences written in English typically follow that order
curtal sonnet
a ten and a half line from of sonnet
dactylic feet
a stressed syllable followed by two that are unstressed
dactylic tetrameter
a line comprised of four dactyls
dependent clause
a group of words that contains a subject and a predicate but cannot stand alone as a grammatical unit
detail selection and order
the selection and the order of the details in a literary work are crucial to its meaning and tone
dialogue
the presentation of what characters in a literary work say
crucial in drama
diction
denotes the word choice and phrasing in a literary work
dimeter
contains two feet
direct discourse
the direct expression of a character's speech or thought
direct object
completes the predicate by indicating who or what receives the action expressed by the verb
direct satire
first-person narrator addresses a specific audience, either the reader or an invented listener, whom they expect will sympathize with the views expressed
doggerel tragedy
a tragedy that is irregular in rhythm and in rhyme
domestic tragedy
a drama which depicted a new kind of tragic protagonist whose origins were not noble or aristocratic but humble and whose preoccupations were not with lofty noble causes but with mundane issues
double rhyme
when two syllables rhyme
drama
the major literary form that presents characters directly to the audience, usually without the intermediary of a narrator
most are written to be performed live
dramatic irony
occurs when the audience is privy to knowledge that one or more of the characters lack
dramatic monologue
a poem that is spoken by a fictional narrator who is clearly different from the author in age, situation, or gender
set at some significant point in the speaker’s life, and is often addressed to another character, whose presence is implied by what the speaker says
dramatic poetry
the writer creates the voice of an invented character or characters
eighteenth-century drama
drama represented by John Dryden in tragedy and William Congreve and Richard Brinsley Sheridan in comedy
Elizabethan drama
drama in the 16th century that was mainly tragedy and comedy, highlighted by Shakespeare
email, in order of works cited
sender's Last Name, First Name. "Subject Line." received by First and Last Names, Day Month Year
endnotes, MLA style
notes at the end of a paper acknowledging sources and providing additional references or information
end rhyme
rhymes that occur at the end of the poetic line, and can consist of only one syllable
end-stopped lines
lines containing a complete sentence or independent clause and so have a distinct pause at the end
usually indicated by a mark of punctuation
English medieval drama
divided into the morality plays, which are allegories, and mystery plays
English (Shakespearean) sonnets
rhyme scheme formatted as three quatrains and a final couplet
enjambments
lines in which the sentence or clause continues for two or more lines of verse
no punctuation appears at the end of the enjambed lines
epic poetry (epics)
a long narrative poem on a serious and exalted subject combining legend, history, and moral exemplum
examples include Homer’s Iliad and Odyssey
epigrams
a saying in either verse or prose, concisely phrased and often satirical
epiphany
a sudden, overwhelming insight or revelation evoked by a commonplace object or a scene
epistolary novels
a type of novel comprised of a series of letters between characters
equivoque
a special form of pun in which a word or phrase that has disparate meanings is used in a way that makes each meaning equally relevant
essay, understatement
expressing something as less than it actually is for comic or satiric effect
exposition
the essential background information that will allow the reader to understand the characters and the events that have been introduced
extended metaphors
a trope that is sustained through several lines, ringing changes on the multiple relevance of the vehicle to the tenor
eye rhyme
rhyming in which words on the page look like perfect rhymes but have different pronunciations
fallacy, pathetic
a special type of personification in which inanimate aspects of nature, such as the landscape or the weather, are represented as having human qualities or feelings
falling meters
metrical feet than end on an unstressed syllables
farce
a major component of medieval mystery dramas, and part of low comedy
feet, metrical
a group of a single pattern of stressed and unstressed syllables
feminine ending
rhymes that end on unstressed syllables
fiction
any narrative whether written in verse or in prose, about invented characters and events, as opposed to an account of actual happenings
fictional narrator
a narrator who is clearly different from the author in age, situation, or gender
figurative language
words that are used in ways that depart conspicuously from their literal applications to achieve special meanings or effects