Music Theory Unit 2 Test Review

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Common Tone Method - 5ths #1

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34 Terms

1

Common Tone Method - 5ths #1

Retain common tone, move other notes to remaining pitches

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2

Similar Motion Method - 5ths #2

Move all notes in the same direction as the shift in the root

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3

3rd to 3rd Method- 5ths #3

Retain common tone, move other voices to next closest pitch

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4

Root movement by 2nds

Contrary movement to that of the root

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5

Root movement by 3rds

Retain all common tones and move other notes to remaining pitches

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6

Bass Movement

the note played in the bass (lowest) voice

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7

Root Movement

the notes that the chord is formed on

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8

Soprano voice range

Treble - low C to high A

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9

Alto voice range

Treble - low G to middle D

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10

Tenor voice range

Bass - middle C to high G (treble middle A to high E)

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11

Bass voice range

Bass - low E to high C (treble low C to high A)

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12

1st inversion notation

6

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13

2nd inversion notation

6/4

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14

7th chord notation

7

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15

1st inversion 7th chord notation

6/5

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16

2nd inversion 7th chord notation

4/3

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17

3rd inversion 7th chord notation

4/2

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18

Bass note in 1st inversion

3rd note of chord

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19

Bass note in 2nd inversion

5th note of chord

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20

Bass note in 3rd inversion (7th chords only)

7th note of chord

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21

Cadence

Musical punctuation between or at the end of phrases

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22

Perfect Authentic Cadence

V-I, final cadences, tonic in soprano and bass of I, no inversions

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23

Imperfect Authentic Cadence

V-I, not final cadences, 3rd or 5th in soprano rather than tonic, can have inversions

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24

Half Cadence

I-V, interior cadence, can have inversions

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25

Deceptive Cadence

V-VI, never final cadence, tonic in soprano of VI (inversions???)

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26

Plagal Cadence

IV-I, mostly interior cadence, tonic note held as common tone in soprano part

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27

Crossing Voices

Never allow a progression in one voice to pass over other voices

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28

SATB Spacing

Keep SAT within an octave of each other, keep an octave of space in between T and B

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29

7th Chord Progression Rule

The 7th of the chord must be lowered by 2 half steps to the next note, and the other voices must follow the general rules of movement (2nds, 3rds, 5ths)

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30

Major Chord

1st, 3rd, 5th

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31

Minor Chord

1st, 3rd lowered 1 half step, 5th

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32

7th Chord

1st, 3rd, 5th, 7th

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33

Diminished Chord

1st, 3rd and 5th down 1 half step

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34

Augmented Chord

1st, 3rd, 5th up 1 half step

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