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authentic
dominant to tonic (V/vii - I)
perfect authentic cadence
V-I or V7-I, root position chords where soprano ends on tonic
imperfect authentic cadence
all other versions (root position, inverted, leading tone)
deceptive cadence
V-vi
half cadence
ends on the V
phrygian half cadence
iv6-V
plagal cadence
IV-I