Language techniques

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112 Terms

1

ACCUMULATION

The listing of things to make a point.

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2

ACRONYM

A word formed from the initial letters in a phrase.

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3

ACROSTIC

A poem where letters form a word, phrase, or sentence.

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4

ADJECTIVE

Describes traits, qualities, or number of a noun.

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5

ADVERB

Describes a verb, adjective, adverb, or phrase.

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6

ALLEGORY

Writing with a double meaning.

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7

ALLITERATION

Repeating consonant or vowel sounds.

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8

ALLUSION

A casual reference in literature to a person, place, event, or another passage of literature, often without explicit identification. Authors assume that the readers will recognize the original sources and relate their meaning to the new context.

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9

AMBIGUITY

Lacking a clear meaning.

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10

ANECDOTE

Short narrative of an event.

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11

ANTHOLOGY

Collection of poetry, drama, or verse.

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12

ANTHROPOMORPHISM

Giving animals human qualities.

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13

ANTICLIMAX

A drop, often sudden and unexpected, from a dignified or important idea or situation to one that is trivial or humorous. Also, a sudden descent from something sublime to something ridiculous. In fiction and drama, this refers to action that is disappointing in contrast to the previous moment of intense interest.

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14

ANTITHESIS

Using opposite phrases together.

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15

ARCHETYPE

Recurring character, idea, or object.

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16

ATMOSPHERE

Emotional feelings inspired by a work.

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17

AUTOBIOGRAPHY

Non-fictional account of a person's life.

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18

AUDITORY IMAGERY

Detailed description of sounds.

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19

BILDUNGSROMAN

German term for a coming-of-age story.

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20

BIOGRAPHY

Non-fictional account of a person's life.

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21

CHARACTER

Representation of an individual in a work.

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22

CHARACTERISATION

Use of description to create vivid characters.

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23

CLICHÉ

Overused word, phrase, or idea.

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24

CLIFFHANGER

Suspenseful moment to keep the audience engaged.

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25

CLIMAX

Point of greatest intensity in a narrative.

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26

COLLOQUIALISM

Everyday word or phrase in speech.

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27

CONFLICT

Opposition between characters or ideas.

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28

CONTRAST

Comparison of objects, events, or characters.

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29

CYCLICAL

Story starting and ending similarly.

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30

DIDACTIC

Text that teaches a lesson.

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31

DIALECT

Form of language spoken by a group.

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32

DIALOGUE

Lines spoken by characters.

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33

DRAMATIC MONOLOGUE

A poem in which a poetic speaker addresses either the reader or an internal listener at length

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34

EXCLAMATORY LANGUAGE

Conveys strong emotion.

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35

ELLIPSIS

O(1) In its oldest sense as a rhetorical device, ellipsisrefers to the artful omission of a word (2) In its more modern sense, ellipsis refers to a punctuation mark indicated by three periods to indicate material missing from a quotation. . . like so.

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36

EMOTIVE LANGUAGE

Appeals to the audience's emotions.

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37

ENJAMBEMENT

Line continuing into the next without pause.

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38

EPIGRAPH

Short quotation at the beginning of a book. intended to provided context or thematic allusion.

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39

EPILOGUE

Conclusion added to a literary work.

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40

EUPHEMISM

Using a mild phrase instead of a blunt one.

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41

FABLE

Story illustrating human tendencies through animals.

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42

FIGURATIVE LANGUAGE

A deviation from what speakers of a language understand as the ordinary or standard use of words to achieve some special meaning or effect.

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43

FLASHBACK

Scene occurring earlier in the plot.

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44

FORESHADOWING

Hints about future events in a narrative.

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45

GENRE

Type or category of literature or film.

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46

GUSTATORY IMAGERY

Detailed description of tastes.

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47

HYPERBOLE

Exaggeration or overstatement.

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48

IDIOLECT

Speech habits peculiar to a person.

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49

IMAGERY

Mental pictures evoked by literature.

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50

INTERIOR MONOLOGUE

Depicts internal thoughts of a character.

