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Who was Jacques-Louis David's most famous student
Jean-Auguste-Dominique Ingres
Grande Odalisque
Jean-Auguste-Dominique Ingres 1814, Orientalism, France, oil on canvas.
The painting uses many neoclassical elements but expands beyond that by distorting the body. This painting signifies Ingres' break from Neoclassicism, indicating a shift toward exotic Romanticism.
The Death of Sardanapalus
Eugene Delacroix, 1827, Romanticism, France, oil on canvas.
The painting is an orgy of violence, luxury, and corruption as the King is surrounded by objects and people who are in snake/serpent-like positions to represent flames. The art is an antithesis of Neoclassicism and David.
The Raft of the Medusa
Théodore Gèricault, 1818-1819, Romanticism, France, oil on canvas. Usually, large paintings were for important/heroic subjects, but this showed the opposite. It depicts people who were abandoned at sea and represents an anti-monarch/king theme.
Romanticism characteristics
human emotions, fluid brushstrokes, emphasized diagonals, energized composition
The Slave Ship
Turner, 1840 Romanticism, England, oil on canvas. The painting shows slaves thrown overboard in a seascape as captains of slave ships would try to collect insurance.
The Oxbow
Thomas Cole, 1836, Romanticism, United States(View from Mount Holyoke), oil on canvas.
Family of Charles IV
Goya, 1800, Romanticism, Spain, oil on canvas. It directly references Las Meninas by Velázquez, and uses less idealism/ shows more humanity than other royal portraits.
The Abbey in the Oakwood
Friedrich, 1810, Romanticism, Germany, oil on canvas. An old abbey(religious building) in disrepair and the painting shows that nature is eternal while what man makes is transient. The moon and other elements give a sense of renewal and resurrection to represent eternal issues.
The Gleaners
Millet, 1857, Realism, France, oil on canvas. The people are gleaners who are rural beggars that pick up leftovers of a harvest. Many were scared of the painting as it could revolutionize the poor.
Le Déjeuner sur l'herbe(The Luncheon on the Grass)
Manet, 1863, Realism, France, oil on canvas. Originally titled the bath and was exhibited in the museum of rejected artworks. It took inspiration from Titan, Pastoral Concert, and Raphael, The Judgement of Paris.
Olympia
Manet, 1863, Realism, France, oil on canvas. It draws from Titian's Venus of Urbino, but it tears down its mythology and makes it more realistic. Laure is the black figure in the painting. Critics say olympia was a cadaver with her small amount of modeling.
Still Life in the Studio
Louis-Jacques-Mandé Daguerre, 1837, Photography, France, Daguerreotype.