SET 4 - History of Art: ID-2241 Exam 4

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Humanism

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<p>Name?</p><p>Date?</p><p>Period?</p><p>Facts?</p><p></p>

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David

1432

Humanism Art

  • Giottesque becomes Humanism

  • sculpted by Donatello, (Quattrocento)

  • story of David and Goliath

  • subject matter

    • after the defeat of Goliath hero as triumphant transtion

    • from youth to maturity

  • focus on human hero (not mythological character, mortal) intellect over might (without armor, not using body to resolve issue), beauty of human body as representing the "perfection of the soul"

  • lost wax process of bronze casting

  • open form, free standing

  • contrapposto stance ("ponderation", first of its kind in a long time)

  • first nude figure since ancient Greek/Roman period (nude images were banned by Church)

  • first successful use of contrapposto stance since the ancient Greek period

  • first free-standing sculptural figure since the Greek-Roman period

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Tribute Money, Brancacci Chapel, Florence

1427

Humanism Art

  • tax tribute being paid to the Romans

  • painted by Masaccio, in the Brancacci Chapel in Florence, (Quattrocento)

  • continuous narration (showing the story of Peter paying taxes)

  • Giottesque

    • 3D earthly space/3D earthly humans, perspective systems (planimetric separation, overlapping, linear perspective with orthogonals)

  • Sfumato (further away become sky becomes distorted to imply that it is very deep)

  • modeling (convexity of human forms)

  • dramatic (human) moment

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Expulsion of Adam and Eve, Brancacci Chapel, Florence

1425

Humanism Art

  • painted by Massacio in the Brancacci Chapel in Florence (Quattrocento)

  • earthly-human space beyond depicted arch

  • shown as nude to emphasize their human state, casting shadows

  • focus on human dilemma, - moving through space, time

  • emotion (suffering) - Eve: birthpains, Adam: toil

  • anatomy (navel) - earthly born, having to birth children, amblical cord

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Dome of Florence Cathedral

Humanism Art

1436

  • designed by Filippo Brunelleschi

  • studied human ribcage

  • double shell (8 exterior ribs, 24 interior ribs, based on human anatomy, transfer weight downwards)

  • lantern on top of dome , small tower placed on top of dome

    • starts transfer of weight,

    • latern necessary to stabilize dome shape

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Genevra di Benci

1480

Humanism Art

  • painted by Leonardo da Vinci

  • smaller than lifesize

  • concave space (earthly human space)

    • perspective systems (planimetric separation)

    • vanishing point - where it all disappears, complete distance

  • convex forms (human forms in earthly space, conforming to gravity and 3-dimensionality)

  • 3/4 pose (one shoulder in foreground, other in middle ground, mediation)

  • chiaroscuro - mapping of convex, concave surface with shadows

  • Genevra = Juniper tree, her name (tree is located in the painting, behind her head)

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The Last Supper, the refectory of Santa Maria delle Grazie, Milan

1498

Humanism Art

  • Painted by Leonardo da Vinci in the refectory of Santa Maria delle Grazie

  • waxing pigment would come of wall before restoration 

  • door cut into wall that removed the feet of Christ

  • Eucharist 

  • Streatched out that makes up a triangle

  • Three windows

  • Disciples in groups of three making up in a triangle

  • vanishing point (distant point at which infinity is implied)

  • realistic earthly halo - light refelcting from windows on back of head becomes halo

  • viewer vantage point from other communion table

  • orthogonals from painting "in the architecture" to match actual room

  • implied lines (eye beams)

  • multiple moments, represents humanity of Christ in earthly setting

  • gesturing away, like everyone is reacting to something, Christ announces someone will betray him

  • Judas

    • head is the lowest, tells his story

  • Thomas

    • touches the resurrection of Christ

  • Peter

    • holds a knife to represent that he will cut off someone’s ear later

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Mona Lisa

1505

Humanism

  • painted by Leonardo da Vinci

  • concave space (planimetric separation, vanishing point)

  • convex form (3/4 pose, , )

  • chiaroscuro

  • modeling

  • 30 layers of paint (building space, layering, creating forms)

    • from inner to outer

    • strcuture

    • skin

    • clothing/hair

    • light/shadows

  • divides lanscape after head and after body

    • different landscape behind head (divine creation by God) and behind body (creation by humans, bridges, roads)

  • implied lines (motion, eye glance)

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Cartoon for Leonardo, Virgin and Child with St. Anne

1498

Humanism

  • Drawn by Leonardo da Vinci

  • cartoon (life-sized preparatory study)

  • Anne (mother of Mary), Mary, infant Jesus, John the Baptist

  • eye glance (depicts family lineage, maternal family tree)

  • pointing gesture to God the Father, bleassing hand up to Godblessing

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Oil Painting of Virgin and Child with St. Anne

1513

Humanism

  • Painted by Leonardo da Vinci

  • Removes John the Baptist and is replaced with a lamb, represnting that Christ is the sacrifce

  • Anne: foundation, feet on ground, most earthly

  • Virgin Mary: floating, in between earthly and divine

  • upper background back of human heads(divine creation) and lower background behind bodies (earthly/human)

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Vitruvian Man

Humanism

  • notebook page written by Leonardo da Vinci

  • Vitruvius (1st c. BC Roman architect)

  • human as center of the world

    • navel

    • self-portrait

  • geometrically perfect

    • square reconciled with circle

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School of Athens, Raphael in the Vatican

1509-1511

Humanism

  • painted by Raphael in the Vatican

  • references to Ancient Greco-Roman world

  • representation of Earthl/human

  • concave space

    • human made architecture

    • planimetric separation

      • foreground: the Renaissance world/artists - architecure, Brunelleschi

      • middle ground the ancient Greco-Roman world: Plato, Aristotle

    • vanishing point

    • linear perspective, orthogonals

  • convex forms

    • modeling

    • chiaroscuro

  • Plato (ancient Greek philosophy) and Aristotle (ancient Science)

  • references to Renaissance artists in foreground

  • connects Renaissance "renewal" with knowledge from the past

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Humanism characteristics

Quattrocentric Art: Humanism

  • Bubonic plague so a gap in history

  • referring to the Ducciesque and Giottesque styles

  • Giotesque becomes Humanism

    • focus on human form

    • focus on human stories

  • accurate human anatomy: contrapposto (ancient Greek sculpture)

  • Nudity - human body as the refelction of the perfection of the soul, perfect engineering (Ancient Greco-Roman philosophy)

  • Stories of human heriosm (not mythological stories)

  • representation of human emotion, psychology

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ponderation

perfection of the contrapasso 

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continuous narration

multiple moments in a story that is presented in the same space

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Sfumato

"mistiness", atmospheric perspective, concave space

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vanishing point

background space so distant that it disappears = infinity

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chiaroscuro

clear/obscure, manipulation of lines to indicate depth of shadows, technique to produce 3D effect, lines to indicate shadows

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cartoon

life-sized preparatory study