Body Paragraph 1 Reflection

The construction of structural elements in my composition has allowed for audiences to successfully engage with the thematic concepts of “Living in Australia”

The construction of structural elements in my composition has allowed for audiences to successfully engage with the thematic concepts of “Living in Australia”

Melanie Cheng’s Fracture conveys suspenseful undertones through punctuation and imagery:

The construction of structural elements in my composition has allowed for audiences to successfully engage with the thematic concepts of “Living in Australia”. Melanie Cheng’s Fracture conveys suspenseful undertones through punctuation and imagery:

“There was no mistaking it - the bright green handle”.

The construction of structural elements in my composition has allowed for audiences to successfully engage with the thematic concepts of “Living in Australia”. Melanie Cheng’s Fracture conveys suspenseful undertones through punctuation and imagery: “There was no mistaking it - the bright green handle”.

This is emulated through the anaphora of truncated sentences in: “Thump-thump” which establishes psychological undertones.

The construction of structural elements in my composition has allowed for audiences to successfully engage with the thematic concepts of “Living in Australia”. Melanie Cheng’s Fracture conveys suspenseful undertones through punctuation and imagery: “There was no mistaking it - the bright green handle”. This is emulated through the anaphora of truncated sentences in: “Thump-thump” which establishes psychological undertones.

The thriller genre emphasises the moral ambiguity of characters, highlighting how marginalised communities are often mistreated due to power corrupting ethical codes, inspired by the conceptualisation of Stimulus 1

The construction of structural elements in my composition has allowed for audiences to successfully engage with the thematic concepts of “Living in Australia”. Melanie Cheng’s Fracture conveys suspenseful undertones through punctuation and imagery: “There was no mistaking it - the bright green handle”. This is emulated through the anaphora of truncated sentences in: “Thump-thump” which establishes psychological undertones. The thriller genre emphasises the moral ambiguity of characters, highlighting how marginalised communities are often mistreated due to power corrupting ethical codes, inspired by the conceptualisation of Stimulus 1

Stimulus 1 can also be thematically linked to the concept of stereotyping within Australian society, with the ‘cracks’ representing the groups individuals are broken into, directly contrasting the idea of a ‘unified’ Australia.

The construction of structural elements in my composition has allowed for audiences to successfully engage with the thematic concepts of “Living in Australia”. Melanie Cheng’s Fracture conveys suspenseful undertones through punctuation and imagery: “There was no mistaking it - the bright green handle”. This is emulated through the anaphora of truncated sentences in: “Thump-thump” which establishes psychological undertones. The thriller genre emphasises the moral ambiguity of characters, highlighting how marginalised communities are often mistreated due to power corrupting ethical codes, inspired by the conceptualisation of Stimulus 1. Stimulus 1 can also be thematically linked to the concept of stereotyping within Australian society, with the ‘cracks’ representing the groups individuals are broken into, directly contrasting the idea of a ‘unified’ Australia.

The ‘man’ is intentionally ambiguous representing the ‘invisible’ treatment marginalised communities, such as homeless people, are afforded, due to a blanket stereotyping of these groups.

The construction of structural elements in my composition has allowed for audiences to successfully engage with the thematic concepts of “Living in Australia”. Melanie Cheng’s Fracture conveys suspenseful undertones through punctuation and imagery: “There was no mistaking it - the bright green handle”. This is emulated through the anaphora of truncated sentences in: “Thump-thump” which establishes psychological undertones. The thriller genre emphasises the moral ambiguity of characters, highlighting how marginalised communities are often mistreated due to power corrupting ethical codes, inspired by the conceptualisation of Stimulus 1. Stimulus 1 can also be thematically linked to the concept of stereotyping within Australian society, with the ‘cracks’ representing the groups individuals are broken into, directly contrasting the idea of a ‘unified’ Australia. The ‘man’ is intentionally ambiguous representing the ‘invisible’ treatment marginalised communities, such as homeless people, are afforded, due to a blanket stereotyping of these groups.

The use of a tricolon and truncated sentences: “No family. No friends. No one to remember him” emphasises a volta in Jack’s internal monologue, disregarding the homeless man’s life due to stereotypes, further conveying the disparities within Australian society

The construction of structural elements in my composition has allowed for audiences to successfully engage with the thematic concepts of “Living in Australia”. Melanie Cheng’s Fracture conveys suspenseful undertones through punctuation and imagery: “There was no mistaking it - the bright green handle”. This is emulated through the anaphora of truncated sentences in: “Thump-thump” which establishes psychological undertones. The thriller genre emphasises the moral ambiguity of characters, highlighting how marginalised communities are often mistreated due to power corrupting ethical codes, inspired by the conceptualisation of Stimulus 1. Stimulus 1 can also be thematically linked to the concept of stereotyping within Australian society, with the ‘cracks’ representing the groups individuals are broken into, directly contrasting the idea of a ‘unified’ Australia. The ‘man’ is intentionally ambiguous representing the ‘invisible’ treatment marginalised communities, such as homeless people, are afforded, due to a blanket stereotyping of these groups. The use of a tricolon and truncated sentences: “No family. No friends. No one to remember him” emphasises a volta in Jack’s internal monologue, disregarding the homeless man’s life due to stereotypes, further conveying the disparities within Australian society

Thus the inspiration of stylistic choices from ‘Fracture’ has allowed for an effective exploration of the concept of ‘the other’ within Australian society

The construction of structural elements in my composition has allowed for audiences to successfully engage with the thematic concepts of “Living in Australia”. Melanie Cheng’s Fracture conveys suspenseful undertones through punctuation and imagery: “There was no mistaking it - the bright green handle”. This is emulated through the anaphora of truncated sentences in: “Thump-thump” which establishes psychological undertones. The thriller genre emphasises the moral ambiguity of characters, highlighting how marginalised communities are often mistreated due to power corrupting ethical codes, inspired by the conceptualisation of Stimulus 1. Stimulus 1 can also be thematically linked to the concept of stereotyping within Australian society, with the ‘cracks’ representing the groups individuals are broken into, directly contrasting the idea of a ‘unified’ Australia. The ‘man’ is intentionally ambiguous representing the ‘invisible’ treatment marginalised communities, such as homeless people, are afforded, due to a blanket stereotyping of these groups. The use of a tricolon and truncated sentences: “No family. No friends. No one to remember him” emphasises a volta in Jack’s internal monologue, disregarding the homeless man’s life due to stereotypes, further conveying the disparities within Australian society. Thus the inspiration of stylistic choices from ‘Fracture’ has allowed for an effective exploration of the concept of ‘the other’ within Australian society