Unit 7: Harmony and Voice Leading IV: Secondary Function

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18 Terms

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fifth degree
It is usually a major chord built on the ________ of the target chord.
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four part writing
In ________, the fifth of the secondary dominant can be omitted if necessary to avoid voice leading errors.
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Suffixes
________ and prefixes are added to chord symbols to indicate their function in a progression.
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Secondary key
Key that is not the primary key of a piece of music but is used temporarily to create a sense of tension or contrast
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Temporary tonic
The note that becomes the new tonal center when a secondary key is used
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Closely related keys
Keys that share many of the same notes as the primary key
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Secondary dominant
Dominant chord that is not in the primary key but is used to tonicize a chord in a secondary key
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Secondary dominant
A chord that functions as the dominant of a chord other than the tonic
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Regular resolution
A type of resolution in which the leading tone of a chord resolves upwards to the tonic
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Irregular resolution
A type of resolution in which the leading tone of a chord resolves downwards to a note other than the tonic
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Deceptive resolution
A type of resolution in which the leading tone of a chord resolves to a chord other than the expected tonic
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Deceptive motion
A harmonic motion that leads the listener to expect a certain chord, but instead, a different chord is played
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Tonicizing deceptive motion
A technique where a deceptive cadence is used to establish a new key
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most common secondary dominants
* V/V (the dominant of the dominant)
* V/ii (the dominant of the supertonic)
* V/IV (the dominant of the subdominant)
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most common suffixes
"7" and "maj7"
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most common prefixes
"I" and "V"
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Closely related keys to a major key
* Its relative minor
* The keys a fifth above and a fifth below
* The parallel minor
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Closely related keys to a minor key
* Its relative major
* The keys a fifth above and a fifth below
* The parallel major