Music Theory Unit 2 Test Review

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34 Terms

1
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Common Tone Method - 5ths #1

Retain common tone, move other notes to remaining pitches

2
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Similar Motion Method - 5ths #2

Move all notes in the same direction as the shift in the root

3
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3rd to 3rd Method- 5ths #3

Retain common tone, move other voices to next closest pitch

4
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Root movement by 2nds

Contrary movement to that of the root

5
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Root movement by 3rds

Retain all common tones and move other notes to remaining pitches

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Bass Movement

the note played in the bass (lowest) voice

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Root Movement

the notes that the chord is formed on

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Soprano voice range

Treble - low C to high A

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Alto voice range

Treble - low G to middle D

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Tenor voice range

Bass - middle C to high G (treble middle A to high E)

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Bass voice range

Bass - low E to high C (treble low C to high A)

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1st inversion notation

6

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2nd inversion notation

6/4

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7th chord notation

7

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1st inversion 7th chord notation

6/5

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2nd inversion 7th chord notation

4/3

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3rd inversion 7th chord notation

4/2

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Bass note in 1st inversion

3rd note of chord

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Bass note in 2nd inversion

5th note of chord

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Bass note in 3rd inversion (7th chords only)

7th note of chord

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Cadence

Musical punctuation between or at the end of phrases

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Perfect Authentic Cadence

V-I, final cadences, tonic in soprano and bass of I, no inversions

23
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Imperfect Authentic Cadence

V-I, not final cadences, 3rd or 5th in soprano rather than tonic, can have inversions

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Half Cadence

I-V, interior cadence, can have inversions

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Deceptive Cadence

V-VI, never final cadence, tonic in soprano of VI (inversions???)

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Plagal Cadence

IV-I, mostly interior cadence, tonic note held as common tone in soprano part

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Crossing Voices

Never allow a progression in one voice to pass over other voices

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SATB Spacing

Keep SAT within an octave of each other, keep an octave of space in between T and B

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7th Chord Progression Rule

The 7th of the chord must be lowered by 2 half steps to the next note, and the other voices must follow the general rules of movement (2nds, 3rds, 5ths)

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Major Chord

1st, 3rd, 5th

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Minor Chord

1st, 3rd lowered 1 half step, 5th

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7th Chord

1st, 3rd, 5th, 7th

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Diminished Chord

1st, 3rd and 5th down 1 half step

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Augmented Chord

1st, 3rd, 5th up 1 half step