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Victorian Period
1832: the Great Reform Act
1837-1901: the reign of Queen Victoria
Advent of realism as a literary mode
Much debate about gender politics
Gender Politics
Victorian rhetoric
“Separate spheres” for men and women
Men: public and political
Women: private and domestic
Masculinity
Strength and stoicism
Femininity
“The angel of the house” vs “the fallen woman”
Imperialism
“The sun never sets on the British empire”
“Civilization in the name of progess”
Crimean War
October 1853 - April 1856 (Crimean peninsula, Black Sea, Turkey)
Russian Empire vs alliance of the Ottoman Empire, U.K., France, and Sardinia
Disease accounted for a disproportionate number of the causalities on both sides
Heroism
The qualities of bravery, courage, and noble actions, often associated with individuals who perform great deeds for the benefit of others or in the face of adversity
Bildungsroman
Genre of Jane Eyre
From the German “novel of education” (first used in 1810): a story that shows the protagonist’s psychological and ethical growth
Reflects (some sometimes departs from) social conventions for the development of “gentlemen” and “ladies”
Afterlives extend into more contemporary “coming of age” novels
Realist Novel
Realism is a theory advanced in John Ruskin’s Modern Painters (1843-1860)
Faithful representation of everyday life
Revolt against pictorial “conventions”
Emphasis on portraying things as they are
Challenges novel characters that are typically seen as perfect
Gothic Novel
Adapts elements derived from folklore and fairytale
Plays with the boundaries of unspeakable fears and desires
shows how the (irrational) past intrudes into the (rational) present
Gothic Elements
Name: derived from Goths (Germanic tribe); used to describe medieval architecture
Gothic writing flourished in the 1790s and into the next century
Key tropes: gloomy castles, hidden archways, ghosts, disappearances, haunting, innocent heroines, lustful villains
Gothic Tropes
Places: liminality and entrapment; secret passageways
Times: movements of transition; past confronts present
Sexual desire: forbidden lusts and loves; asymmetrical power dynamics
Nightmares and the Uncanny: frightening and strangely familiar
Doubt/Epistemic Uncertainty: about the supernatural and spiritual
Sublime: encounters with the mighty, the terrifying, the awesome
Sensation Fiction
Genre related to Gothic fiction and detective fiction
Heyday: 1860s and 1870s
Disturbing the domestic, household sphere
Designed to excite and shock the reader
Autobiography
Tells the story of the author’s developing self
Creates a pact between author and reader
Author overcomes challenges
Reader learns to sympathize with the author
Comedy of Manners
A comedy that satirizes behavior in a particular social group, especially the upper classes
Satire
The use of humor, irony, exaggeration, or ridicule to expose and criticize people's stupidity or vices, particularly in the context of contemporary politics and other topical issues
“Bunburying”
The practice of creating an elaborate deception that allows one to misbehave while seeming to uphold the very highest standards of duty and responsibility
Algernon has invented an imaginary friend named “Bunbury” who is always falling ill; homosexual illusion to the “Bunbury”
Charlotte Brontë (1816-1855)
Author of Jane Eyre
Born and raised in Yorkshire
Worked as a governess (1839-1841)
Studied and taught in Brussels (1842-1844)
Returned to England and began writing
Jane Eyre (1847), Shirley (1850), Villette (1853), and The Professor (1857)
Charlotte Brontë’s Family
Patrick Branwell Brontë (1817-1848): painter, poet, vagabond
Emily Brontë (1818-1948): Wuthering Heights
Anne Brontë (1820-1849): The Tenant of Wildfell Hall; Agnes Grey
Pseudonymous Publication
Jane Eyre was originally published under a pen name “Currer Bell" (The same initials as Charlotte Brontë)
This was likely due to the prejudice against female authors at the time
Ordering of the stages in Jane Eyre’s journey
Gateshead
Lowood
Thornfield
Marsh End
Ferndean
Jane at Gateshead
Being treated poorly by the Reeds
Believes she has no other family and that she is being haunted by Mr. Reed in the Red Room
Sassy with Mr. Broklehurst when he asks what it takes to not go to Hell
Bessie is the only one who treats Jane somewhat kindly
Jane at Lowood
A school where she meets Helen Burns
Helen is a deep thinkers and has stoic resilience (happy with who she is)
Helen is typically late and sloppy
Helen speaks about God as a mighty universal parents
There is a time where she is made to feel shamed in front of the whole school
Miss Temple was the nice teacher
Helen Burns was sick and died with Jane in her arms
Jane spent 8 years at Lowood (6 years as a students and 2 as a teacher)
Advertised to find a new job
Before setting off the Thornfield she reunited with Bessie who tells her about Jane’s family being gentry and that Jane had one living relative
Byronic Hero
A character type names after the Romantic poet, George Gordon Byron
A handsome, melancholic, usually aristocratic man
A man with a dark past and hidden secrets
A figure of sexual intrigue and psychological complexity
Edward Rochester as Byronic Hero?