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51

INTERTEXTUALITY

Text referring to another text.

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52

IRONY

Saying one thing and meaning another.

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53

JARGON

Confusing words used in a specific field.

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54

JUXTAPOSITION

Arrangement of ideas for comparison.

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55

LINEAR

Sequential or in chronological order.

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56

MALAPROPISM

Misusing words for comic effect. Typically, the malapropism involves the confusion of two words that sound somewhat similar but have different meanings.

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57

MAXIM

Proverb containing wisdom or insight.

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58

MEMOIR

Autobiographical sketch focusing on events.

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59

METAFICTION

Fiction in which the subject of the story is the act or art of storytelling of itself, especially when such material breaks up the illusion of "reality" in a work.

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60

METAPHOR

Comparison implying one object is another.

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61

MODALITY

Certainty in language use.

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62

MONOLOGUE

Character speaking aloud to himself.

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63

MOOD

Emotional state or atmosphere in literature.

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64

MOTIF

Recurring element in literature.

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65

NARRATION, NARRATIVE

Telling a sequence of events.

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66

NARRATOR

Voice that tells a story.

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67

NON-LINEAR

Out of order, e.g., flashbacks.

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68

NOUN

Word referring to a person, place, or thing.

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69

OLFACTORY IMAGERY

Detailed description of smells.

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70

ONOMATOPOEIA

Use of

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71

Point of View

The method of narration that determines the position from which the story unfolds, governing the reader's access to the story.

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72

Polysyndeton

Excessively long sentences incorporating the repetition of 'and'.

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73

Prologue

Introductory material before the main content of a work, setting the stage for the story.

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74

Pronoun

A word that can replace a noun in a sentence, such as he, she, they.

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75

Pun

A play on words with similar sounds but different meanings, used for humor or emphasis.

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76

Satire

Criticism through humor aimed at stupidity, vice, or societal norms.

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77

Setting

The time, place, and social context in which a story occurs.

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78

Sibilance

Repetition of the 's' sound in a series of words for effect.

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79

Simile

A comparison between two objects using 'like,' 'as,' or 'than.'

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80

Slang

Informal language inconsistent with formal standards, often used in specific cultural contexts.

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81

Soliloquy

A character's monologue when alone on stage, revealing inner thoughts.

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82

Stream of Consciousness

Writing presenting thoughts in a random, unstructured form.

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83

Style

The author's unique way of using language to achieve effects.

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84

Subplot

A secondary plot that runs alongside the main story, often reflecting or commenting on it.

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85

Symbol

An object or character representing a deeper idea beyond its literal meaning.

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86

Symbolism

Frequent use of symbols to convey deeper meanings in a work.

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87

Tense

The grammatical time in which events are described (past, present, future).

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88

Tension

Heightened involvement and uncertainty experienced by the audience as the story progresses.

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89

Theme

The central idea that unifies and controls a literary work.

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90

Thesis

A thesis is an argument, either overt or implicit, that a writer develops and supports.

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91

Tone

The attitude or mood conveyed by the author through stylistic choices and diction.

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92

Truncated Sentences

Incomplete sentences used for tension, urgency, or natural conversation flow.

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93

Unreliable Narrator

A storyteller who accurately describes events but misinterprets them due to bias or limited understanding.

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94

Verb

A word describing an action, condition, or experience.

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95

Word Choice

The selection of words for specific effects in a sentence.

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96

Zoomorphism

Giving humans animal qualities or imagery for symbolic purposes.

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97

Verbal Irony

(also called sarcasm) is when a speaker makes a statement in which its actual meaning differs sharply from the meaning that the words express.

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98

Dramatic irony

(the most important type for literature) involves a situation in a narrative in which the reader knows something about present or future circumstances that the character does not know.

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99

Situational Irony

is when accidental events occur that seem oddly appropriate, such as the poetic justice of a pickpocket getting his own pocket picked.

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100

Oxymoron

Using contradiction in a manner that oddly makes sense on a deeper level

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