Music
AP Music Theory
Unit 8: Modes and Form
ionian mode
aeolian mode
phrygian mode
dorian mode
locrian mode
lydian mode
mixolydian mode
pentatonic scale
major pentatonic
relative minor pentatonic
blues scale
ragas
whole tone scale
heptatonic scale
hexatonic scale
phrase
phrase chain
period
antecedent phrase
consequent phrase
parallel periods
contrasting periods
modulating periods
asymmetrical periods
double periods
chorus
verse
coda
codetta
bridge
exposition
interlude
University/Undergrad
tension
The relationship between phrases can create ________ and release, which is an important aspect of musical expression.
raga
Each ________ has a unique combination of notes, which gives it a distinct character and mood.
sense of tension
It creates a(n) ________ or expectation that is resolved by the consequent phrase.
Mixolydian
________ is similar to Ionian with a lowered 7th scale degree.
Phrygian
________ is similar to Aeolian with a lowered 2nd scale degree.
Ionian
Lydian, Mixolydian, and ________ are major modes.
Ionian mode
________- Same pattern as the major scale.
Dorian
________ is similar to Aeolian with a raised 6th scale degree.
Ionian mode
Same pattern as the major scale
Aeolian mode
Same pattern as the natural minor scale
Pentatonic scale
Has five tones
Major pentatonic
To build it, in the Circle of Fifths, start from C up to 5 consecutive pitches
Relative minor pentatonic
It uses the same pitch as the C pentatonic but it starts on A
Blues scale
A musical scale that is used in blues music and other genres that are influenced by it
Ragas
Melodic frameworks used in Indian classical music
Heptatonic scales
There are seven tones in the scale
Hexatonic scale
There are six tones in this scale
Whole-tone scale
Each pitch is a whole step apart
Musical phrase
A group of musical ideas that form a complete musical thought
Phrase chain
A series of phrases that are related to each other
Period
A group of phrases that form a complete musical idea
Antecedent phrase
The first phrase in a period
Consequent phrase
The second phrase in a period
Parallel periods
Two musical phrases that have the same or similar melodic and rhythmic structure
Contrasting periods
Two musical phrases that have different melodic and rhythmic structures
Modulating periods
Two musical phrases that start in one key and end in a different key
Asymmetrical periods
Two musical phrases that have different lengths or structures
Double period
Four musical phrases that are grouped into two pairs, with each pair having a similar or contrasting structure
Exposition
The opening section of a musical piece that introduces the main themes and melodies, and establishes the key and tonality of the piece
Interlude
A short section that connects two larger sections of a piece used to provide contrast or to transition between different moods or tempos
Bridge
A section that connects two different parts of a song and that often provides a contrast to the verse or chorus
Verse
A section of a song that tells a story or conveys a message
Chorus
A section of a song that is repeated several times throughout the piece
Refrain
A repeated line or phrase that occurs at the end of each verse or chorus
Coda
A concluding section of a musical piece that provides a sense of closure or resolution and may contain a recapitulation of earlier themes or melodies
Codetta
A short concluding section that follows the main coda and is used to provide a final flourish or to bring the piece to a definitive end