Rochester has a dark past, with sexual energy'; wealthy
He is also not seen as a Byronic hero because he typically gets put in the place of the victim with Jane being his hero (reversed gender roles)
Humanized and softer in Jane’s eyes
Jane’s Inner Monologues and Addresses to the Reader
Much of Jane’s internal monologues involve her conflicting over different ideals, such as why she is disliked by the Reeds, her views on Christianity, her fairytale like descriptions of other characters, the debate about how she feels about Rochester, and what she should do from that point
Jane Navigates Her Feelings for Rochester
Jane feels led on when Rochester says he is to marry Blanche Ingram
Rochester says he was just trying to play hard to get and that he wants to marry Jane
Jane debates if she should marry him
She does not want to be confined (“I am no bird”)
Does not want to conform to being the angel of the house (rather be a thing than an angel)
After she learns about his first wife, she decides he is not good for her, but still is in love with him
Believes he became more humble after she left and he had been blinded
Jane Eyre at Marsh End
Taken in by Mary and Diana Rivers
Introduces herself by a fake name (Jane Elliot) at first before later telling them the truth
Gets a job as a teacher teaching at a village school for girls (thanks to St. John)
When telling St. John who she actually is, he says that he is her cousin and that his Uncle John who passed away was also her uncle
The cousins split Uncle John’s inheritance so they each get 5,000 pounds
St. John proposes to Jane, but she refuses because marriage is about love to her and knows that she is truly in love with Rochester
Jane Eyre at Ferndean
Reunites with Rochester
Marries him
How does Jane Eyre reflect and challenge Victorian gender norms?
Reflects
Blanche Ingram is seen as the stereotypical upper class woman
St. John is the controlling patriarchy
Bertha Mason is the marginalized women who are unable to speak out
Challenges
Jane Eyre seeks out independence
She expresses strong emotions that would seem out of place for a woman to do in the Victorian era
Rejects submissive roles
Speaks her mind and speaks out against others who she thinks are wrong
Oscar Wilde (1854-1900)
1854: Born October 16th in Dublin, Ireland
1871-1874: Attended Trinity College in Dublin then onto Oxford
1882: First American tour
1884: Marries Constance Lloyd on May 29th
1889-1891: Published The Picture of Dorian Grey
1891: Relationship with Lord Alfred Bruce Douglas (“Bosie”) begins
1895: The Importance of Being Earnest premiers on February 14th
1895: Series of trails in April and May; Wilde sentenced to 2 years of hard labor in prison
1896-1897: Wilde writes De Profundis while in prison
1898: Wilde publishes “The Ballad of Reading Gaol”
1900: Wilde dies on November 30th
Names of Characters (The Importance of Being Earnest)
John (Jack) Worthing (Christened name “Ernest John”)
Algernon Moncrieff (Bunbury is his imaginary friend who is always falling ill when he wants to get out of a social obligation)
Gwendolen Fairfax (desires to marry Jack, who she knows as Ernest, because she is fixated on the name; She says it “inspires absolute confidence”)
Cecily Cardew (also interested in the name Ernest; lives in a fantasy almost especially when she says that Algernon (known as Ernest to her that the time) and her are already married)
Lady Bracknell (represents the old world; Algernon’s aunt; has an issue with Jack marrying Gwendolen because of his parentage)
Rev. Canon Chausible (Minister; has trouble living in his public life as a clergyman and private life as a man in love with Miss Prism)
Miss Prism (Governess; claims there is a clear difference between right and wrong; was still a woman in love; though she was all talk in good and bad, she left baby Jack in a handbag at the railway station when she was meant to be caring for him)
Merriman (Jack’s Butler)
Lane (Algernon’s Butler)
Basic Features of Wilde’s “Comedies of Society”
Juxtaposition of the comic and the serious
Driven by witty banter and wordplay
Themes: mistaken identities, love triangles
Moves quickly from chaos to resolution, often within a single day or two
Critique of Victorian manners and social norms (class, gender, marriage, “the good”)
Aestheticism
Often identified with the motto “art for art’s sake”
Art should not be evaluated for its functionality or morality but soley for its beauty
Shifted emphasis from realist claims about objectivity to a focus on subjective perceptions
How does The Importance of Being Earnest reflect and challenge Victorian norms of gender and class?
Reflects
The importance of social class when getting married
The men are suave and witty which are stereotypical traits for Victorian men
They also care about their social and outward appearances
The women tends to be charming and wanting of good husbands
Marriage is seen as a way to rise up in social class
Challenges
The men are trying to play into the women’s wishes to make them fall in love
The women are very self-possessed and are able to show intellect
Jack ends up being apart of a wealthy family in the end
Mary Seacole
Born in Kingston, Jamaica (Jamaican and Scottish ancestry)
Ran lodging houses and taverns in the Caribbean and Central America, where she learned her medical skills
Set up “the British Hotel” during the Crimean war and nursed British soldiers (funded by herself)
Wrote Wonderful Adventures of Mrs. Seacole in Many Lands
What happens when Mary Seacole meets up with Florence Nightingale?
Nightingale is impatient with Mary Seacole; very brash
Nightingale says that Seacole can room with the washer women
This is likely because Seacole seems like she would fit in better with the washer woman instead of being seen out as a nurse
How does Seacole’s autobiography reflect or challenge Victorian gender norms and imperial biases?
Reflects
Tries to favor the British readers by playing up her Scottish ancestry and by using the term “lazy Creole” even though she does not play into that term
States that racism is an American thing, not something the British do
Tries to reason with why she was not allowed to be a nurse through many companies
“Only women know how to soothe and bless”
Uses gender stereotypes to overcome racial stereotypes
Quotes the Bible
Challenges
Comparing the Creole to the British
Creole people cry openly while the British hide their pain
Creole are used to seeing places like Constantinople while the British are outwardly judgy and serious
Proves her experience
Raises money to get herself to being a known nurse even though other companies pushed her away
How does Seacole overcome challenges and invite the reader’s interest in her story?
Seacole overcomes challenges by being self-reliant and wanting to go out and help others
She invites the reader’s interest in her story by proving how she is worthy and qualified to be a nurse in the war, so that the readers can be a source of empathy as well as credibility.