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making change (Brecht)
“arouse the audience’s capacity for action”
keeping attention (Brecht)
“the despairing hope of the theatre is to keep a hold of its public by constantly capitulating to its tastes”
curiosity + contemplation (Brecht)
“instead of using conjuring tricks, the actors must invite the audience to question what it sees taking place on stage”
props + furniture (Brecht)
“everything on stage must play a part”
familiarity
“making the familiar, unfamiliar”
attitude (Scanlan)
“resignation and rebellion is fundamentally intertwined with Buchner’s attitude”
representation (Hamlet)
“age and body of the time and pressure”
purpose
“art it not a mirror with which to reflect reality, but a hammer with which to shape it”