Assonance
The repeating of vowel sounds for aesthetic effect: ‘low, close, clouds’.
Chorus
In songs a few lines that are repeated at the end of each stanza. In Greek drama a group of people on stage who act as a communal character and recite verses.
Enjambment
The flowing on of a line of poetry so there is no pause at the end of the line
Refrain
The repeating of a single line in a poem, often the last line of a stanza.
Repetend
A recurring word of phrase, not necessarily as formally arranged as a refrain.
Sibilance
The aesthetic use of the hissing ‘s’ sound.
Verse
The word is sometimes used to refer to poetry in general but can be used to mean the same as stanza.
Allegory
A rhetorical device that creates a close, one-to-one comparison
Burlesque
Satire that uses caricature
Colloquial
The informal language of conversation.
Denouement
The culmination or result of an action, plan or plot.
Diatribe
An impassioned rant or angry speech of denunciation.
Empiricism
Basing knowledge on direct, sensory perceptions of the world. Empirical means seeking out facts established by experience not theory.
Form
The type of literary expression chosen by an author
Hyperbole
The use of exaggeration for effect
Intertextuality
The concept of intertextuality describes the relationship between media products where one text references another text by reusing some its ideas and meanings.
Ludic
A text that plays games with readers’ expectations and/or the expectations aroused by the text itself. A ludic text that arouses audience expectations: there will be a plot and a mystery to solve but provides no solution. Here the audience is first enticed, then teased and finally frustrated.
Meta
These words usually describe moments when a text goes beyond its own fictionality or makes readers/audience aware of the conventions of its fiction. An aside could be described as a ‘metatheatrical’ event.
Modernism
The name given to experiments carried out in poetry, prose, and art from around 1920-1939
Poetic Justice
The trapper is caught by the trap in an example of ironic but apt justice. an outcome in which vice is punished and virtue rewarded usually in a manner peculiarly or ironically appropriate.
Postmodernism
A complex term. Postmodern texts tend to be aware of their own artifice, be filled with intertextual allusions, and ironic rather than sincere.
Reportage
Literally means reporting news but in literary criticism the word often means the inclusion of documentary material, or material which purports to be documentary, in a text.
Satire
A destructive reduction of an idea, image, concept or text. It can employ exaggeration, mimicry, irony or tone
Semantics
The study of how words create meaning.
Transgressive
The crossing of a boundary of culture or taste, usually with a subversive intention.
Writing Back
A term which describes the appropriation of a text or genre and a rewriting in response. Margaret Atwood’s The Handmaid’s Tale (1985) rewrites the Bible to expose its anti-feminist implications.
Ballad
the ballad verse-form is a simple AB,AB, rhyme structure with simple rhythms
Classical, or Neoclassical
Movements that believe all writing or art should imitate precedents and genres created by the writers or artists of the classical civilisations of Greece and Rome
Effusion
A word meaning a spontaneous expression
Elegy
A poem lamenting a dead person or persons.
Epic
A long poem concerned with large events of conflict. An epic is frequently seen as displaying and testing the values of the civilisation that produced it.
Epithalamium
A poem celebrating a wedding.
Mock-epic
A poem employing the devices of an epic to create a parody of the epic’s grandeur, satirical.
Pastoral
An idealised depiction of rural life.
Romantic
Word that is applied to movements from the late 18th century onwards who valued feelings above thought and originality above derivation.
Sonnet
Generally refers to a 14 line poem with a strict rhyme scheme. Petrarchan sonnets (post 1374) usually have the rhyme scheme a-b-b-a, a-b-b-a, and either c-d-e-c-d-e , c-d-c-c-d-c, or c-d-c-d-c-d. Shakespearean sonnets (post 1600) end with a couplet: a-b-a-b, c-d-c-d, e-f-e-f, g-g.
Absurdist theatre/Theatre of the Absurd
A genre of plays in which apparently impossible or ridiculous events make a statement about the strangeness and irrationality of existence.
Agit-prop (AGITationPROPaganda)
A piece of drama that exists to make a political point. Often performed in the street.
Brechtean Drama
A drama designed to confront its audience directly through devices like the alienation effect, to put forward a political point of view. In Brecht’s case this was used to advance leftwing politics. Sometimes this type of play is called ‘Epic theatre’, especially when created by other playwrights
Classical Drama
Drama observing the rules of Classical Greek and Roman drama, following the critic Aristotle’s codification of three unities’: Unity of time (action takes place within 24 hours), unity of place (only one scene throughout), unity of plot (no sub-plots) (322BC).
Epic theatre
A drama designed to confront its audience directly through devices like the alienation effect, to put forward a political point of view. In Brecht’s case this was used to advance leftwing politics. Sometimes this type of play is called ‘Epic theatre’, especially when created by other playwrights
Farce
A comedy featuring exaggerated situations and physical humour, usually based around the attempt to preserve respectability. The adjective ‘farcical’ is less specific, usually referring to some event that becomes absurd.
Happening
A spontaneous or semi-spontaneous event in a public space that combined theatre and art.
Masque
16th/17th form of court entertainment with music, dancing, and dialogue but emphasising spectacle, costume and theatrical effects rather than plot.
Realistic Drama
An attempt to represent life on stage with the minimum interference from convention. The defining metaphor is that viewing a realistic play should be like looking into a room with one wall missing.
Shakespearean Drama
The name conveniently given to British drama of the Elizabethan and Jacobean period that ignored the rules of classical drama to use large time-spans, sub-plots and many scenes
Catharsis
The process of releasing, and thereby providing relief from, strong or repressed emotions.
Dramatis personae
Latin term for the list of characters in a play
Hamartia
A fatal moral flaw in a protagonist of a tragedy.
Hubris
used to designate overweening pride in a protagonist of a tragedy
Alienation effect
The use of devices that disrupt the illusion of realistic theatre, such as the cast speaking or singing directly to the audience, or holding up signs or slogans.
Aside
A remark to the audience which other characters on stage do not hear. In effect a device used to make a character’s inner feelings evident.
Exeunt
Used to indicate several people leave the stage.
Monologue
A long speech delivered by a character during a conversation
Soliloquy
A solo speech by a character, usually taking place when s/he is alone on stage. Like an aside, it is a way of allowing a character’s thoughts to be overheard
Chronicle
A list of events. Some may be in verse. The emphasis tends to be on action not inner life. Somenare factual, some are not
Epistolary
A novel written in the form of an exchange of letters (epistles).
Gothic
At its simplest the use of medieval and/or supernatural elements to create a horror story. Nowadays the word is often used to describe any story with antique horrors within it.
Magic-realism
A novel written in a realistic style which incorporates impossible or unlikely events.
Picaresque
A novel where the protagonist’s travels and encounters are more important than the protagonist’s character.
Romance
A medieval prose or poetry text that tells a story in which barely possible and supernatural events are an essential feature of the action.
Realistic
The attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, as well as implausible, exotic and supernatural elements.
Naturalism
Describes a type of literature that attempts to apply scientific principles of objectivity and detachment to its study of human beings
Interleaving
The telling of several stories in one text; the stories are interwoven with each other.