ARH2051 Quiz 3

Studied by 0 people

0.0(0)

Get a hint

Hint

Who was Jacques-Louis David's most famous student

1 / 12

There's no tags or description

Looks like no one added any tags here yet for you.

13 Terms

1

Who was Jacques-Louis David's most famous student

Jean-Auguste-Dominique Ingres

New cards

2

Grande Odalisque

Jean-Auguste-Dominique Ingres 1814, Orientalism, France, oil on canvas.
The painting uses many neoclassical elements but expands beyond that by distorting the body. This painting signifies Ingres' break from Neoclassicism, indicating a shift toward exotic Romanticism.

<p>Jean-Auguste-Dominique Ingres 1814, Orientalism, France, oil on canvas.<br>The painting uses many neoclassical elements but expands beyond that by distorting the body. This painting signifies Ingres' break from Neoclassicism, indicating a shift toward exotic Romanticism.</p>

New cards

3

The Death of Sardanapalus

Eugene Delacroix, 1827, Romanticism, France, oil on canvas.
The painting is an orgy of violence, luxury, and corruption as the King is surrounded by objects and people who are in snake/serpent-like positions to represent flames. The art is an antithesis of Neoclassicism and David.

<p>Eugene Delacroix, 1827, Romanticism, France, oil on canvas.<br>The painting is an orgy of violence, luxury, and corruption as the King is surrounded by objects and people who are in snake/serpent-like positions to represent flames. The art is an antithesis of Neoclassicism and David.</p>

New cards

4

The Raft of the Medusa

Théodore Gèricault, 1818-1819, Romanticism, France, oil on canvas. Usually, large paintings were for important/heroic subjects, but this showed the opposite. It depicts people who were abandoned at sea and represents an anti-monarch/king theme.

<p>Théodore Gèricault, 1818-1819, Romanticism, France, oil on canvas. Usually, large paintings were for important/heroic subjects, but this showed the opposite. It depicts people who were abandoned at sea and represents an anti-monarch/king theme.</p>

New cards

5

Romanticism characteristics

human emotions, fluid brushstrokes, emphasized diagonals, energized composition

New cards

6

The Slave Ship

Turner, 1840 Romanticism, England, oil on canvas. The painting shows slaves thrown overboard in a seascape as captains of slave ships would try to collect insurance.

<p>Turner, 1840 Romanticism, England, oil on canvas. The painting shows slaves thrown overboard in a seascape as captains of slave ships would try to collect insurance.</p>

New cards

7

The Oxbow

Thomas Cole, 1836, Romanticism, United States(View from Mount Holyoke), oil on canvas.

New cards

8

Family of Charles IV

Goya, 1800, Romanticism, Spain, oil on canvas. It directly references Las Meninas by Velázquez, and uses less idealism/ shows more humanity than other royal portraits.

<p>Goya, 1800, Romanticism, Spain, oil on canvas. It directly references Las Meninas by Velázquez, and uses less idealism/ shows more humanity than other royal portraits.</p>

New cards

9

The Abbey in the Oakwood

Friedrich, 1810, Romanticism, Germany, oil on canvas. An old abbey(religious building) in disrepair and the painting shows that nature is eternal while what man makes is transient. The moon and other elements give a sense of renewal and resurrection to represent eternal issues.

<p>Friedrich, 1810, Romanticism, Germany, oil on canvas. An old abbey(religious building) in disrepair and the painting shows that nature is eternal while what man makes is transient. The moon and other elements give a sense of renewal and resurrection to represent eternal issues.</p>

New cards

10

The Gleaners

Millet, 1857, Realism, France, oil on canvas. The people are gleaners who are rural beggars that pick up leftovers of a harvest. Many were scared of the painting as it could revolutionize the poor.

<p>Millet, 1857, Realism, France, oil on canvas. The people are gleaners who are rural beggars that pick up leftovers of a harvest. Many were scared of the painting as it could revolutionize the poor.</p>

New cards

11

Le Déjeuner sur l'herbe(The Luncheon on the Grass)

Manet, 1863, Realism, France, oil on canvas. Originally titled the bath and was exhibited in the museum of rejected artworks. It took inspiration from Titan, Pastoral Concert, and Raphael, The Judgement of Paris.

<p>Manet, 1863, Realism, France, oil on canvas. Originally titled the bath and was exhibited in the museum of rejected artworks. It took inspiration from Titan, Pastoral Concert, and Raphael, The Judgement of Paris.</p>

New cards

12

Olympia

Manet, 1863, Realism, France, oil on canvas. It draws from Titian's Venus of Urbino, but it tears down its mythology and makes it more realistic. Laure is the black figure in the painting. Critics say olympia was a cadaver with her small amount of modeling.